Tag: Oceanator

MUSIQUE BOUTIQUE: Oceanator, The Linda Lindas, Suzi Quatro, Flummox

Welcome to Audiofemme’s record review column, Musique Boutique, written by music journo vet Gillian G. Gaar. The last Monday of each month, Musique Boutique offers a cross-section of noteworthy reissues and new releases guaranteed to perk up your ears.

Brooklyn-based musician Elise Okusami has released her sophomore record as Oceanator, Nothing’s Ever Fine (Polyvinyl Record Co.). The album takes you through the course of a single day, an emotional journey that’s both fraught and reflective. The shimmering guitars of the opening track, “Morning,” hint at the turmoil that lies ahead. But the day gets off to a good start with “The Last Summer,” a fond look back at the bygone days of cruising around with your friends, and “Beach Days (Alive Again),” about the glory of spending time in the sun.

Then reality comes crashing back in the stark “Solar Flares,” as that sun turns into a destructive force (“The lights fade/And the grid fails/The phones are down/No water to be found”). From that point on, tensions rise. “Stuck,” with its crunchy guitars and quiet verse/loud chorus dynamic is reminiscent of ’90s indie rock (think Pixies, Nirvana). “From the Van” is a twisted trip on the road to nowhere, a gnarly mash-up of grunge and Beach Boys harmonies. The bright pop of “Bad Brain Daze” can’t disguise the incessant anxiety that runs through the song like the sound of a clock that’s ticking too loudly. Nightfall brings some solace in “Summer Rain.” But while the closing song, “Evening,” starts out with dulcet tones, it soon escalates into an all-encompassing roar of sound that leaves you with a sense of unease. Nothing’s Ever Fine is an excellent depiction of the uncertainties that might plague you during your waking hours, set to a roiling musical backdrop that demands your attention.

The Linda Lindas were already making a splash. The LA-based band, formed in 2018 by two sisters, their cousin, and a friend (then between the ages of 8 and 13), quickly found themselves opening for Bikini Kill, appearing in Amy Poehler’s movie Moxie, and recording a song for the documentary The Claudia Kishi Club. Then a video of the band performing on May 4, 2021, at a branch of the Los Angeles Public Library went viral, and everything ramped up; by the end of that month they had a record deal with Epitaph.

Now comes their debut album for the label, Growing Up, an invigorating, joyful blast of poppy punk. There are songs about cats, like “Nino,” the savage killer of mice and rats who’s nonetheless the “friendliest cat you’ll meet.” There are songs about racism, including the raging “Racist Sexist Boy,” inspired by a comment made to drummer Mila de la Garza at school, and the similarly themed “Cuántas Veces” (the band’s members are of Asian and Latino heritage). “Talking to Myself” is about the anxiety of being alone during a time of isolation (and also has a great video inspired by a Twilight Zone episode). If “Why” strikes a despairing note (“I just shout and never sing/No one likes it anyway”), the overall vibe is decidedly positive, centered around the group’s empowering credo, “We rebuild what you destroy.” And in the best punk tradition, the album’s running time is just under 30 minutes.

After getting her start in her father’s band, the Art Quatro Trio, and then joining her sister Patti in the Pleasure Seekers, Suzi Quatro moved to the UK in 1971 to pursue a solo career. The hits “Can the Can,” “48 Crash” and “Devil Gate Drive” followed, while in the US she became best known for the song “Stumblin’ In,” a duet with Chris Norman, and recurring role as musician Leather Tuscadero in Happy Days.

She’s since pursued a career in film, theater, and radio, but she never stopped recording, and 7TS Records is now reissuing some of her back catalogue. Up first is Back to the…Spotlight, featuring her first two albums of the 21st century, Back to the Drive (2006) and In the Spotlight (2011), as well as bonus tracks. They’re both albums that take her back to her rock ‘n’ roll roots. On the former, the title track has all the bracing swagger of the best of her ’70s work, the sassy “I Don’t Do Gentle” channels 1950s Elvis, and she powers through a storming cover of “Rockin’ in the Free World.” On In the Spotlight both “Rosie Rose” and Goldfrapp’s “Strict Machine” crackle with innuendo, there’s a rollicking cover of Elvis Presley’s “Hard Headed Woman,” and the best bonus track on the set, a cover of Abba’s “Does Your Mama Know.”

The words “Queer/Transfemme Nashville Prog/Metal band” in the subject heading of the email caught my eye – how can you not want to find out more from that description? Not to mention the “RIYL” tag that included not only Primus and Ween, but also Frank Zappa and Danny Elfman. Thus I discovered Flummox and their latest album, Rephlummoxed (Needlejuice Records).

You don’t have to see the band in performance to know there’s a strong element of theatricality in their work. Alyson Blake Dellinger, the band’s lead vocalist/bassist, says they wanted the track “Pan’s Daughter” (inspired by Arthur Machen’s novella The Great God Pan) “to sound like a horror film,” and the song’s grinding maw of sound, which switches into a pummeling overdrive, then burns out leaving nothing behind but ashes, certainly brings some unsettling imagery to mind.

But not every song sounds like it’s trying to beat you into submission. “Hummingbird Anthem” is something of a country-esque stomper. “Custodian Ralph” has a taut new wave beat underlying an increasingly fractured melody. Then in comes the headbanging power of “The Whispering Banshees,” no holds barred rawk that shakes you down to your shoes. Take a walk on the wild side.

AF 2020 IN REVIEW: Our Favorite Albums & Singles of The Year

In a year that’s been like no other for the music industry, it feels a bit weird to make a best of 2020 list – there have been no tours, venues and clubs across the globe are in danger of closing their doors for good, release schedules were shuffled beyond recognition, and musicians have had to find other ways to make ends meet while those in the U.S. await the next round of paltry stimulus checks. With a situation so dire, the metrics have changed – should we ascribe arbitrary value to the skill of producers, songwriters, performers, and the execution of their finished projects, or simply celebrate records that made us feel like the whole world wasn’t crumbling?

Definitively ranking releases has never been the Audiofemme model for looking back on the year in music. Instead, our writers each share a short list of what moved them most, in the hopes that our readers will find something that moves them, too. Whether you spent the lockdown voraciously listening to more new music this year than ever before, or fell back on comforting favorites, or didn’t have the headspace to absorb the wealth of music inspired by the pandemic, the variety here emphasizes how truly essential music can be to our well-being. If you’re in the position to do so, support your favorite artists and venues by buying merch, and check out the National Independent Venue Association to stay updated on what’s happening with the Save Our Stages act. Here’s to a brighter 2021.

EDITOR LISTS

  • Marianne White (Executive Director)
    • Top 10 Albums:
      1) Mary Lattimore – Silver Ladders
      2) the Microphones – Microphones in 2020
      3) Soccer Mommy – Color Theory
      4) Megan Thee Stallion – Good News
      5) Phoebe Bridgers – Punisher
      6) Amaarae – The Angel You Don’t Know
      7) Dua Lipa – Future Nostalgia
      8) Adrianne Lenker – songs/instrumentals
      9) Perfume Genius – Set My Heart On Fire Immediately
      10) Lomelda – Hannah
    • Top 5 Singles:
      1) Kinlaw – “Permissions”
      2) Billie Eilish – “Therefore I Am”
      3) Little Dragon & Moses Sumney – “The Other Lover”
      4) Yves Tumor – “Kerosene!”
      5) Megan Thee Stallion – “Shots Fired”

  • Lindsey Rhoades (Editor-in-Chief)
    • Top 10 Albums:
      1) Land of Talk – Indistinct Conversations
      2) Dehd – Flower of Devotion
      3) SAULT – Untitled (Black Is)/Untitled (Rise)
      4) Public Practice – Gentle Grip
      5) Cindy Lee – What’s Tonight to Eternity
      6) Fiona Apple – Fetch the Bolt Cutters
      7) Benny Yurco – You Are My Dreams
      8) Eve Owen – Don’t Let the Ink Dry
      9) Porridge Radio – Every Bad
      10) Jess Cornelius – Distance
    • Top 10 Singles:
      1) Little Hag – “Tetris”
      2) Elizabeth Moen – “Creature of Habit”
      3) Yo La Tengo – “Bleeding”
      4) Caribou – “Home”
      5) Jess Williamson – “Pictures of Flowers”
      6) Adrianne Lenker – “anything”
      7) Nicolás Jaar – “Mud”
      8) Soccer Mommy – “Circle the Drain”
      9) New Fries – “Ploce”
      10) El Perro Del Mar – “The Bells”

STAFF LISTS

  • Alexa Peters (Playing Seattle)
    • Top 5 Albums:
      1) Deep Sea Diver – Impossible Weight
      2) Blimes and Gab – Talk About It
      3) Perfume Genius – Set My Heart On Fire Immediately
      4) Tomo Nakayama – Melonday
      5) Matt Gold – Imagined Sky
    • Top 3 Singles:
      1) Stevie Wonder – “Can’t Put it in the Hands of Fate”
      2) Tomo Nakayama – “Get To Know You”
      3) Ariana Grande – “Positions”

  • Amanda Silberling (Playing Philly)
    • Top 5 Albums:
      1) Frances Quinlan – Likewise
      2) Bartees Strange – Live Forever
      3) Told Slant – Point the Flashlight and Walk
      4) Diet Cig – Do You Wonder About Me?
      5) Shamir – Shamir
    • Top 3 Singles:
      1) Kississippi – “Around Your Room”
      2) Sad13 – “Hysterical”
      3) The Garages – “Mike Townsend (Is a Disappointment)”

  • Ashley Prillaman (Contributor)
    • Top 5 Albums:
      1) Perfume Genius – Set My Heart On Fire Immediately
      2) Lasse Passage – Sunwards
      3) Megan Thee Stallion – Good News
      4) Grimes – Miss Anthropocene
      5) Yves Tumor – Heaven To A Tortured Mind
    • Top 3 Singles:
      1) Megan Thee Stallion – “B.I.T.C.H.”
      2) Perfume Genius – “On the Floor”
      3) SG Lewis & Robyn – “Impact” (feat. Robyn & Channel Tres)

  • Cat Woods (Playing Melbourne)
    • Top 5 Albums:
      1) Jarvis Cocker – Beyond the Pale
      2) Róisín Murphy – Róisín Machine
      3) Run the Jewels – RTJ4
      4) Emma Donovan & The Putbacks – Crossover
      5) Various Artists – Deadly Hearts: Walking Together
    • Top 3 Singles:
      1) Emma Donovan & The Putbacks – “Mob March”
      2) Laura Veirs – “Freedom Feeling”
      3) Miley Cyrus – “Never Be Me”

  • Chaka V. Grier (Playing Toronto)
    • Top 5 Albums:
      1) Lianne La Havas – Lianne La Havas
      2) Joya Mooi – Blossom Carefully
      3) Lady Gaga – Chromatica
      4) Witch Prophet – DNA Activation
      5) Tremendum – Winter
    • Top 3 Singles:
      1) Lianne La Havas – “Green Papaya”
      2) Lady Gaga – “Free Woman”
      3) Allie X – “Susie Save Your Love”

  • Cillea Houghton (Playing Nashville)
    • Top 5 Albums:
      1) Chris Stapleton  – Starting Over
      2) Brett Eldredge – Sunday Drive
      3) Little Big Town – Nightfall
      4) Ingrid Andress – Lady Like
      5) Ruston Kelly – Shape & Destroy
    • Top 3 Singles:
      1) The Weeknd – “Blinding Lights”
      2) Billie Eilish – “Therefore I Am”
      3) Remi Wolf  – “Hello Hello Hello”

  • Eleanor Forrest (Contributor)
    • Top 5 Albums:
      1) Grimes – Miss Anthropocene
      2) Rina Sawayama – SAWAYAMA
      3) Allie X – Cape Cod
      4) LEXXE – Meet Me in the Shadows
      5) Gustavo Santaolalla, Mac Quayle – The Last of Us Part II (Original Soundtrack)
    • Top 3 Singles:
      1) CL – “+5 STAR+”
      2) Yves Tumor & Kelsey Lu – “let all the poisons that lurk in the mud seep out”
      3)  Stephan Moccio – “Freddie’s Theme”

  • Gillian G. Gaar (Musique Boutique)
    • Top 10 Albums:
      1) Dust Bowl Faeries – Plague Garden
      2) Ganser – Just Look At That Sky
      3) Oceanator – Things I Never Said
      4) Loma – Don’t Shy Away
      5) Maggie Herron – Your Refrain
      6) Pretenders – Hate for Sale
      7) The Bird and the Bee – Put up the Lights
      8) Partner – Never Give Up
      9) Bully – Sugaregg
      10) Olivia Awbrey – Dishonorable Harvest

  • Jason Scott (Contributor)
    • Top 5 Albums:
      1) Mickey Guyton – Bridges EP
      2) Katie Pruitt – Expectations
      3) Mandy Moore – Silver Landings
      4) Dua Lipa – Future Nostalgia
      5) Cf Watkins – Babygirl
    • Top 3 Singles:
      1) Mickey Guyton – “Black Like Me”
      2) Ashley McBryde – “Stone”
      3) Lori McKenna feat. Hillary Lindsey and Liz Rose – “When You’re My Age”

  • Jamila Aboushaca (Contributor)
    • Top 5 Albums:
      1) Tame Impala – The Slow Rush
      2) Khruangbin – Mordechai
      3) Kid Cudi – Man on the Moon III: The Chosen
      4) Tycho – Simulcast
      5) Run the Jewels – RTJ4
    • Top 3 Singles:
      1) Tame Impala – “Lost In Yesterday”
      2) Phoebe Bridgers – “Kyoto”
      3) Halsey – “You should be sad”

  • Liz Ohanesian (Contributor)
    • Top 5 Albums:
      1) Róisín Murphy – Róisín Machine
      2) Jessie Ware – What’s Your Pleasure?
      3) Phenomenal Handclap Band – PHB
      4) Khruangbin – Mordechai
      5) TootArd – Migrant Birds
    • Top 3 Singles:
      1) Anoraak – “Gang” 
      2) Kylie Minogue – “Magic”
      3) Horsemeat Disco feat. Phenomenal Handclap Band – “Sanctuary”  

  • Michelle Rose (Contributor)
    • Top 5 Albums:
      1) Dua Lipa – Future Nostalgia
      2) Taylor Swift – folklore
      3) Shamir – Shamir
      4) Jessie Ware – What’s Your Pleasure?
      5) HAIM – Women in Music Pt. III
    • Top 3 Singles:
      1) Porches – “I Miss That” 
      2) Annabel Jones – “Spiritual Violence”
      3) Wolf – “High Waist Jeans”  

  • Sara Barron (Playing Detroit)
    • Top 5 Albums:
      1) Summer Walker – Over It
      2) Yaeji – WHAT WE DREW
      3) Liv.e – Couldn’t Wait to Tell You
      4) Ojerime – B4 I Breakdown
      5) KeiyaA – Forever, Ya Girl
    • Top 3 Singles:
      1) Yves Tumor – “Kerosene!”
      2) Kali Uchis, Jhay Cortez – “la luz (fin)”
      3) fleet.dreams – “Selph Love”

  • Sophia Vaccaro (Playing the Bay)
    • Top 5 Albums:
      1) Charli XCX – how i’m feeling now
      2) The Front Bottoms – In Sickness & In Flames
      3) Zheani – Zheani Sparkes EP
      4) Various Artists – Save Stereogum: A ’00s Covers Comp
      5) Halsey – Manic
    • Top 3 Singles:
      1) Charli XCX – “forever”
      2) Doja Cat – “Boss Bitch”
      3) Wolf – “Hoops”

  • Suzannah Weiss (Contributor)
    • Top 5 Albums:
      1) Galantis – Church
      2) Best Coast – Always Tomorrow
      3) Overcoats – The Fight
      4) Holy Motors – Horse
      5) Suzanne Vallie – Love Lives Where Rules Die
    • Top 3 Singles:
      1) CAMÍNA – “Cinnamon”
      2) Naïka – “African Sun”
      3) Edoheart – “Original Sufferhead”

  • Tarra Thiessen (RSVP Here, Check the Spreadsheet)
    • Top 5 Albums:
      1) Brigid Dawson & The Mothers Network – Ballet of Apes
      2) Ganser – Just Look At That Sky
      3) Death Valley Girls – Under The Spell of Joy
      4) The Koreatown Oddity – Little Dominiques Nosebleed
      5) Ghost Funk Orchestra – An Ode To Escapism
    • Top 3 Singles:
      1) Miss Eaves – “Belly Bounce”
      2) Purple Witch of Culver – “Trig”
      3) Shilpa Ray – “Heteronormative Horseshit Blues”

  • Victoria Moorwood (Playing Cincy)
    • Top 5 Albums:
      1) Lil Baby – My Turn
      2) A$AP Ferg – Floor Seats II
      3) Polo G – The Goat
      4) The Weeknd – After Hours
      5) Teyana Taylor – The Album
    • Top 3 Singles:
      1) Cardi B & Megan Thee Stallion – “WAP”
      2) Roddy Ricch  – “The Box”
      3) Big Sean & Nipsey Hussle – “Deep Reverence”

RSVP HERE: Shelley Thomas Livestreams via YouTube + MORE

Shelley Thomas composes and produces lush orchestral arrangements that she has dubbed “world chamber pop.” She has figuratively and physically gone around the world with her compositions, traveling to 17 countries and studied with over 40 music teachers that have influenced her style that melds Balkan, Arabic, Hindustani, African, and classical music. She can sing in 15 different languages and plays the oud, which is like a short scale pear shaped lute that has been used in Middle Eastern, North African and Central Asia for thousands of years.

Shelley’s latest single release, “Mirror,” guides you through a sonic journey to the beautifully haunted side of yourself. Her vocal harmonization traps you in a trance that eventually leads towards acceptance and healing. If that isn’t enough to meditate on, her recent video for “Cancer Moon” captures her immense live band while boiling down all the intense emotions the moons of this past summer have ushered in. The next chance you’ll have to catch Shelley making her world music magic is September 25th at 1pm via YouTube. She also does a livestream from her Patreon on the last Friday of every month. We chatted with Shelley about the transformative power of music, what rituals inspire her and shaman drums.

AF: What got you into the oud, qanun and composing world orchestral music? 

ST: I grew up with a classical pianist mother, and took dance, piano, voice and guitar lessons as a youth. I studied World Music Performance at CalArts (BFA ’08), where I had a six-piece band called Blue Lady I wrote songs for. I got into Arabic music shortly thereafter via a vocal class. I fell in love with the style, and picked up the oud a few years later to accompany myself while singing Arabic music. Then another few years later, I felt inspired to start composing again after years of only singing traditional music – but with a bigger vision, for more instruments, including strings and qanun, because I love the delicate and emotive textures. After many years of absorbing and learning from masters, the music started pouring out of my mind. And that’s the album I’m working on now. I’ve always felt that music is the soundtrack to my life, and enjoyed profound journeys and transformations through listening. I hope to give listeners such an experience.

AF: Can you tell us some stories about some of the countries you’ve traveled to and music teachers you’ve worked with?

ST: Two of my incredible vocal teachers were Rima Kcheich and Ghada Shbeir, whom I studied with in Lebanon and also at Simon Shaheen’s Arabic Music Retreat in Massachusetts. Rima taught me to pay attention to the details and sing maqam, and Ghada taught me to improvise and add different vocal timbres to my toolbox. Simon himself teaches me passion, discipline, and affirms music as my greatest love. I spent about six months in Lebanon and loved the culture, nature, and its music especially. I also studied Manned drumming from Guinea with Jebebara ensemble there. 

My mentor at CalArts was Alfred Ladzekpo, a Ghanaian chief and master drummer. I was obsessed with Ewe drumming, and my friends and I spent all of our free time playing and learning those rhythmic compositions. He taught us to know when we’re “OFF!” While at CalArts, I also studied Bulgarian choral music with Kate Conklin, and Hindustani music with Swapan Chaudhuri and Aashish Khan. Aashishji said, “You can’t sing both rock and Raga.” 

I’ve traveled to Morocco several times, also toured with Vlada Tomova’s Bulgarian Voices Trio in Canada, Mexico, Cuba, and Russia. I’ve studied Fado singing in Lisbon, Portugal, and Bulgarian Folk Singing at Plovdiv Academy of Folk Music. I sang with Petrana Kucheva, a fantastic vocalist and mentor whom I met there, for a few years. I’ve toured with Black Sea Hotel in the states, Sweden and Denmark and performed at Emirates Palace in UAE with Mayssa Karaa. I’ve been to Turkey, where I witnessed Ottoman music in the otherworldly cave-chimneys of Cappadocia, and Oman, where I saw an exquisite concert of Amal Maher singing Oum Kalthoum at Muscat Opera House. I’ve studied oud with Charbel Rouhana, Wassim Odeh, George Ziadeh, and Bassam Saba, a dear mentor and Artistic Director of the NY Arabic Orchestra. Bassam has taught me style, taste, humbleness and soul. 

AF: What’s it like learning to perform a song in a language you aren’t fluent in? What language do you enjoy singing in the most?

ST: It’s a fun challenge. Language lights up my brain. Just as an opera singer learns to sing European art songs well, I study and dedicate to the linguistic nuances the same way. I’d say it’s 80% listening, and 20% translating that into your body. I watch old-timey videos of singers and study the shapes of their mouths. I had a fantastic Arabic diction teacher, Dr. Iman Roushdy-Hammady. I’ve dedicated a lot of time to Arabic and Bulgarian singing, but I am now enjoying the most singing my own songs in English. You have to learn to lighten up, let go of perfectionism, and not take yourself so seriously. It’s okay to make mistakes! At the end of the day it’s about following your heart to what’s interesting, and joyful expression through music and cross-cultural understanding.

AF: What types of symbolism and ritual inspire your music? 

ST: I love psychology and Jungian symbolism of the shadow and the divine child archetype, also expressed by Carolyn Myss. I love the artwork of Alex Grey, which portrays us as multidimensional beings, and I’ve performed in his sacred space at CoSM. I’m fascinated by many rituals around the world, from Amazonian ayahuasca healings and their beautiful icaros songs, to the adhan, the Islamic call to prayer, to West African dance drumming, to Episcopal church services with epic organ arrangements, incense and flags, to sound baths and crystal energy healings. Drumming is very important to me and I maintain a strong rhythmic element to my music. Drums and shakers, in particular, have been used in healing rituals since ancient times. When I’m around drums, I can hear them speak, and feel them cleansing my body and shaking energy up inside. Also language, poetry, and the power of the spoken word, with sound and intention, is an important element of ritual. Julia Cameron’s The Artist Way is my anchor, and I write morning pages regularly. Essentially, I’m interested in the all ways humans have created meaning, healing and transformation, and connect to higher realms through music and sound.

AF: What’s the most inspiring thing you’ve seen this month?

ST: The most inspiring thing I’ve seen this month is the sun setting over the ocean, and the sea’s iridescent colors of dusk; the way they work together to create something more beautiful than they could be individually.  

AF: What would you want listeners to take away from your latest release?

ST: “Mirror” is specifically about shadow work and integration of all parts of yourself into one loving whole. The more we can accept and understand ourselves, the more we can begin to accept and understand others. Transformation begins from within, and it takes time, patience, and humility. The way forward to a better world, in my vision, is with greater compassion, sensitivity, and this knowledge of self, which can be catalyzed by music. So we can become less violent and reactionary, and more inspired, loving and proactive. We are creative beings, meant to create, meant to shine, and meant to enjoy life, not just to suffer. We can heal, we can let go of our old stories. We can become friends with ourselves and create a life we don’t need to escape from. It’s up to us to choose joy in each moment, to make the best of our current situation and find a positive way forward, and to choose to be willing to move towards this healing with honesty. When we make this choice individually and then come together, with all of our gifts and solutions and ideas, that is the power of community. Then, we can truly live and flourish in harmony, and fulfill our potential.

AF: What is your livestream set-up like?

ST: I use the streaming platform Stage Ten, link it to my Youtube Live, and press go. I have a BOSS RC-300 loop station that I improvise with and program vocals into with some beats. I have a Shure Beta-58 microphone, my oud with pickup mic attached, and various percussion like shaker, frame drums, and riq, which I layer with the looper. I have a Fishmann Loudbox Mini amp, so I plug 1/4’ cables from my loop station into that. I plug the mic and oud directly into the loop station.

AF: What are your plans for 2020 and beyond? 

ST: I am in pre-production for recording my first full album of original music with a ten-piece microtonal chamber ensemble! I’m finishing the scores, arrangements, and parts in Sibelius, and planning to launch a crowdfunding campaign to support this work. First I’ll record and make a music video for my next single, “Dreamtime.” Once the world opens up again, I’ll be touring a lot with this ensemble.

My ultimate goal is to open an artist retreat & performance center with music and photo/video production studios. This space will be available to artists from around the world from all socio-economic backgrounds to come and create the art that’s meant to be made through them, in a supportive, inspiring, and unpretentious atmosphere. 

RSVP HERE for Shelley Thomas livestream via YouTube at 1pm ET. To pre-order the upcoming album, email info@shelleyvoice.com. 

More great livestreams this week…

9/25 Langhorne Slim, Clap Your Hands Say Yeah, Mt. Joy & More via Philly Music Fest. 7pm ET, RSVP HERE

9/25 Modern English (Live from London) via AXS. $15, 8:30pm ET, RSVP HERE

9/25 Long Neck, Baby Grill, gobbinjr, Oceanator via Twitch (Around the Campfire). RSVP HERE

9/26 Angel Olsen, Beach House, Big Thief, Blood Orange, Charli XCX, Solange, Wilco & More via Hotel Figueroa (Pitchfork Drive-In). $39, 10pm ET, RSVP HERE

9/26 Oh Sees via Seated. $15, 8pm ET, RSVP HERE

9/26 Reggie Watts, John Teida, Girl God, Shannon Lay, Ramonda Hammer, & more via Echo Park Rising. 12pm ET, RSVP HERE

9/29 Pom Pom Squad, Charlotte Rose Benjamin via BABY.tv (Neon Gold Presents). 8pm ET, RSVP HERE

9/30 The Nude Party via Rough Trade UK Instagram. 1pm ET, RSVP HERE

9/30 Laraaji (Sun Piano) via NoonChorus (LPR Presents). $10, 9pm ET, RSVP HERE

RSVP HERE: Oceanator Record Release Stream via BABY.tv + MORE

Oceanator is the Brooklyn-based solo project of Elise Okusami, who writes honest grunge-pop tunes that range from solo acoustic folk to synth pop. Okusami’s current live band includes Andrew Whitehurst and Anthony Richards, but her newest record Things I Never Said (released today!), also features performances by Eva Lawitts on bass and Mike Okusami and Aaron Silberstein on drums. Lead singles “A Crack in the World,” “Heartbeat” and “I Would Find You” have earworm qualities that belie their sonic heft. Though grunge is often associated with angsty feelings, Things I Never Said is actually comforting, with snippets of positive lyrical affirmations like “I’ll keep trying to keep the skies blue anyway.” The record was recorded at Wonderpark Studios by Eva Lawitt and Chris Kasnow and by Okusami’s brother in his studio in Maryland, and was released by Okusami’s new label Plastic Miracles. You can celebrate Oceanator’s record release tonight 8/28 on BABY.TV at 8pm EST! We chatted with Elisa Okusami about her Dead Kennedys cover, creating her own label, and her recommendations for must-download material for next Bandcamp Friday (September 4th).

AF: The first time I saw Oceanator was at Shea Stadium in fall of 2016 and you were completely solo. How has the project and your songwriting style evolved over the years?

EO: I miss Shea! I was playing a lot of solo stuff in the beginning because I wanted to get out there and play those songs, and I didn’t have any people to play them with yet. I still love playing solo for sure, but it’s very exciting to be able to play these songs big and huge with a full band. Andrew Whitehurst and Anthony Richards have been my touring bandmates for the past year and they’re amazing. I was also playing shows with Eva Lawitts, Aaron Silberstein, Zoe Brecher and a few other folks, and knowing that I had people I could ask to play shows I think made me feel freer to write songs for a full band and write less acoustic stuff, maybe? Not sure, I guess. I’ve always written both and I’m excited to get to perform both ways these days!

AF: Do you have a quarantine routine? Has lockdown affected your creativity in any way?

EO: I’ve been making cold brew coffee every few days – that’s about as much of a routine as I’ve got right now. In the beginning I was doing better with it and also doing walks and stuff. I need to get back into it. As far as creativity, I’ve been having an extra hard time writing lyrics. I’ve been writing a bunch of music, but any time I try to think about lyrics at all it’s this big grey blur.

AF: What are you most proud of about your new record and what do you want listeners to take away from it?

EO: I hope people take away a feeling of enjoyment and also a feeling of hope. I think the record goes through a lot of dark and heavy stuff, but I think overall it’s an optimistic record. That’s also why I ended it with “Sunshine,” because after all the disasters, etc, it’s like “Okay, we’re gonna be okay.” I’m pretty proud of the record as a whole, to be honest. I like the way it flows and I think these are some of the best songs I’ve ever written.

AF: How was recording your cover of the Dead Kennedys’ “Police Truck“?

EO: It was super fun! I did it at my brother’s studio and played all the instruments. I was having a super fun time just jamming on everything as we recorded. I was nervous about doing the vocals ‘cause Jello’s got that distinct voice, but I tried to just be me and I’m happy with how it turned out.

AF: What was the process like of creating your own label to release the album?

EO: Well, the label had been planned for a while, actually. I was always planning to launch it this year, and the original plan didn’t include me releasing any of my own music at all. Then I left the label I was on, so we were shopping the record around and with everything going on it was taking a while so we decided to self-release, and then I was like, well since I’m launching the label anyway might as well put it on that! It’s been a fun learning process. A lot of folks from other labels have reached out to offer to chat if I have questions, and that’s been super helpful. I’m really excited about the future of the label. We have four more releases coming in the fall and just put our first release of 2021 on the calendar.

AF: What is your favorite piece of Oceanator merch and how did you get the idea for it?

EO: I don’t know if I have a favorite right now! I’m very very stoked on the entire run of stuff I did around the record. I guess if I had to pick it would be the post cards or the temporary tattoos? The postcards were designed by Kameron White and the tattoos by Haley Butters and they’re both perfect. The post cards my friend Gretchen suggested doing. The temporary tattoos, I got the idea because I was thinking about what other fun ’90s stuff I could do since I was doing pogs. Temporary tattoos just popped into my head and I knew Haley had made flash sheets before so I asked them if they wanted to do the temp tattoo designs and they sent back this perfect thing with a tattoo for each song inspired by that song. It’s so cool.

AF: What bands/labels do you recommend to support on Bandcamp day next week?

EO: Solidarity Club, Grimalkin Records, Exploding in Sound, Quiet Year, Good Eye, Get Better, Disposable America to name a few labels. Cave People and Alright both also have records coming out this Friday so I would say pick those up. McKinley Dixon and Maneka are excellent. Artisan P has a new EP coming out on Sept 4th. I could go on and on but I’ll stop there.

AF: You’ve also drummed in various bands – are you still drumming in any projects or will you be in the future?

EO: I’m not actively right now because of the pandemic. Most of the drumming I was doing for folks was on tours, but yeah, I’ve been talking to some friends and I think if scheduling works out when touring starts again I’ll be playing some drums! I hope so. I miss the drums.

AF: What is your livestream setup like?

EO: Recently I have been doing the guitar through pedals just direct in to the mixer so I don’t bother the neighbors as much. At the beginning of quarantine I was mic’ing my amp but now that I’m doing more streams at later times and stuff, so I’ve been doing direct in and it has actually been sounding pretty great. Then I’ve got a mic for the vocals. Those both go into this little mixer, and I connect the mixer either to my interface and then into my computer or directly into my phone depending on what platform I’m streaming on.

AF: What are your plans for the rest of 2020 and beyond?

EO: Mostly just seeing how things play out with pandemic and stuff. I don’t think shows will happen anytime soon which stinks. But I’m trying to stay busy. Got a bunch of things coming out on the label, so I’ll be working on that stuff. And I have a bunch of songs that I wanna work on for the next record, and also maybe an EP.

RSVP HERE for Oceanator’s Things I Never Said Release Party via BABY.TV, $5-50 8-9PM EST

More great livestreams this week…

8/28 Yaeji via Boiler Room Instagram. 7pm EST RSVP HERE

8/28 Angel Olsen via Noonchorus – Cosmic Stream 3. $15 adv/$17 dos, 9pm EST RSVP HERE

8/29 Ben Gibbard, Arlo Guthrie, Glenn Mercer (of The Feelies), and more via Coney Island Mermaid Parade Tail-a-thon. 8pm EST RSVP HERE

8/29 The O’My’s, Dehd, Frank Waln, Bomba con Buya, Andrew Sa via Square Roots Festival. 7pm EST RSVP HERE

8/29 Charlie Parker’s 100th Birthday Celebration: Sam Turvey, Jason Moran, Jaleel Shaw via SummerStage Everywhere. 10pm EST RSVP HERE

8/31 Goat Girl via Working Class Movement Library Facebook. 2pm EST RSVP HERE

9/2 The Plastic Show (Fantastic Plastics Talk Show) via Twitch. 9pm EST RSVP HERE

9/2 Megan Thee Stallion, Lil Baby via Red Rocks Unpaused. 10pm EST RSVP HERE

9/4 Policing on the Agenda: Understanding ‘defund the police’ and calling for police accountability in Black communities via Black Future Labs. 5pm EST RSVP HERE

RSVP HERE: Safer Plays Our Wicked Lady+ MORE

Welcome to our weekly show recommendation column RSVP HERE – your source for the best NYC shows and interviews with some of our favorite local live bands.

photo by Kevin Condon

My first impression of Mattie Safer, bassist/frontman of the new disco-punk project Safer, is that he has a much calmer presence than you would expect from someone who has been living and working as a musician in NYC for 20 years. Along with pursuing his solo project, he’s the bassist and singer in Poolside (who recently toured with Kasey Musgraves), and was a pivotal member of the The Rapture from 1999-2009, in which he played bass and shared vocal duties with founding member Luke Jenner. Safer released debut EP Sleepless Nights earlier this year and their latest single “Countercultural Savior” came out last month. He will be celebrating his birthday on the rooftop of Our Wicked Lady on Wednesday, December 11th with The Wants, Godcaster and Extra Special, and we got to chat with him about what he would want to hear on his ideal birthday party playlist, craziest moment on tour and what’s next for him in 2020…

AF: Who are your favorite bassists? What are your favorite dance moves? Favorite style of hat?

MS: Favorite bass players are James Jamerson, Verdine White, Tina Weymouth, Robbie Shakespeare, and Deborah Scroggins. Favorite dance move, I keep it to a simple two step for the most part, but if could do the Harlem Shake or had a sturdy milly rock I would definitely break them out. With hats it’s really the bigger the better. Why stop at ten gallons?

AF: What’s been your craziest moment on stage? Craziest moment on tour this year?

MS: I mean, there have been amps that blew up and stage invasions, but the craziest thing that happened to me on stage happened this year, playing at a festival with Poolside in Mexico City. We finished “Harvest Moon” and the crowd just kept cheering and getting louder, and we let it run for couple of minutes, not really sure of what to do, but it wasn’t letting up and we had one more song to play so Vito just started it up. It was an incredibly touching moment, to feel that kind of connection and joy with a crowd of ten thousand plus people. Transformative.

AF: Someone throws you a surprise party — what’s on the playlist?

MS: I want to hear some Earth, Wind & Fire, some Marvin Gaye, Cymande, Janet Jackson, SWV, Gladys Knight & The Pips, Diana Ross, Chaka Khan… Basically a lot of things that make me want to put my hands up in the air and sing along like a diva. Oh, and who doesn’t love the B-52s?

AF: What’s the saddest disco song you know?

MS: The Donna Summer version of “MacArthur Park”.

AF: What are your plans for Safer and any other projects in the next decade? Lastly, if you could choose any brand of coffee can as an instrument, what would it be?

MS: There is a finished Safer album that is looking for a home. I just want to keep making music, performing and connecting with audiences. More touring – there’s still a lot of places I haven’t been, and a lot of cool cities that have changed a lot since I was last in them. As far as coffee cans go, some people like Café Bustelo, but I really feel like the resonance on a Chock full o’Nuts can is something magical that deserves more shine and attention.

RSVP HERE for The Wants, Godcaster, Safer, & Extra Special @ Our Wicked Lady. 21+ / $10

More great shows this week:

12/6 Twin Peaks, Lala Lala, OHMME @ Webster Hall. 16+ $25 RSVP HERE.

12/6 Pet Rescue 6th Anniversary with Shelter Dogs, Desert Sharks, Venus Twins, Colin Leeds @ Pet Rescue. RSVP HERE

12/7 Lez Zeppelin @ Gramercy Theatre. 16+ / $20-$59 RSVP HERE

12/7 Lightning Bolt, USAISAMONSTER, Animental, Baby; Baby @ Pioneer Works. $20 RSVP HERE

12/7 Jelly Kelly, Whiner, Cindy Cane, Pink Mexico @ Trans Pecos. All Ages / $10 RSVP HERE

12/8 Oceanator, Calyx, Frog @ Alphaville. 21+ / $11 RSVP HERE

12/9 Bass Drum of Death, Brion Starr @ The Broadway. 21+ $15 RSVP HERE

12/10 Battles, Guerrilla Toss @ Music Hall of Williamsburg. 18+ / $25 RSVP HERE

12/12 GRLwood @ Alphaville. 18+ / $10 RSVP HERE

12/12 The Nude Party, Native Sun, Dropper @ Sultan Room. 21+ $20 RSVP HERE