AF 2020 IN REVIEW: Our Favorite Albums & Singles of The Year

In a year that’s been like no other for the music industry, it feels a bit weird to make a best of 2020 list – there have been no tours, venues and clubs across the globe are in danger of closing their doors for good, release schedules were shuffled beyond recognition, and musicians have had to find other ways to make ends meet while those in the U.S. await the next round of paltry stimulus checks. With a situation so dire, the metrics have changed – should we ascribe arbitrary value to the skill of producers, songwriters, performers, and the execution of their finished projects, or simply celebrate records that made us feel like the whole world wasn’t crumbling?

Definitively ranking releases has never been the Audiofemme model for looking back on the year in music. Instead, our writers each share a short list of what moved them most, in the hopes that our readers will find something that moves them, too. Whether you spent the lockdown voraciously listening to more new music this year than ever before, or fell back on comforting favorites, or didn’t have the headspace to absorb the wealth of music inspired by the pandemic, the variety here emphasizes how truly essential music can be to our well-being. If you’re in the position to do so, support your favorite artists and venues by buying merch, and check out the National Independent Venue Association to stay updated on what’s happening with the Save Our Stages act. Here’s to a brighter 2021.

EDITOR LISTS

  • Marianne White (Executive Director)
    • Top 10 Albums:
      1) Mary Lattimore – Silver Ladders
      2) the Microphones – Microphones in 2020
      3) Soccer Mommy – Color Theory
      4) Megan Thee Stallion – Good News
      5) Phoebe Bridgers – Punisher
      6) Amaarae – The Angel You Don’t Know
      7) Dua Lipa – Future Nostalgia
      8) Adrianne Lenker – songs/instrumentals
      9) Perfume Genius – Set My Heart On Fire Immediately
      10) Lomelda – Hannah
    • Top 5 Singles:
      1) Kinlaw – “Permissions”
      2) Billie Eilish – “Therefore I Am”
      3) Little Dragon & Moses Sumney – “The Other Lover”
      4) Yves Tumor – “Kerosene!”
      5) Megan Thee Stallion – “Shots Fired”

  • Lindsey Rhoades (Editor-in-Chief)
    • Top 10 Albums:
      1) Land of Talk – Indistinct Conversations
      2) Dehd – Flower of Devotion
      3) SAULT – Untitled (Black Is)/Untitled (Rise)
      4) Public Practice – Gentle Grip
      5) Cindy Lee – What’s Tonight to Eternity
      6) Fiona Apple – Fetch the Bolt Cutters
      7) Benny Yurco – You Are My Dreams
      8) Eve Owen – Don’t Let the Ink Dry
      9) Porridge Radio – Every Bad
      10) Jess Cornelius – Distance
    • Top 10 Singles:
      1) Little Hag – “Tetris”
      2) Elizabeth Moen – “Creature of Habit”
      3) Yo La Tengo – “Bleeding”
      4) Caribou – “Home”
      5) Jess Williamson – “Pictures of Flowers”
      6) Adrianne Lenker – “anything”
      7) Nicolás Jaar – “Mud”
      8) Soccer Mommy – “Circle the Drain”
      9) New Fries – “Ploce”
      10) El Perro Del Mar – “The Bells”

STAFF LISTS

  • Alexa Peters (Playing Seattle)
    • Top 5 Albums:
      1) Deep Sea Diver – Impossible Weight
      2) Blimes and Gab – Talk About It
      3) Perfume Genius – Set My Heart On Fire Immediately
      4) Tomo Nakayama – Melonday
      5) Matt Gold – Imagined Sky
    • Top 3 Singles:
      1) Stevie Wonder – “Can’t Put it in the Hands of Fate”
      2) Tomo Nakayama – “Get To Know You”
      3) Ariana Grande – “Positions”

  • Amanda Silberling (Playing Philly)
    • Top 5 Albums:
      1) Frances Quinlan – Likewise
      2) Bartees Strange – Live Forever
      3) Told Slant – Point the Flashlight and Walk
      4) Diet Cig – Do You Wonder About Me?
      5) Shamir – Shamir
    • Top 3 Singles:
      1) Kississippi – “Around Your Room”
      2) Sad13 – “Hysterical”
      3) The Garages – “Mike Townsend (Is a Disappointment)”

  • Ashley Prillaman (Contributor)
    • Top 5 Albums:
      1) Perfume Genius – Set My Heart On Fire Immediately
      2) Lasse Passage – Sunwards
      3) Megan Thee Stallion – Good News
      4) Grimes – Miss Anthropocene
      5) Yves Tumor – Heaven To A Tortured Mind
    • Top 3 Singles:
      1) Megan Thee Stallion – “B.I.T.C.H.”
      2) Perfume Genius – “On the Floor”
      3) SG Lewis & Robyn – “Impact” (feat. Robyn & Channel Tres)

  • Cat Woods (Playing Melbourne)
    • Top 5 Albums:
      1) Jarvis Cocker – Beyond the Pale
      2) Róisín Murphy – Róisín Machine
      3) Run the Jewels – RTJ4
      4) Emma Donovan & The Putbacks – Crossover
      5) Various Artists – Deadly Hearts: Walking Together
    • Top 3 Singles:
      1) Emma Donovan & The Putbacks – “Mob March”
      2) Laura Veirs – “Freedom Feeling”
      3) Miley Cyrus – “Never Be Me”

  • Chaka V. Grier (Playing Toronto)
    • Top 5 Albums:
      1) Lianne La Havas – Lianne La Havas
      2) Joya Mooi – Blossom Carefully
      3) Lady Gaga – Chromatica
      4) Witch Prophet – DNA Activation
      5) Tremendum – Winter
    • Top 3 Singles:
      1) Lianne La Havas – “Green Papaya”
      2) Lady Gaga – “Free Woman”
      3) Allie X – “Susie Save Your Love”

  • Cillea Houghton (Playing Nashville)
    • Top 5 Albums:
      1) Chris Stapleton  – Starting Over
      2) Brett Eldredge – Sunday Drive
      3) Little Big Town – Nightfall
      4) Ingrid Andress – Lady Like
      5) Ruston Kelly – Shape & Destroy
    • Top 3 Singles:
      1) The Weeknd – “Blinding Lights”
      2) Billie Eilish – “Therefore I Am”
      3) Remi Wolf  – “Hello Hello Hello”

  • Eleanor Forrest (Contributor)
    • Top 5 Albums:
      1) Grimes – Miss Anthropocene
      2) Rina Sawayama – SAWAYAMA
      3) Allie X – Cape Cod
      4) LEXXE – Meet Me in the Shadows
      5) Gustavo Santaolalla, Mac Quayle – The Last of Us Part II (Original Soundtrack)
    • Top 3 Singles:
      1) CL – “+5 STAR+”
      2) Yves Tumor & Kelsey Lu – “let all the poisons that lurk in the mud seep out”
      3)  Stephan Moccio – “Freddie’s Theme”

  • Gillian G. Gaar (Musique Boutique)
    • Top 10 Albums:
      1) Dust Bowl Faeries – Plague Garden
      2) Ganser – Just Look At That Sky
      3) Oceanator – Things I Never Said
      4) Loma – Don’t Shy Away
      5) Maggie Herron – Your Refrain
      6) Pretenders – Hate for Sale
      7) The Bird and the Bee – Put up the Lights
      8) Partner – Never Give Up
      9) Bully – Sugaregg
      10) Olivia Awbrey – Dishonorable Harvest

  • Jason Scott (Contributor)
    • Top 5 Albums:
      1) Mickey Guyton – Bridges EP
      2) Katie Pruitt – Expectations
      3) Mandy Moore – Silver Landings
      4) Dua Lipa – Future Nostalgia
      5) Cf Watkins – Babygirl
    • Top 3 Singles:
      1) Mickey Guyton – “Black Like Me”
      2) Ashley McBryde – “Stone”
      3) Lori McKenna feat. Hillary Lindsey and Liz Rose – “When You’re My Age”

  • Jamila Aboushaca (Contributor)
    • Top 5 Albums:
      1) Tame Impala – The Slow Rush
      2) Khruangbin – Mordechai
      3) Kid Cudi – Man on the Moon III: The Chosen
      4) Tycho – Simulcast
      5) Run the Jewels – RTJ4
    • Top 3 Singles:
      1) Tame Impala – “Lost In Yesterday”
      2) Phoebe Bridgers – “Kyoto”
      3) Halsey – “You should be sad”

  • Liz Ohanesian (Contributor)
    • Top 5 Albums:
      1) Róisín Murphy – Róisín Machine
      2) Jessie Ware – What’s Your Pleasure?
      3) Phenomenal Handclap Band – PHB
      4) Khruangbin – Mordechai
      5) TootArd – Migrant Birds
    • Top 3 Singles:
      1) Anoraak – “Gang” 
      2) Kylie Minogue – “Magic”
      3) Horsemeat Disco feat. Phenomenal Handclap Band – “Sanctuary”  

  • Michelle Rose (Contributor)
    • Top 5 Albums:
      1) Dua Lipa – Future Nostalgia
      2) Taylor Swift – folklore
      3) Shamir – Shamir
      4) Jessie Ware – What’s Your Pleasure?
      5) HAIM – Women in Music Pt. III
    • Top 3 Singles:
      1) Porches – “I Miss That” 
      2) Annabel Jones – “Spiritual Violence”
      3) Wolf – “High Waist Jeans”  

  • Sara Barron (Playing Detroit)
    • Top 5 Albums:
      1) Summer Walker – Over It
      2) Yaeji – WHAT WE DREW
      3) Liv.e – Couldn’t Wait to Tell You
      4) Ojerime – B4 I Breakdown
      5) KeiyaA – Forever, Ya Girl
    • Top 3 Singles:
      1) Yves Tumor – “Kerosene!”
      2) Kali Uchis, Jhay Cortez – “la luz (fin)”
      3) fleet.dreams – “Selph Love”

  • Sophia Vaccaro (Playing the Bay)
    • Top 5 Albums:
      1) Charli XCX – how i’m feeling now
      2) The Front Bottoms – In Sickness & In Flames
      3) Zheani – Zheani Sparkes EP
      4) Various Artists – Save Stereogum: A ’00s Covers Comp
      5) Halsey – Manic
    • Top 3 Singles:
      1) Charli XCX – “forever”
      2) Doja Cat – “Boss Bitch”
      3) Wolf – “Hoops”

  • Suzannah Weiss (Contributor)
    • Top 5 Albums:
      1) Galantis – Church
      2) Best Coast – Always Tomorrow
      3) Overcoats – The Fight
      4) Holy Motors – Horse
      5) Suzanne Vallie – Love Lives Where Rules Die
    • Top 3 Singles:
      1) CAMÍNA – “Cinnamon”
      2) Naïka – “African Sun”
      3) Edoheart – “Original Sufferhead”

  • Tarra Thiessen (RSVP Here, Check the Spreadsheet)
    • Top 5 Albums:
      1) Brigid Dawson & The Mothers Network – Ballet of Apes
      2) Ganser – Just Look At That Sky
      3) Death Valley Girls – Under The Spell of Joy
      4) The Koreatown Oddity – Little Dominiques Nosebleed
      5) Ghost Funk Orchestra – An Ode To Escapism
    • Top 3 Singles:
      1) Miss Eaves – “Belly Bounce”
      2) Purple Witch of Culver – “Trig”
      3) Shilpa Ray – “Heteronormative Horseshit Blues”

  • Victoria Moorwood (Playing Cincy)
    • Top 5 Albums:
      1) Lil Baby – My Turn
      2) A$AP Ferg – Floor Seats II
      3) Polo G – The Goat
      4) The Weeknd – After Hours
      5) Teyana Taylor – The Album
    • Top 3 Singles:
      1) Cardi B & Megan Thee Stallion – “WAP”
      2) Roddy Ricch  – “The Box”
      3) Big Sean & Nipsey Hussle – “Deep Reverence”

Katie Pruitt Finds Her True Identity With ‘Expectations’

Photo by Alysse Gafkjen

Katie Pruitt’s Expectations is a declaration of self-acceptance.

“I’ve never really been a subtle writer,” Pruitt admits in a phone interview with Audiofemme. “I’m pretty damn straightforward.”

Pruitt proves this statement across her 10-track debut album that takes the listener into her innermost thoughts and personal revelations. She recounts personal experiences spanning the past four years – particularly moving away from her conservative North Atlanta suburb to attend Belmont University in Nashville, owning her sexuality and embracing her true identity in the process. “It was a pretty personal record,” she admits. “I knew I wanted to use these songs to tell my stories as accurately as I could.”

Pruitt uses this poignant body of work to share her journey to self-acceptance, beginning with “Wishful Thinking,” which confronts the false narrative that true love is as picture-perfect as we see in the movies; rather, it is embracing ones flaws is a true expression of love. She tackles mental health struggles in “My Mind’s a Ship (That’s Going Down),” which sees her surfacing from a state of depression, depicted through a mundane daily routine she’s longing to escape from. “For me, the answer to that was gratitude for things I already had instead of looking for things that I wish I had.” she explains. “I feel I keep having that revelation over and over again.”

But she ventures to a truly personal space with “Normal.” With a softly strumming guitar, Pruitt takes us inside the halls of her Catholic school where she said seven hail Mary’s for copping an attitude while feeling “scared as hell” because she knew she was different from her classmates. “I feel like a lot of times, I just did what I was told up until leaving Georgia. There wasn’t really much diversity, so I didn’t really have many examples of what living an individualistic life looks like,” she explains, conscious to add that she was raised by a community of “good people.” “I feel I looked around and everyone was wearing the same clothes brands and saying the same things and acting the same way, and it just started to seem pretty robotic. I started to really reject it the older I got.”

Using college as an escape, Belmont became a sanctuary for the young star, surrounded by creative, artistic people who broke gender norms and immediately welcomed into the LGBTQ community, a sense of belonging she didn’t always receive in her hometown. She captures this suffocating feeling in the stirring “Georgia,” which she cites as the most vulnerable song she wrote for the album. The stunning piano ballad takes a stark look at how Pruitt predicted her community and parents would react when coming out to them, envisioning her mother shouting at the top of her lungs and her father screaming with rage that he didn’t want a daughter whose soul wasn’t saved. “He thought if I told the world/They would not see me as the same girl/ They’d say I don’t belong/That’s where he’s wrong,” she sings with a voice that could shatter one’s heart like glass in the gentlest way.

But in spite of their initial opposition, Pruitt’s parents came to terms with her sexuality – in large part thanks to “Georgia,” which she almost didn’t include on the record. After having a conversation with her parents about the content of the song, they embraced the its message, knowing it could help others. “I love my parents. They’re great people – they just struggled with this, and now we’re in a great place. The thing about the song and this story is that it’s not unique to me, and there’s people that this could help.” Priutt says. “[My mom said] ‘If you really think there’s people that this could help, I agree with you that it’s important to share.’ Honestly that was like the biggest gift. Talking about the hard stuff has gotten us to a better place ultimately.”

Pruitt’s most awe-inspiring revelation shines in “Loving Her,” a heartfelt tribute to her girlfriend, Sam. Here, she fearlessly stands up for their love in the face of adversity, opening with a striking line that sees her giving up her spot in heaven if it means she can openly love another woman. “You see I used to be ashamed / To write a song that said her name / ‘Cause I was too afraid / Of what they all might say / But if loving her is wrong / And it’s not right to write this song / Then I’m still not gonna stop,” she sings delicately, but with confidence.

“Loving Her” serves as the crown jewel of self-acceptance on Expectations, a project that begins with self-questioning and doubt and comes full circle with the anthem she calls a “big realization.” “[It’s] not only a personal revelation, but a religious revelation,” she proclaims. “If there is a God, he’s not worried about if I’m gay or not. So that first line isn’t supposed to be knocking religion – I just don’t buy that God thinks like that, and I don’t think you should either. That’s breaking all these conventions that I’ve grown up being told and this is my new religion. This is what I believe now.”

With these heartfelt affirmations, Pruitt finds true self-worth, now living freely in her identity, a powerful evolution that she pours into her compelling debut record. “Through accepting myself, I can make room for actually loving someone for real,” she observes. “Nina Simone said it’s important to make art that reflects the times. [I do it] in a very small way, but it pushes society forward.”

Follow Katie Pruitt on Facebook for ongoing updates.

5 Feminist Country Songs of 2019

Photo by Alysse Gafkjen

Let’s face it: country music isn’t known for being the most welcoming genre to women. Since its inception circa 1920, women have long been embroiled in a battle of equal airplay and representation, a battle that still rages on today. But the female artists who are the fabric of the genre’s history have been vocal about equality and social awareness, particularly through song.

From Loretta Lynn to Margo Price and many others along the way, women have delivered a variety of feminist anthems that show country music exactly where they stand. This theme is still relevant today, with new artists and burgeoning superstars alike stepping into the forefront with songs that speak directly to women – here are some who did just that with power and eloquence in 2019.

The Highwomen – “The Highwomen”

When Maren Morris, Brandi Carlile, Amanda Shires and Natalie Hemby united to form The Highwomen, they told the world that women’s voices are even more powerful when they come together. The namesake song that opens their revered self-titled album puts a spin on the Jimmy Webb classic made famous by Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson with new verses – penned by Carlile and Shires – that finally give a voice to feminine archetypes. Each verse sees one of the members taking on a fictional character who sacrificed her life during a distinct era of history, from a woman wrongly accused during the Salem Witch Trials to a Freedom Rider during the Civil Rights Movement, the latter of which is made even more compelling with a guest vocal from up-and-comer Yola. “The Highwomen” is one of the best jewels country music has to offer in 2019.

Best lyric: “We are the daughters of the silent generations/You sent our hearts to die alone in foreign nations/It may return to us as tiny drops of rain/But we will still remain.”

Maren Morris – “Flavor”

While her chart-topping single “Girl” gets plenty of attention for its female empowerment theme (and rightly so), “Flavor” is the hidden gem on Morris’ acclaimed 2019 album, Girl. Throughout her young career, Morris has been building a reputation for supporting women, whether by publicly speaking out about inequality on country radio or hopping on the trend of taking an all-female lineup on tour with her. She demonstrates her sharp tongue with the song’s opening lyrics “ain’t gonna water down my words or sugar up my spice/sometimes the truth don’t always come out nice.” What follows is an anthem about originality and celebrating those who challenge the norm, all delivered with confidence and conviction that comes through in her voice. It’s a shining moment on the project that earned her an Album of the Year distinction at the CMAs – and one that defines her as an unflinching creator.

Best lyric: “Yeah I’m a lady/I make my dough/Won’t play the victim/Don’t fit that mold/I speak my peace/Don’t do what I’m told/Shut up and sing?/Well hell no I wont.”

Runaway June – “Buy My Own Drinks”

The trio of Naomi Cooke, Jennifer Wayne and Hannah Mulholland released a direct female empowerment anthem to country radio this year in the form of “Buy My Own Drinks.” The song chronicles a young woman’s solo night on the town, not needing a lover or even her friends to keep her company. Between paying her own tab and spinning herself around on the dance floor, the upbeat track raises a glass to those who are perfectly content enjoying their own company. The empowering message also made Runaway June the first female group to reach the top 10 on the Billboard Country Airplay chart in 14 years since SHeDAISY.

Best lyric: “I can walk my own self to the front door/I can take my own self to bed/I can medicate my own headache/I can be my own boyfriend.”

Ingrid Andress – “Lady Like”

Ingrid Andress released several new songs this year that proved her to be a sharp songwriter with lyrics that reject all the traditional country norms. But no song does that better than “Lady Like,” her ode to the “untamable,” “unframeable” women who drink tequila straight, don’t own a dress and kiss on a first date. The lyrics are pure defiance against all the double standards and stereotypes placed on women, and in a genre that’s dominated by straight white males singing about trucks, beer and life in God’s country, a voice like Andress’ cuts through in a potent way.

Best lyric: ““Sometimes I forget/Not to talk ’bout politics/When I’m in the middle of me gettin’ hit on.”

Katie Pruitt – “Loving Her”

Pruitt may be a new voice in country, but the truths she delivers are ones the genre desperately needs to hear. Take “Loving Her,” the gentle, lullaby-like ode to her girlfriend. Raised Catholic in the suburbs of Atlanta, Pruitt is honest about her previous fears of her sexuality being revealed. But “Loving Her” is a beautiful response to that suppression. Using clips from the 2019 Nashville Pride parade to tell the story in the video, the lyrics paint a striking picture of someone stepping out of the closet and into the light, relying on clever wordplay and poetry to convey the profound love they’re no longer ashamed to express.

Best lyric: “But if loving her is wrong/And it’s not right to write this song/Then I’m still not gonna stop/And you can turn the damn thing off.”

5 Christmas Songs by the Women of Country Music You Need to Hear

Katie Pruitt, YouTube

Year after year, the same holiday standards come pouring through our speakers when the calendar flips to December (or before Halloween in recent years). While these often become ubiquitous, there are several artists who deliver original renditions of these holiday standards, in addition to offering new classics of their own.

The women featured below deliver a mix of original songs and covers that uniquely shine, whether it’s three superstars uniting for an iconic holiday number or a burgeoning superstar penning one of the saddest Christmas songs you’ve ever heard. Check out Audiofemme’s pick of five Christmas songs by the women of country music.

Kelly Clarkson, Trisha Yearwood and Reba McEntire – “Silent Night”

When Clarkson, Yearwood and McEntire took the stage during Clarkson’s 2013 special, Kelly Clarkson’s Cautionary Christmas Music Tale, they delivered one of the most beautiful renditions of the holiday standard regarded as “the most beautiful song ever written.” The trio defines the word “perfection” with their performance, as Yearwood’s powerful voice reaches new heights, while Clarkson provides enchanting harmonies. And when McEntire joins in, her voice adds even more magical layers. When they end the performance a capella, their harmonies knock the wind right out of you.

Kacey Musgraves – “Christmas Makes Me Cry”

Challenge: Try not to tear up when listening to “Christmas Makes Me Cry.” Between singing about broken hearts and those who couldn’t make it home for the holidays, Musgraves doesn’t try to disguise the fact that there’s a somber side to Christmas that’s often forgotten. “I wonder if I’m the only one/Whose broken heart still has broken parts/Just wrapped in pretty paper/And it’s always sad/Seeing mom and dad getting a little grayer,” she sings. What I appreciate most about the track is how Musgraves extends a hand to those experiencing grief during the Christmas season, and this compelling country queen recognizes them with this gem. “Christmas Makes Me Cry” is poignant, emotional and beautiful, reflecting the intense emotions of the Christmas season and the foundation that Musgraves builds her artistry on.

Loretta Lynn – “It Won’t Seem Like Christmas”

Before Musgraves, Loretta Lynn set the precedent for melancholy Christmas tunes, and “It Won’t Seem Like Christmas” has all the makings of a Christmas classic. Penned solely by the country icon, Lynn turns tear-in-my-beer mainstay country lyrics into her own Christmas original. Between the twinkling of the piano keys and her timeless voice, she paints a peaceful scene of decorative Christmas trees and flying snowflakes. But the pain inside her is anything but peaceful as she sings of missing the person she loves. “It Won’t Seem Like Christmas” is a highlight on her 1966 Country Christmas album that features six original numbers, including heartbreaker “Gift of the Blues” and sassy “To Heck With Ole Santa Claus.”

Cam – “I’ll Be Home For Christmas”

Get ready to be stunned when you press “play” on Cam’s cover of this holiday classic. With a voice that’s timeless and modern at the same time, Cam truly captures the sadness and longing expressed in the song in a way that resonates. While I’ve heard the track countless times during the holiday season, Cam’s version made me realize how heartbreaking this standard is, written from the perspective of a solider who hopes, but ultimately doesn’t make it home for the holiday, making for one of the most powerful renditions of the popular hit I’ve heard.

Katie Pruitt – “Merry Christmas, Mary Jane”

If you want a Christmas song that’s original and modern with a dash of humor, then look no further than Katie Pruitt’s “Merry Christtmas, Mary Jane.” With a soulful voice that cuts like a knife, Pruitt tips a cheetah-print Santa hat to the one thing that’ll take her spirits high: marijuana. Her voice is so striking you almost miss the humorous little gems she sprinkles in (“All these Christmas lights would look twice as good/As we hotbox around your neighborhood”), all of which she expresses in the midst of bluesy guitar riffs. This unique holiday tribute demands a spot on your playlist.