RSVP HERE: Oceanator Record Release Stream via + MORE

Oceanator is the Brooklyn-based solo project of Elise Okusami, who writes honest grunge-pop tunes that range from solo acoustic folk to synth pop. Okusami’s current live band includes Andrew Whitehurst and Anthony Richards, but her newest record Things I Never Said (released today!), also features performances by Eva Lawitts on bass and Mike Okusami and Aaron Silberstein on drums. Lead singles “A Crack in the World,” “Heartbeat” and “I Would Find You” have earworm qualities that belie their sonic heft. Though grunge is often associated with angsty feelings, Things I Never Said is actually comforting, with snippets of positive lyrical affirmations like “I’ll keep trying to keep the skies blue anyway.” The record was recorded at Wonderpark Studios by Eva Lawitt and Chris Kasnow and by Okusami’s brother in his studio in Maryland, and was released by Okusami’s new label Plastic Miracles. You can celebrate Oceanator’s record release tonight 8/28 on BABY.TV at 8pm EST! We chatted with Elisa Okusami about her Dead Kennedys cover, creating her own label, and her recommendations for must-download material for next Bandcamp Friday (September 4th).

AF: The first time I saw Oceanator was at Shea Stadium in fall of 2016 and you were completely solo. How has the project and your songwriting style evolved over the years?

EO: I miss Shea! I was playing a lot of solo stuff in the beginning because I wanted to get out there and play those songs, and I didn’t have any people to play them with yet. I still love playing solo for sure, but it’s very exciting to be able to play these songs big and huge with a full band. Andrew Whitehurst and Anthony Richards have been my touring bandmates for the past year and they’re amazing. I was also playing shows with Eva Lawitts, Aaron Silberstein, Zoe Brecher and a few other folks, and knowing that I had people I could ask to play shows I think made me feel freer to write songs for a full band and write less acoustic stuff, maybe? Not sure, I guess. I’ve always written both and I’m excited to get to perform both ways these days!

AF: Do you have a quarantine routine? Has lockdown affected your creativity in any way?

EO: I’ve been making cold brew coffee every few days – that’s about as much of a routine as I’ve got right now. In the beginning I was doing better with it and also doing walks and stuff. I need to get back into it. As far as creativity, I’ve been having an extra hard time writing lyrics. I’ve been writing a bunch of music, but any time I try to think about lyrics at all it’s this big grey blur.

AF: What are you most proud of about your new record and what do you want listeners to take away from it?

EO: I hope people take away a feeling of enjoyment and also a feeling of hope. I think the record goes through a lot of dark and heavy stuff, but I think overall it’s an optimistic record. That’s also why I ended it with “Sunshine,” because after all the disasters, etc, it’s like “Okay, we’re gonna be okay.” I’m pretty proud of the record as a whole, to be honest. I like the way it flows and I think these are some of the best songs I’ve ever written.

AF: How was recording your cover of the Dead Kennedys’ “Police Truck“?

EO: It was super fun! I did it at my brother’s studio and played all the instruments. I was having a super fun time just jamming on everything as we recorded. I was nervous about doing the vocals ‘cause Jello’s got that distinct voice, but I tried to just be me and I’m happy with how it turned out.

AF: What was the process like of creating your own label to release the album?

EO: Well, the label had been planned for a while, actually. I was always planning to launch it this year, and the original plan didn’t include me releasing any of my own music at all. Then I left the label I was on, so we were shopping the record around and with everything going on it was taking a while so we decided to self-release, and then I was like, well since I’m launching the label anyway might as well put it on that! It’s been a fun learning process. A lot of folks from other labels have reached out to offer to chat if I have questions, and that’s been super helpful. I’m really excited about the future of the label. We have four more releases coming in the fall and just put our first release of 2021 on the calendar.

AF: What is your favorite piece of Oceanator merch and how did you get the idea for it?

EO: I don’t know if I have a favorite right now! I’m very very stoked on the entire run of stuff I did around the record. I guess if I had to pick it would be the post cards or the temporary tattoos? The postcards were designed by Kameron White and the tattoos by Haley Butters and they’re both perfect. The post cards my friend Gretchen suggested doing. The temporary tattoos, I got the idea because I was thinking about what other fun ’90s stuff I could do since I was doing pogs. Temporary tattoos just popped into my head and I knew Haley had made flash sheets before so I asked them if they wanted to do the temp tattoo designs and they sent back this perfect thing with a tattoo for each song inspired by that song. It’s so cool.

AF: What bands/labels do you recommend to support on Bandcamp day next week?

EO: Solidarity Club, Grimalkin Records, Exploding in Sound, Quiet Year, Good Eye, Get Better, Disposable America to name a few labels. Cave People and Alright both also have records coming out this Friday so I would say pick those up. McKinley Dixon and Maneka are excellent. Artisan P has a new EP coming out on Sept 4th. I could go on and on but I’ll stop there.

AF: You’ve also drummed in various bands – are you still drumming in any projects or will you be in the future?

EO: I’m not actively right now because of the pandemic. Most of the drumming I was doing for folks was on tours, but yeah, I’ve been talking to some friends and I think if scheduling works out when touring starts again I’ll be playing some drums! I hope so. I miss the drums.

AF: What is your livestream setup like?

EO: Recently I have been doing the guitar through pedals just direct in to the mixer so I don’t bother the neighbors as much. At the beginning of quarantine I was mic’ing my amp but now that I’m doing more streams at later times and stuff, so I’ve been doing direct in and it has actually been sounding pretty great. Then I’ve got a mic for the vocals. Those both go into this little mixer, and I connect the mixer either to my interface and then into my computer or directly into my phone depending on what platform I’m streaming on.

AF: What are your plans for the rest of 2020 and beyond?

EO: Mostly just seeing how things play out with pandemic and stuff. I don’t think shows will happen anytime soon which stinks. But I’m trying to stay busy. Got a bunch of things coming out on the label, so I’ll be working on that stuff. And I have a bunch of songs that I wanna work on for the next record, and also maybe an EP.

RSVP HERE for Oceanator’s Things I Never Said Release Party via BABY.TV, $5-50 8-9PM EST

More great livestreams this week…

8/28 Yaeji via Boiler Room Instagram. 7pm EST RSVP HERE

8/28 Angel Olsen via Noonchorus – Cosmic Stream 3. $15 adv/$17 dos, 9pm EST RSVP HERE

8/29 Ben Gibbard, Arlo Guthrie, Glenn Mercer (of The Feelies), and more via Coney Island Mermaid Parade Tail-a-thon. 8pm EST RSVP HERE

8/29 The O’My’s, Dehd, Frank Waln, Bomba con Buya, Andrew Sa via Square Roots Festival. 7pm EST RSVP HERE

8/29 Charlie Parker’s 100th Birthday Celebration: Sam Turvey, Jason Moran, Jaleel Shaw via SummerStage Everywhere. 10pm EST RSVP HERE

8/31 Goat Girl via Working Class Movement Library Facebook. 2pm EST RSVP HERE

9/2 The Plastic Show (Fantastic Plastics Talk Show) via Twitch. 9pm EST RSVP HERE

9/2 Megan Thee Stallion, Lil Baby via Red Rocks Unpaused. 10pm EST RSVP HERE

9/4 Policing on the Agenda: Understanding ‘defund the police’ and calling for police accountability in Black communities via Black Future Labs. 5pm EST RSVP HERE

INTERVIEW: Sofie Discusses Moving to Austria from LA to Make Stones Throw Debut LP Cult Survivor

Photo Credit: Manuel Haring

On June 26, Sofie Fatouretchi will release her debut album, Cult Survivor, on Stones Throw. For the Vienna-based musician, who performs under just her first name, it’s a bit of a reunion; early in her career, she had worked for the label. “When I was 19, I applied for an internship at Stones Throw Records, not really thinking that I would get it,” she says on a recent call. “I wrote a very long, convincing letter – please hire me – and they gave me an internship.”

Sofie, who grew up in California and spent her teenage years in Austria, had graduated high school early and went on to study performance violin and computer science. “I guess that there has always been that love for music there, but the reason I ended up getting a job there was because I had a technical background to fall back upon,” she says. She was the label’s digital manager for several years and worked on the A&R end for a couple artists, including her former roommate MNDSGN, who she collaborated with on “Abeja,” a track from a Stones Throw mix she curated. Sofie, who is also a DJ, went on to spend a handful of years working with Boiler Room when the streaming network was still in its infancy.

On Cult Survivor, Sofie weaves narrative songwriting through a collection of soft pop-rock with occasional, exceptionally subtle nods to early ’80s electronic funk. There are traces of Los Angeles on the album, notably in the songs “Hollywood Walk of Fame” and “Figueroa,” two tracks that stand out in particular for their vivid lyrics. However, Sofie made Cult Survivor in Vienna, writing the songs primarily on a ’70s keyboard in a university basement.

Sofie had relocated four years ago, after her mother, who lives in the Austrian countryside, was diagnosed with cancer. “I was going through a lot of personal stuff at the time that I didn’t deal with well and it really hit me very hard. It was so uncertain to know how her situation would progress,” she explains. “I ended up moving here because of that and I was at a crossroads of what to do.” She headed back to school, but freed from the daily work grind that had been part of her life since she was a teenager, she was able to dive deep into her creativity without distractions. “I was very much removed from what I have previously known and what I was previously doing,” she says. Her music took shape organically as she was adjusting to her new life.

“For me, music was always very intrinsic and I really loved it,” says Sofie, who playing violin at age four and is self-taught in piano. Being in Vienna allowed her to make music without the kind of “external influence” that existed in the cities where she was surrounded by her network of friends and colleagues. “I had the luxury of boredom that I think allowed that creation to be a possibility,” she says. “I don’t know if I would have written this record had I been anywhere else.”

Sofie kept in touch with Stones Throw founder Peanut Butter Wolf and sent him some demos. “At some point, after we were emailing each other back and forth, he said, you know you have enough here for a record, at least,” she says. They edited the collection down to the 12 songs that are on Cult Survivor. Sofie released her most recent video, a melancholy clip with a vintage feel, for the song “Guest” earlier this week; it follows previously-released videos for the songs, “Asleep,” “Truth of the Matter” and “99 Glimpses.”

When we spoke in late May, Sofie had been working on music and painting since March, when Vienna, like so many other cities, went into lockdown as a result of the COVID-19 pandemic. “I’ve been at home for the most that I’ve gotten to be home in a really long time, which has been really great,” she says. “I know a lot of fellow artists and musicians have been saying that this time to yourself has been so valuable and we don’t really have the opportunity to do that, so I feel very lucky that was able to happen in my life without big, further repercussions and that my family would be okay.”

Still, it took Sofie a long time – and an overseas move – to realize her potential as an artist. “I think it’s very hard when you work in the creative industry and you are creative,” Sofie says. “When I was younger, I thought that you had an infinite amount of creative energy or potential and ideas, but you really don’t.”

Follow Sofie on Instagram for ongoing updates.

PREVIEW: Ray-Ban x Boiler Room Weekender 2016

Boiler room

In the spirit of friendship, Ray-Ban x Boiler Room are inviting all of their best friends, artists, DJs, collectives, creatives and fans to the Ray-Ban x Boiler Room Weekender; the single biggest Boiler Room event to date.

Over the past four years, the creative platform has travelled the globe, bringing the ideas and concepts of boundary-pushing artists to life. From November 4 – 6th they are taking over Split Rock resort – an iconic holiday resort in Lake Harmony, Pennsylvania that will become the ultimate musical getaway with experiences developed by existing program curators and brand new partners.

Set against the backdrop of the gorgeous Pocono Mountain Range, the Ray-ban x Boiler Room Weekender utilizes each of the ground’s diverse spaces with parties and non-musical programming that will take over the resort’s expansive indoor waterpark, 150-person theater, dance studio, gaming arcade, bowling alley and indoor sports complex. From a daytime Dancehall pool-party, to a villa afterparty series, Split Rock will be transformed into a weekend playground for curators, their favorite artists and closest friends.

Music and Events Programming Curated by Virgil Abloh, Soulection, GHE20G0TH1K, Mixpak, FIXED, WRECKEDnyc, Discwoman,  Tiki Disco, Making Time, RVNG Intl., Sublimate, Acid Camp, N.A.A.F.I & NON

Get your ticket here.