Lucifer Explores Darkness, Death, the Occult on ‘Lucifer III’

PREMIERE: Sydney Jaffe Cautions Players With “Boys Like You”

PLAYING PHILLY: Local Musicians Get Creative in Quarantine

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PLAYING NASHVILLE: Ellen Starski Demands “More” Independence in New Song

PLAYING THE BAY: Everything Sucks But At Least We Still Have Music

PREMIERE: Sarah Peacock Confronts Childhood Pain With “The Cool Kids”

Bandits on the Run Bring Busking to the Masses

Avery Leigh’s Night Palace Pairs Opera and Dream Pop on Debut Single

PLAYING SEATTLE: Songwriting during Social Distancing

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PREMIERE: KP Wolfe Releases “You Can Call Me” Video Featuring Tori Black

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Eliza and the Organix Explore Intergenerational Trauma in “Broken Sky”

ONLY NOISE: What I Learned From Bad Covers of “Hallelujah”

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Stefan T Premieres Party Anthem “All Night”

Elle Winter Discusses Her Fierce New EP ‘Yeah, No’

San Mei Premieres Dreamy Title Track from Cry EP

REVIEW: Lauren Ruth Ward Burns Hot on Vol. II

Kaitlyn Aurelia Smith Details New LP and Caribou Tour

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Soleima Unleashes No-Holds-Barred Debut Powerslide

Caitlyn Smith is a Force of Nature on ‘Supernova’

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A Celebration of All-Ages Venues with Yowler, Kississippi, and Thin Lips

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Satin Nickel Modernizes Old American Roots in “Free”

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Parlor Walls Juxtapose Beauty and Horror with Video for “Game”