AF 2020 IN REVIEW: Our Favorite Albums & Singles of The Year

In a year that’s been like no other for the music industry, it feels a bit weird to make a best of 2020 list – there have been no tours, venues and clubs across the globe are in danger of closing their doors for good, release schedules were shuffled beyond recognition, and musicians have had to find other ways to make ends meet while those in the U.S. await the next round of paltry stimulus checks. With a situation so dire, the metrics have changed – should we ascribe arbitrary value to the skill of producers, songwriters, performers, and the execution of their finished projects, or simply celebrate records that made us feel like the whole world wasn’t crumbling?

Definitively ranking releases has never been the Audiofemme model for looking back on the year in music. Instead, our writers each share a short list of what moved them most, in the hopes that our readers will find something that moves them, too. Whether you spent the lockdown voraciously listening to more new music this year than ever before, or fell back on comforting favorites, or didn’t have the headspace to absorb the wealth of music inspired by the pandemic, the variety here emphasizes how truly essential music can be to our well-being. If you’re in the position to do so, support your favorite artists and venues by buying merch, and check out the National Independent Venue Association to stay updated on what’s happening with the Save Our Stages act. Here’s to a brighter 2021.

EDITOR LISTS

  • Marianne White (Executive Director)
    • Top 10 Albums:
      1) Mary Lattimore – Silver Ladders
      2) the Microphones – Microphones in 2020
      3) Soccer Mommy – Color Theory
      4) Megan Thee Stallion – Good News
      5) Phoebe Bridgers – Punisher
      6) Amaarae – The Angel You Don’t Know
      7) Dua Lipa – Future Nostalgia
      8) Adrianne Lenker – songs/instrumentals
      9) Perfume Genius – Set My Heart On Fire Immediately
      10) Lomelda – Hannah
    • Top 5 Singles:
      1) Kinlaw – “Permissions”
      2) Billie Eilish – “Therefore I Am”
      3) Little Dragon & Moses Sumney – “The Other Lover”
      4) Yves Tumor – “Kerosene!”
      5) Megan Thee Stallion – “Shots Fired”

  • Lindsey Rhoades (Editor-in-Chief)
    • Top 10 Albums:
      1) Land of Talk – Indistinct Conversations
      2) Dehd – Flower of Devotion
      3) SAULT – Untitled (Black Is)/Untitled (Rise)
      4) Public Practice – Gentle Grip
      5) Cindy Lee – What’s Tonight to Eternity
      6) Fiona Apple – Fetch the Bolt Cutters
      7) Benny Yurco – You Are My Dreams
      8) Eve Owen – Don’t Let the Ink Dry
      9) Porridge Radio – Every Bad
      10) Jess Cornelius – Distance
    • Top 10 Singles:
      1) Little Hag – “Tetris”
      2) Elizabeth Moen – “Creature of Habit”
      3) Yo La Tengo – “Bleeding”
      4) Caribou – “Home”
      5) Jess Williamson – “Pictures of Flowers”
      6) Adrianne Lenker – “anything”
      7) Nicolás Jaar – “Mud”
      8) Soccer Mommy – “Circle the Drain”
      9) New Fries – “Ploce”
      10) El Perro Del Mar – “The Bells”

STAFF LISTS

  • Alexa Peters (Playing Seattle)
    • Top 5 Albums:
      1) Deep Sea Diver – Impossible Weight
      2) Blimes and Gab – Talk About It
      3) Perfume Genius – Set My Heart On Fire Immediately
      4) Tomo Nakayama – Melonday
      5) Matt Gold – Imagined Sky
    • Top 3 Singles:
      1) Stevie Wonder – “Can’t Put it in the Hands of Fate”
      2) Tomo Nakayama – “Get To Know You”
      3) Ariana Grande – “Positions”

  • Amanda Silberling (Playing Philly)
    • Top 5 Albums:
      1) Frances Quinlan – Likewise
      2) Bartees Strange – Live Forever
      3) Told Slant – Point the Flashlight and Walk
      4) Diet Cig – Do You Wonder About Me?
      5) Shamir – Shamir
    • Top 3 Singles:
      1) Kississippi – “Around Your Room”
      2) Sad13 – “Hysterical”
      3) The Garages – “Mike Townsend (Is a Disappointment)”

  • Ashley Prillaman (Contributor)
    • Top 5 Albums:
      1) Perfume Genius – Set My Heart On Fire Immediately
      2) Lasse Passage – Sunwards
      3) Megan Thee Stallion – Good News
      4) Grimes – Miss Anthropocene
      5) Yves Tumor – Heaven To A Tortured Mind
    • Top 3 Singles:
      1) Megan Thee Stallion – “B.I.T.C.H.”
      2) Perfume Genius – “On the Floor”
      3) SG Lewis & Robyn – “Impact” (feat. Robyn & Channel Tres)

  • Cat Woods (Playing Melbourne)
    • Top 5 Albums:
      1) Jarvis Cocker – Beyond the Pale
      2) Róisín Murphy – Róisín Machine
      3) Run the Jewels – RTJ4
      4) Emma Donovan & The Putbacks – Crossover
      5) Various Artists – Deadly Hearts: Walking Together
    • Top 3 Singles:
      1) Emma Donovan & The Putbacks – “Mob March”
      2) Laura Veirs – “Freedom Feeling”
      3) Miley Cyrus – “Never Be Me”

  • Chaka V. Grier (Playing Toronto)
    • Top 5 Albums:
      1) Lianne La Havas – Lianne La Havas
      2) Joya Mooi – Blossom Carefully
      3) Lady Gaga – Chromatica
      4) Witch Prophet – DNA Activation
      5) Tremendum – Winter
    • Top 3 Singles:
      1) Lianne La Havas – “Green Papaya”
      2) Lady Gaga – “Free Woman”
      3) Allie X – “Susie Save Your Love”

  • Cillea Houghton (Playing Nashville)
    • Top 5 Albums:
      1) Chris Stapleton  – Starting Over
      2) Brett Eldredge – Sunday Drive
      3) Little Big Town – Nightfall
      4) Ingrid Andress – Lady Like
      5) Ruston Kelly – Shape & Destroy
    • Top 3 Singles:
      1) The Weeknd – “Blinding Lights”
      2) Billie Eilish – “Therefore I Am”
      3) Remi Wolf  – “Hello Hello Hello”

  • Eleanor Forrest (Contributor)
    • Top 5 Albums:
      1) Grimes – Miss Anthropocene
      2) Rina Sawayama – SAWAYAMA
      3) Allie X – Cape Cod
      4) LEXXE – Meet Me in the Shadows
      5) Gustavo Santaolalla, Mac Quayle – The Last of Us Part II (Original Soundtrack)
    • Top 3 Singles:
      1) CL – “+5 STAR+”
      2) Yves Tumor & Kelsey Lu – “let all the poisons that lurk in the mud seep out”
      3)  Stephan Moccio – “Freddie’s Theme”

  • Gillian G. Gaar (Musique Boutique)
    • Top 10 Albums:
      1) Dust Bowl Faeries – Plague Garden
      2) Ganser – Just Look At That Sky
      3) Oceanator – Things I Never Said
      4) Loma – Don’t Shy Away
      5) Maggie Herron – Your Refrain
      6) Pretenders – Hate for Sale
      7) The Bird and the Bee – Put up the Lights
      8) Partner – Never Give Up
      9) Bully – Sugaregg
      10) Olivia Awbrey – Dishonorable Harvest

  • Jason Scott (Contributor)
    • Top 5 Albums:
      1) Mickey Guyton – Bridges EP
      2) Katie Pruitt – Expectations
      3) Mandy Moore – Silver Landings
      4) Dua Lipa – Future Nostalgia
      5) Cf Watkins – Babygirl
    • Top 3 Singles:
      1) Mickey Guyton – “Black Like Me”
      2) Ashley McBryde – “Stone”
      3) Lori McKenna feat. Hillary Lindsey and Liz Rose – “When You’re My Age”

  • Jamila Aboushaca (Contributor)
    • Top 5 Albums:
      1) Tame Impala – The Slow Rush
      2) Khruangbin – Mordechai
      3) Kid Cudi – Man on the Moon III: The Chosen
      4) Tycho – Simulcast
      5) Run the Jewels – RTJ4
    • Top 3 Singles:
      1) Tame Impala – “Lost In Yesterday”
      2) Phoebe Bridgers – “Kyoto”
      3) Halsey – “You should be sad”

  • Liz Ohanesian (Contributor)
    • Top 5 Albums:
      1) Róisín Murphy – Róisín Machine
      2) Jessie Ware – What’s Your Pleasure?
      3) Phenomenal Handclap Band – PHB
      4) Khruangbin – Mordechai
      5) TootArd – Migrant Birds
    • Top 3 Singles:
      1) Anoraak – “Gang” 
      2) Kylie Minogue – “Magic”
      3) Horsemeat Disco feat. Phenomenal Handclap Band – “Sanctuary”  

  • Michelle Rose (Contributor)
    • Top 5 Albums:
      1) Dua Lipa – Future Nostalgia
      2) Taylor Swift – folklore
      3) Shamir – Shamir
      4) Jessie Ware – What’s Your Pleasure?
      5) HAIM – Women in Music Pt. III
    • Top 3 Singles:
      1) Porches – “I Miss That” 
      2) Annabel Jones – “Spiritual Violence”
      3) Wolf – “High Waist Jeans”  

  • Sara Barron (Playing Detroit)
    • Top 5 Albums:
      1) Summer Walker – Over It
      2) Yaeji – WHAT WE DREW
      3) Liv.e – Couldn’t Wait to Tell You
      4) Ojerime – B4 I Breakdown
      5) KeiyaA – Forever, Ya Girl
    • Top 3 Singles:
      1) Yves Tumor – “Kerosene!”
      2) Kali Uchis, Jhay Cortez – “la luz (fin)”
      3) fleet.dreams – “Selph Love”

  • Sophia Vaccaro (Playing the Bay)
    • Top 5 Albums:
      1) Charli XCX – how i’m feeling now
      2) The Front Bottoms – In Sickness & In Flames
      3) Zheani – Zheani Sparkes EP
      4) Various Artists – Save Stereogum: A ’00s Covers Comp
      5) Halsey – Manic
    • Top 3 Singles:
      1) Charli XCX – “forever”
      2) Doja Cat – “Boss Bitch”
      3) Wolf – “Hoops”

  • Suzannah Weiss (Contributor)
    • Top 5 Albums:
      1) Galantis – Church
      2) Best Coast – Always Tomorrow
      3) Overcoats – The Fight
      4) Holy Motors – Horse
      5) Suzanne Vallie – Love Lives Where Rules Die
    • Top 3 Singles:
      1) CAMÍNA – “Cinnamon”
      2) Naïka – “African Sun”
      3) Edoheart – “Original Sufferhead”

  • Tarra Thiessen (RSVP Here, Check the Spreadsheet)
    • Top 5 Albums:
      1) Brigid Dawson & The Mothers Network – Ballet of Apes
      2) Ganser – Just Look At That Sky
      3) Death Valley Girls – Under The Spell of Joy
      4) The Koreatown Oddity – Little Dominiques Nosebleed
      5) Ghost Funk Orchestra – An Ode To Escapism
    • Top 3 Singles:
      1) Miss Eaves – “Belly Bounce”
      2) Purple Witch of Culver – “Trig”
      3) Shilpa Ray – “Heteronormative Horseshit Blues”

  • Victoria Moorwood (Playing Cincy)
    • Top 5 Albums:
      1) Lil Baby – My Turn
      2) A$AP Ferg – Floor Seats II
      3) Polo G – The Goat
      4) The Weeknd – After Hours
      5) Teyana Taylor – The Album
    • Top 3 Singles:
      1) Cardi B & Megan Thee Stallion – “WAP”
      2) Roddy Ricch  – “The Box”
      3) Big Sean & Nipsey Hussle – “Deep Reverence”

Hardest Working DIY Bands on Tour in 2019

Below is our list of the Hardest Working DIY Touring bands of 2019 keeping the DIY dream alive!

Photo by Lisa Foldenauer Thompson

Lung (Cincinnati, OH)

157 Shows

Cincinnati rock duo Lung sound HUGE. With only an electric cello, drums and vocals, they have a sludgy post-rock sound that could fit inside a stadium. Formed in 2016 by Kate Wakefield on cello/vocals and Daisy Caplan on drums, the duo met after Daisy’s former band Babe Rage had Kate collaborate with them during a residency. They have since played over 500 shows in the US and toured Europe. In that short period they’ve made a name for themselves sharing the stage with bands like Screaming Females, Fucked Up, Priests, Downtown Boys, Shellshag and more. Their sophomore record All The Kings Horses was released in fall of 2018 on Sofaburn Records, and they’re currently working on their third album.

AF: What is your craziest tour story from this year?

Kate Wakefield: We played a show in Tallinn, Estonia that was incredible but went super late. After the show we took a 5AM ferry across the Gulf to go play a benefit show in Helsinki for Girls Rock Finland. So many people came out to support, and all the bands were amazing! The folks putting it on also fed us delicious vegan food, and the night ended with us all hanging out in a sauna.

AF: What are the advantages and challenges of DIY touring?

KW: Advantages are that you immediately are immersed in so many great music scenes. We like playing anywhere and everywhere and some of the best shows are in the most unexpected places. Challenges are being as frugal as possible and living without a kitchen. We’ve become pros at sleeping anywhere and cheap grocery store meals.

Snailmate (Tempe, AZ)

More than 100 Shows

Snailmate are a nerdcore duo that have been touring since their formation in 2015. Composed of Kalen Lander (vocals/synth) and partner in crime Ariel Monet (drums/vocals), they book/fund their own tours, screenprint their own shirts, design all their posters, make their own buttons, and do basically every other aspect of managing a tour with a master DIY work ethic. Kalen was formerly in TKLB? (The Kalen Lander band), but after he tired of touring with a DJ in the traditional hip hop sense, was inspired to perform everything in Snailmate live. Snailmate has racked up 15 releases on their Bandcamp and claim to have had a “light” year of touring because they are working on their new album. In total, they did nine shows in two weeks in Japan, sixteen shows in three weeks in Europe, and over 100 shows in the USA. In 2020 they have plans to return to Europe and Japan as well as tour Brazil for the first time.

AF: What is your craziest tour story from this year?

SM: Well, touring is a never ending stream of crazy events. Sometimes we begin to feel like we’ve seen it all, and nothing is surprising. But being in another country turns everything upside down. Not only had we never been to Germany before, but we were scrambling to salvage a tour that had been tossed together by a “booking agent.” When we realized that their promises were not going to be fulfilled, we started piecing the tour together despite not having any contacts in Germany. A friend of a friend of a friend led us to a wonderful little house party in Braunschweig. We had a great time performing for the friendly locals, and everyone was smoking lots of pot. Suddenly there was a knock on the door, and eight German police officers came storming in. We were all seated on the floor, with the cops barking orders and asking questions in a language we didn’t understand. All of our bags were searched and we were patted down. It was all very surreal. Everything ended up okay – we don’t smoke – but it was still scary. Once we got past the language barrier, the police ended up being far more polite and chill than we are used to here in America. But it was all an experience we never expected to have, and hopefully don’t have to go through again. Yay tour!

AF: What are the advantages and challenges of DIY touring?

SM: DIY touring definitely has its pros and cons. We make our own schedule and route, and get to go to the places that we love. All of the money comes back to us, which we funnel back into printing more shirts and supplementing our merchandise. Since we already screen print our own merch and design all the artwork, it can leave us feeling stretched thin. We are just two people trying to book shows and promote ourselves, while also writing and drawing, driving and navigating. Sometimes we feel like we could use some help. But we also know people who’ve hired tour bookers and have gotten stuck with totally fucked up routes, dropped shows, and endless days off. We like to keep a rapid pace and play every night, and that’s a lot to ask of a booking agent. We even tried a different approach with our European tour, and ended up getting screwed over by an individual who didn’t care about our band and just wanted our money. Nobody cares about Snailmate as much as we do, so we find we are usually the best qualified people to do Snailmate work. It’s exhausting but so incredibly rewarding.

Soraia (Philadelphia, PA)

90 Shows

Fronted by ZouZou Mansour, Soraia (which means “bright guiding star” in Arabic), are a four-piece rock band with influences ranging from ’90s alt-rock and the early ’00s garage rock revival to the entire classic rock gamut. Since the band formed in the mid-2000s they have released three albums, one featuring five songs the band co-wrote with Jon Bon Jovi. Their latest record Dead Reckoning was recorded at Steven Van Zandt’s Renegade Nation Studios, featured two songs produced by Van Zandt, and released on his label Wicked Cool Records in October 2017. They didn’t stop there and have released two more 7″s since. They play everywhere from dives to arenas, and credit their love of the non-stop tour life to a thick skin they’ve developed from being a Philly-based band. Soraia haven’t toured as much as usual this year due to a line-up change, but still managed to play close to 100 shows.

AF: What is your craziest tour story from this year?

ZM: We played The Viper Room in Los Angeles this past April, and we had a lot of people there that night, including Clem Burke from Blondie. During our last song, “Beggar,” I always get really wild and climb on things I find on stage, jumping around a ton. I climbed onto the bass rig and did not have a sturdy stand, totally threw my head right into the corner of the bass cab and came down on the stage, just short of knocking myself out. I finished super dizzy and semi-blacking out. But spent a lot of time after talking to people who were thrilled with the fire of the last song, but basically knowing I needed to go to the hospital right after. I still performed with our friend’s band the same night – so it’s not sooooo crazy – but a feat of modern humanity still.

AF: What are the advantages and challenges of DIY touring?

ZM: The advantages are you get to plan your route, and play at places where you already know the sound and areas, and also, delve into new places that you’ve wanted to for a while. The disadvantages is the not knowing if other bands are going to show – we had that happen last tour, and it was a surprise to us. But in new areas where you don’t have that foothold, it’s expected at times.

Radiator King (Boston, MA)

84 Shows

Radiator King is the solo endeavor of punk/blues singer-songwriter Adam Silvestri. His songwriting captures the essence of old blues mixed with modern songwriting pirates like Tom Waits, Dropkick Murphys and Fugazi. Radiator King has perfected this folk/punk/blues sound over three records and countless tours since his project’s official inception in 2011. His most recent EP Roll The Dice was released on SoundEvolution this year, and features many great musicians including drummer Brian Viglione (Dresden Dolls, Violent Femmes, NIN), bassist Mark Stewart and guitarist Adam Brisbin. He is most recently coming off a month long solo European tour, and closing out the decade with shows in upstate New York and Asbury Park, NJ.

AF: What is your craziest tour story from this year?

RK: The craziest story that comes to mind was when I played in Berlin, Germany on a solo tour about a month ago. The place I was staying in was about a 15 minute walk to the venue. After dropping off my bags at the apartment, I made the walk to the club for soundcheck with a backpack and guitar in hand. The route to the venue required that I cut through a park. At the time I was heading to the venue, which was around 6pm, there was still daylight and the park seemed like any other ordinary park.  However, after the show on my walk back around 2am, the park took on quite a different atmosphere. There were not many people around besides a few homeless folks who were sprawled out along the pathway. As I walked along I noticed a man coming out from a wooded area had started walking behind me. He began to get closer and started saying in broken English “stop for a minute, I want to talk to you.” At first I ignored him and walked faster. However, he began to walk faster, pleading with me to stop. I told him no, that I was in a rush and kept on walking, as I figured I would soon be out of the park and onto the streets where there would be people around again.

As the man continued to harass me from behind, I noticed that three other men came out of the wooded area up ahead of me, blocking the pathway where I was to walk. I quickly realized that they were in cahoots with the guy trailing me and that I was going to get mugged if I didn’t act fast. Getting my guitar stolen would mean that I could not finish the rest of tour and there was no way in hell I was going to let that happen. As the men closed in, my mind quickly recounted a lesson my father had once told me: “If you are ever in a conflict and are outnumbered, lose control and go crazy. Scream, yell even punch yourself in the face if necessary. Because no one ever wants to fight a crazy person.” So that’s exactly what I did (although it never got to punching myself in the face). I screamed obscenities, threatened violence, and flailed my arms like I was scaring off a grizzly bear. One by one they began to retreat, receding into the woods in which they came. Thanks for the advice Pops – who would of known it would one day save my guitar from getting stolen!

AF: What are the advantages and challenges of DIY touring?

RK: I’d say the biggest advantage in DIY touring is the personal connection you develop with the people involved with the shows. In doing all the booking and managing on my own, I am in effect building a relationship with whomever handles booking at a venue; whether it be the talent buyer, owner, promoter etc. In most cases this is usually a person who is involved with the music scene in their community quite heavily, whether playing in bands themselves, booking shows or just going out and seeing shows in their neighborhood regularly. And usually these folks introduce you to their crew of friends who are also involved with the music scene in the area. It’s usually these people that we end up crashing with after the shows. So really you are building lasting relationships with a community of like-minded people in the places you are going and that’s an amazing thing to be a part of.

Since it’s just myself who handles tour booking duties, the biggest challenge would be ensuring that all the moving parts of tour come together as they should. After the show is booked, it’s my job to make sure that we get to where we are going on time, load in and do sound check, sell merch, play the show, break down and load up equipment, get paid out at the end of the night and find us a place to crash. It’s really involved and is a lot of work but it’s undoubtedly worth it.

Remember Jones (Asbury Park, NJ)

81 Shows

Remember Jones is a soul/pop band that has toured close to six months of this year as a 12-piece band led by Anthony D’Amato. The band has played clubs, ballrooms, and theaters of all sizes over the country and opened for bands like Darlene Love, George Clinton & Parliament Funkadelic, Ronnie Spector & The Ronettes and more. They toured in support of their two records released in 2016 and 2017, and also do runs of shows that adapt beloved albums like Amy Winehouse’s Back to Black, Jeff Buckley’s Grace (in collaboration with co-writer Gary Lucas), and Kanye West’s 808s and Heartbreak with 15-25 piece orchestras. Their next US tour is set for February/March of 2020.

AF: What is your craziest tour story from this year?

RJ: Craziest story of 2019? We were about to go on with an outside show in Duck, NC and there was a hurricane-like storm minutes before we started! It was absolutely wild. Another: after slammin’ shows in Victor and Hailey, Idaho… we had a day off that we couldn’t find proper housing. We really wanted to relax and enjoy the Grand Teton Mountains and beautiful scenery of Idaho or Wyoming. By some chance, after a show, the owner of a house he called “The Cowboy Spaceship” offered to host us for a day/night. After some proper vibe-checking, we decided to go for it. There was great hospitality, but the experience was completely wild. Many bathrooms or bedrooms weren’t functional, many locals were stopping by to hang and see “what the party was,” neighbors loudly fighting, etc. While we were welcomed to anything in the fridge and many libations, we were unsure all throughout the day as things evolved where exactly things would go. But hey, we were able to crash for the night – all of us!

AF: What are the advantages and challenges of DIY touring?

RJ: DIY touring with a band this large has many unique challenges. While we have a great agent and are growing as we see the country, it’s maintaining a great vibe that overall keeps us tight. We have had different band members over the past few years because having people that really get it and really want to be on the road to see the vision come to light is important. Respecting everyone’s time, effort, space, etc. is just as important as the music and promotion (which in itself has its own issues). I also find that trusting a promoter or venue to take care of your show is not realistic. They are just as busy and consumed as you are… you really need to sell your show and spend time doing the DIY stuff you would do in your own home town.

Calliope Musicals (Austin, TX)

67 Shows

Austin’s Calliope Musicals have the most colorful show in any town that has ever existed. With a plethora of stage props, lighting and sequined body-suits, the band brings a stage setup like no other. Frontwoman Carrie Fussell has a presence akin to Freddie Mercury and Prince, and her banter makes you wish she had a show on Nickelodeon in the ’90s. The six-piece psych glam rock outfit spent this year touring in support of their latest record Color/Sweat, and also recorded a Wild Honey Pie Buzz Session featuring a cover of The Beatles’ “Eleanor Rigby.”

AF: What is your craziest tour story from this year?

CF: Wayne Coyne came to our show in OKC this year – that was pretty bad ass and exciting. One night in Brooklyn, five of us ended up sleeping in our van after a show. Turns out peoples’ favorite opening line on Tinder is not “hiiii so can me and my four very nice and respectful bandmates crash at your place? <3 we make breakfast :)” – but it was okay because $1 slices and whiskey.

AF: What are the advantages and challenges of DIY touring?

CF: I think the advantages would be all the amazing people you meet. You’re kinda putting yourself at the mercy of the universe and the people around you and you’re counting on people to be honest and generous and helpful, and when it works out it’s very comforting and inspiring. Challenges for me are self care and quiet time, and I think the rest of my bandmates might say the same thing. There are definitely financial challenges, especially having more people on the road; we’ve become quite good at quietly piling into one hotel room.

Zach Ellis of Dead Tooth + Wives (Brooklyn, NY)

63 Shows

Zach Ellis spent the year touring in two bands, Dead Tooth, which he is the frontman for, and the Queens, NY quartet, Wives. Dead Tooth is the new incarnation of The Adventures of the Silver Spaceman, Zach’s solo moniker that he put out music under from 2011-2016. He renamed the project Dead Tooth when it started to feel more like a band than a solo project, consisting of members Dylan DePice, Andrew Bailey, Jason Smith and River Allen. At the beginning of this year, Zach embarked on a three month cross-country tour with Dead Tooth and his bandmate/partner River Allen’s sparkle-house bedroom-pop project Ghost Piss. Zach also spent most of spring and fall touring Europe as a member of Wives as they supported their latest record So Removed.

AF: What is your craziest tour story from this year?

ZE: In Switzerland this really sweet Swiss guy gave me handful of ‘shrooms on stage to which I ate immediately. They looked small and different than any mushrooms I had never seen before and after I ate them I couldn’t help but wonder if they were poisonous and I was gonna die. I was fine but there was a moment there where I thought “I just ate a random fungus from a complete stranger.” I caught up with him later and he assured me he knew what he was doing and had actually foraged them from the Swiss Alps earlier that day. I thought that was pretty neat.

AF: What are the advantages and challenges of DIY touring?

ZE: Touring DIY is advantageous in that you get to really hang with the people who set you up for shows. You get to choose your own adventure and connect with friends who’ve moved to different cities or towns all over the world. You also get a truer experience of the place you’re in when you stay with someone living there as opposed to just playing a show and going to a hotel outside of town; they show you their favorite cafes and bars. On the flip side of that it can be extremely exhausting self managing, booking, driving, loading in and out, running social media, and selling merch all yourself. All of that is part of the job and sometimes things go haywire. You’re constantly rerouting and adjusting and glued to your phone while trying to remain present for the people who set you up as well as put on the best show every night. It’s a real balancing act and definitely not the vacation it can seem like from an outsider’s perspective. It truly is a job but one I love to do.

Bethlehem Steel, May 2019

Bethlehem Steel (Brooklyn, NY)

59 Shows

Brooklyn’s Bethlehem Steel toured for seven weeks this year after their sophomore self-titled record was released via Exploding in Sound. Originally a three piece formed in 2012 with Becca Ryskalczyk (guitar/vocals), Jon Gernhart (drums), and Zephyr Prusinski (bass) their latest record features guitarist Christina Puerto, who has been touring with them since the band’s debut. In 2019, along with their massive post-record release tour, they played regularly in NYC and the surrounding area all year!

AF: What is your craziest tour story from this year?

BS: Hate to have to say that the craziest story is get getting roofied after a set in Oklahoma.

AF: What are the advantages and challenges of DIY touring?

BS: A big advantage is that you basically meet the best people this way. You’re able to constantly meet new people who share the same values and are doing the same work as you. A challenge to DIY touring would be sometimes having to suck it up and play to no one.

Shadow Year (Brooklyn, NY)

52 Shows

Brooklyn quartet Shadow Year is co-fronted by Tyler Wright (vocals/guitar), and Scout Gillett (vocals/keys/guitar), with Terd Germison on bass and John Mason on drums. Their debut record Hush Hush Panic showcases their ’80s-esque vocal duets and minimal arrangements that float between dream pop and post-punk. After the release of their debut record summer 2019, they spent a few weeks on the road touring from Florida to Chicago. Scout recently started her own booking company Road Dog Booking and in 2020 Shadow Year are set to release an EP titled Godspeed. They are leaving for their first 2020 tour (probably of many) on January 24th. 

AF: What is your craziest tour story from this year?

SY: Shadow Year was gifted a mini short bus in June of 2018 and we got to tour the nation three times in our short bus Rene. On our last tour our bus Rene broke down in Chattanooga after our Nashville show. The band had made an agreement that if the bus were to have any more problems that we would have to sell it… We still took it to a mechanic just to see if it was a little problem. The men working said they don’t work on diesel but could give it a try. After waiting for two hours they said the bus was fixed and ready to go. We paid them $150, hopped in in the bus and start driving away. Fifteen minutes later the bus overheated again – bastards fucked us over! We had to make some serious moves to make our gig in Atlanta. We slowly got the bus to the Chattanooga airport and rented a tiny Kia Soul just to get our guitars and bodies to the gig. I started posting the bus on Craigslist. We get to the gig. No one’s had food or enough sleep – we take the free drinks at the bar. We play a show and were planning to stay at our friend Alejandro’s (from Dinner Time) place after the show. Tyler drove the wrong way for an hour and after realizing it we decided to just crash at a Walmart in this small Kia Soul. The next morning we woke up to a ton of responses to our craigslist add, traded the smaller renal car for a passenger van and got back to the Chattanooga airport, cleaned out the bus and took the bus to a shell gas station to sell it to a man named Salamon, who had gold grills that read ” Salamon” across in case you forgot his name. It was very cinematic. It was pouring rain and there were no restrooms nearby and we had to walk far with no umbrellas to an Office Depot to pee and clean up. Salamon gave us $800 cold cash for our little bus Rene. We didn’t miss a show and we had to do some serious game planning. I laugh out loud every time I think of how dramatic it all felt.

AF: What are the advantages and challenges of DIY touring?

SY: I’d say the advantages are you have a better chance of making money touring DIY, and all ages shows rule. Kids like to move their bodies more. I don’t know what happens to people at 21 or why after 21 people try to take themselves more seriously and are concerned about looking cool. Kids usually don’t give a fuck and just love to let loose and that’s really fun energy to play off of. A disadvantage… is it’s a lot of work… but that’s also good because you learn and grow a lot… and that’s something we are all trying to do.

Miss Eaves (Brooklyn, NY)

43 Shows

As a solo artist, Miss Eaves (aka Shanthony Exum) really does do it all herself. The feminist electro-rapper and multi-media artist is self-managed, books every show, directs and edits her own music videos, and drives herself from city to city as she tours mostly alone. In the summer of 2017, “Thunder Thighs,” a track off her debut release, became a viral body positivity hit, leading to an op-ed in The New York Times, and getting on lists alongside Aretha Franklin and Beyonce. She has successfully booked four DIY tours, playing shows and festivals with Tune-Yards, Wheatus, and MC Frontalot, and chronicled her experiences for The Creative Independent. This year she toured in support of her follow-up EP Sad and brought her empowering and hilarious tracks like “Bush for the Push” and “Fuccboi Salute” to new crowds in the US and Europe.

AF: What is your craziest tour story from this year?

ME: Me and my tour mate were playing in Chicago and we found out there was a huge blizzard coming into town that night. We had a gig in Madison the next day, so we decided to drive to Madison that night after our show (around 1am) to avoid potentially being stuck in Chicago. She fell asleep, so I had to drive by myself playing Robyn really loudly, singing the whole time. We made it luckily, and the storm was really bad so we made the right choice!

AF: What are the advantages and challenges of DIY touring?

ME: The advantages are really connecting with my community, and establishing great relationships with promoters, venues, and other bands. It’s also nice to not wait around for someone to “discover me.” I have the power to make my own path, which is quite liberating. One huge challenge is everything seems to change frequently, so I have to stay really flexible and also be really quick to problem solve.

I usually travel totally alone, so things can get really lonely. That being said, that loneliness also makes me more open to meeting new people (which ultimately is a good thing). It can be a bit discouraging when I have a show isn’t well attended; however, having a sold out show feels even more amazing because I know it’s from DIY efforts.

Previous Year Honorable Mentions

North By North: 204 Shows + completed their first UK tour, and finished their third album which will be out February 2020 on their label Double Hex Records.

Thelma & The Sleaze: 130 Shows + released their record Fuck, Mary, Kill.

A Deer A Horse: 87 shows + released their EP Everything Rots That is Rotten.

photo by Tim Nagle

Stuyedeyed: 62 shows + released Moments of Terribleness EP.

Vanessa Silberman : 60 shows + relocated to NYC from LA and released Brighter In Bloom EP.

8 Songs Celebrating Female Masturbation, for Better or Worse

NYC electronic artist Von not only writes about female masturbation, she literally creates songs from her orgasms.

Over the past few years, female masturbation has gone from a total taboo to a popular topic among those looking to add a little ~edge~ to their art. We haven’t made it all the way to normalizing the act, but we have reached this weird middle stage where singing or writing about it is deemed a bold, avant-garde choice. That’s a far cry from the casual way we depict male masturbation, which is just assumed to happen rather than made into some sort of statement, but it’s a step above not talking about it at all.

Now that references to flicking the bean, jllling off, klittra, or whatever you want to call it are seeing the light of day, artists are scandalizing everyone’s pants off with music about female masturbation. Here are some songs that tackle the topic head-on without beating around the bush (sorry, I had to).

“Love Myself” by Hailee Steinfeld

At first listen, then-18-year-old Steinfeld’s first single sounds like a self-love anthem… until you listen closely and realize it’s a self-love anthem. Really, it’s both. “Gonna love myself, no, I don’t need anybody else,” she sings. What’s cool about the song and surprisingly G-rated video is that Steinfeld isn’t portraying herself as dirty, “slutty,” or sexy. Her innocent image conveys that masturbation isn’t just for “bad girls” – it’s for girls working toward loving and taking care of themselves… so, all girls. It’s admittedly a bit cheesy with her “self-service” shirt and lines like “I know how to scream my own name,” which don’t exactly portray female masturbation accurately (unless anyone does that? I’m willing to be proven wrong), but her decoupling of female masturbation from the male gaze makes me forgive her.

“Solo” by Clean Bandit Feat. Demi Lovato

This annoyingly catchy song exemplifies the biggest problems with the ways we talk (and, now, sing) about female masturbation. “I do it solo” is supposed to be some sort of scandalous revelation on Lovato’s part: OMG, she does what solo?! Not to mention, she presents masturbation as a mere consolation for when her ex is not around. We don’t get the impression that her sexuality exists independently of men; we learn that she’s sexual in response to them and uses her hand/vibrator/whatever as a less-than-ideal penis substitute. But truthfully, I lost all hope for this song the moment she started singing “whoop whoop” instead of “fuck.”

“Action” by Von

“Sex-positive synth pop” artist Von took the act of turning female masturbation into music to the next level by making a song out of her orgasm. I mean this literally: She used an app called Lioness to measure her orgasmic contractions, displayed them on a graph, and then used the wave pattern as the basis for the bass beat. The result is a song about sexual independence, with lyrics like “don’t need you to make it happen / one-woman show with the action.” By turning female pleasure into something as accessible as a song, Von aims to give people an easy avenue to talk about it. And by portraying female masturbation based on its internal motions and sensations, rather than its appearance, she presents it in a way that can’t be objectified.

“I Don’t Need a Man” by The Pussycat Dolls

In a similar vein, The Pussycat Dolls declare in this track that they “don’t need a man to make it happen” and “get off on being free.” Even better, they use these lines to shut down guys who think their dicks are God’s gift to womankind. If those lyrics don’t make that crystal clear, “I can get off when you ain’t around” should do it.

“I Touch Myself” by Divinyls

The OG of female masturbation anthems was progressive during its 1990 release for acknowledging that female masturbation is a thing, though it’s expectedly not the most progressive on the list today. Like Demi Lovato, Chrissy Amphlett sings about self-love sessions inspired by a particular love interest — and not only that, but she will fantasize about him and him only, playing into the stereotype that sexual desire is deeply intertwined with love for women. Even in her solo sex life, the man she’s singing about has a monopoly on her mind. The lyrics aren’t the most empowering either; the opening line “I love myself” is undermined by the subsequent “When I feel down, I want you above me / I search myself, I want you to find me / I forget myself, I want you to remind me.”

“She Bop” by Cyndi Lauper

Another classic entry on the list, Cyndi Lauper’s third single from 1983 debut She’s So Unusual was partially responsible for the creation of the Parental Advisory Sticker. The song never makes outward mention of its true subject matter; Lauper said she wanted to maintain the illusion that it was just about dancing for younger listeners. But she also claimed in an interview with Howard Stern that she recorded its vocals in the buff.

“Hump Day” by Miss Eaves

This infectious track is notable not just for confident lyrics like “I know best. I know better / I’m killing this, a real go-getter” but also for a video where Miss Eaves sings in a suggestive cat hoodie while several other women mimic their masturbation faces. They weren’t actually pleasuring themselves in the video, but as Miss Eaves has said, it’s “really good method acting.” With a diversity of women and explicit lyrics, it’s a refreshing break from songs like “Solo” and “I Touch Myself” that make masturbation either a substitute for men or a performance for them.

“Feelin’ Myself” by Nicki Minaj Feat. Beyonce

“Feelin’ Myself” takes on a double meaning here, with masturbation a metaphor for Queen Bey and Nicki Minaj owning their power and being proudly “masculine.” As an astute Genius.com user has pointed out, it may be inspired by Minaj’s “Come on a Cone” line, “I’m not masturbatin’, but I’m feelin’ myself / Paparazzis is waiting, ’cause them pictures will sell.” Whether it’s taken literally or metaphorically, the song gives women permission to be bossy, loud-mouthed, and a bit full of themselves. And, of course, to masturbate.

NEWS ROUNDUP: RIP Pete Shelley, Primavera Sound Festival Lineup Announced + MORE

RIP Pete Shelley

Lead singer, guitarist and prolific songwriter Pete Shelley of the Buzzcocks passed away from a suspected heart attack on December 5th. The Buzzcocks formed in 1975 after Shelley and Howard Devoto saw The Sex Pistols. Shelley perfected the three-minute power pop song with hits like “Ever Fallen In Love (With Someone You Shouldn’t Have Fallen In Love With,” and “Everybody’s Happy Nowadays,” influencing generations of musicians. I have had my copy of Singles – Going Steady playing nonstop, and members of R.E.M., Green Day, Smashing Pumpkins, Belle and Sebastian, The Cure, and more have paid tribute since news of Shelley’s passing.

The New New

Miss Eaves asks Santa to Impeach Trump in her new holiday single “Santa Please.” Deerhunter released “Element,” the second single from their upcoming record Why Hasn’t Everything Disappeared? Robyn released a new music video for “Honey,” from this year’s excellent LP of the same name. 

End Notes

  • MTV is going to bring back a “reimagined” version of Celebrity Death Match starring Ice Cube, who is also the executive producer.

CHECK THE SPREADSHEET: Touring Across the Pond

Sharkmuffin charms Robert Plant

The story goes that Jimi Hendrix was unknown in the States before he traveled to the U.K. It was only after his time across the pond that he returned as our beloved shredding icon. It can happen to you too! His spirit is still there, and Sharkmuffin may have encountered it on our first trip to the U.K. in 2017.

After one of our sets, I placed my Gibson Les Paul upside down against the guitar amp and left it there for too long, cracking the wood between the neck and the headstock. When I packed up my gear I thought that I had only broken a couple strings. The following day when we arrived at Mello Festival, security told us that Robert Plant of Led Zeppelin would be hanging around the back of our smaller stage; we all freaked out realizing he might watch our set.

When I went to change my guitar strings I discovered my guitar was irreparably damaged, but we strangely had an extra guitar case in our van. Inside was a sunburst Fender Stratocaster with a bunch of burn marks on it. We had no idea where it came from and I wasn’t even sure it would work. The only obvious logical explanation was that the ghost of Jimi Hendrix sent me one of the strats he sacrificed to the guitar gods in my time of rock ‘n’ roll need. We successfully played our set and even awkwardly said hello to Plant. Then he drove his green convertible jaguar over the hills into the sunset wailing “Been a long time since I rock n rollllll’d.”

Though it may seem daunting, an overseas tour isn’t out of reach for a DIY band. We talked to Miss Eaves, Bodega and my bandmates in Sharkmuffin about their tips and experiences touring the magical lands of the United Kingdom. 

Photo credit: Sarah Jacobs

Miss Eaves

“Having a well-paying ‘anchor gig’ is good if you can land one (like a festival or a big club night) and that way you have a date that you can plan all of the rest of your dates around. I made a map of cities that were no more than a 3-4 hour train ride and then locked in dates around that. Once I identified the cities I reached out to spaces where I thought my fan base would hang out (mostly queer/DIY/feminist spaces & bookers) It is really important to be very specific when reaching out because its easier to sell yourself when you are not sending a generic spam email. When I was promoting my shows I ran some Facebook ads in the different cities and I also made this silly promo video. Booking my own tour was very challenging but also rewarding.”

Photo credit: Kevin W Condon

BODEGA

ON THEIR BEST U.K. TOUR EXPERIENCE…

One of the more unique shows we’ve ever played was at a library in Birkenhead. Surrounded by books underneath a skylight on a blistering hot afternoon, I tried to channel a literary energy, citing quotations from a text and finding new associations within the BODEGA words. After the show, we met a wonderful Birkenheadian family that let us stay at their home for two days. The parents and children were all loving and devout music fans – later that night they took us over the river into Liverpool to show us Beatle sites and took us drinking at a local pub. The next day we had a bit of a jam session (Beatles and Velvets) and their son smoked us all in video games. It was very inspiring to see rock culture celebrated and shared by an entire family.

… AND ON THEIR WORST:

When we travel, we often book separate connecting flights in order to save money. However, in July, this backfired on us. After a flight from Spain was delayed by several hours, four of us missed a connecting flight in London back to NYC and were thus down several thousand pounds and stuck in London. Luckily we were able to crash at a good friend’s house (our London promoter). The next day we bought super cheap tix online only to find out at the airport that this third party website scammed us (this is why they were so cheap…) and this flight to NYC did not exist. We eventually got refunded and made it back to NYC and are now much more cautious when booking band flights. The silver lining of this fiasco was hearing a track of ours on BBC6 in a taxicab driving back from the airport after missing the first flight. What a thrill to hear yourself over the air!

Tips:

  • Hydrate! Pedialite helps.
  • Eat healthy. Veggies are important.
  • Be wiling to explore (physically and mentally). Try to walk around whatever town you are in. Try new music in the van. Read new books. Listen more than you talk. Enjoy the ride.

 

Photo credit: Nick Gough

Sharkmuffin

Natalie Kirch’s tour tips:

  • Always remember the worth of a pound is not the same as a dollar! Keep up-to-date on conversion rates to make sure you’re being smart with your money and reasonable with your merch sales.
  • Pack as lightly as possible on any tour, but especially overseas where you have luggage fees.
  • Loosen the strings on your instruments before boarding with them or sending them off in the luggage!
  • Bring a handheld fan because the U.K. is not used to heat waves. If you find yourselves stuck in the rare one like we did, there is no AC anywhere.
  • Bring heavy duty earplugs if you’re a light sleeper. You never know when you’ll end up with a snorer in the group.

Jordyn Blakely:

I don’t think I drank tea once, and I don’t think I saw any crumpets, but I did see hot dogs ‘ready to eat’ in a can, buns not included. This trip changed a lot of my perceptions of what Americans assume everyday life in the U.K. can be. Being in different regions of the country besides the big cities and hearing how the dialect and slang varies tells you a lot about what the people are like and what they care about. Nottingham was a rowdy show, with a lot of energetic people who wanted to participate and interact, and party late after into the night. This wasn’t as common at other shows where people sometimes seemed more polite or maybe shy. One of their beloved expressions is “‘choo on about?” which is basically supposed to mean “What the hell are you talking about?” Sharkmuffin also adopted the term ‘knackered’, meaning tired, exhausted, or hungover. After doing some research it turns out there are tons of classic Nottingham sayings we missed, all of them sassy but said with love.

I loved the combination of modern life mixed with ancient and classic architecture; old timey pubs turned rock venues, miniature cathedrals turned EDM clubs. It feels like entering a time machine. One of my favorite shows was in Norwich, at Norm’s (named in honor of comedian Norm Macdonald), an event at The Crypt curated by my friend Jason Baldock. It’s in the cellar of the venue, with flying buttresses along the ceiling, very dark and gothic. That’s when you KNOW you’re playing a show in England. We played with Elle Bishop, Peach Club, and Fever Machine, all really great bands with sweet people. We stayed at a farm house in the countryside that has a chicken coop and we got to walk around and look at stars.

Cardiff was another favorite place – it’s just so beautiful, particularly Llandaff Fields – and Welsh culture is very fascinating to me. My mom texted me saying to try a “Welsh cuppa” so on the morning we left we tried ordering it at a cafe, only to get the reply, “A cuppa what, dear?” Apparently that is not a thing; maybe auto-correct is to blame for this one. But we did try Welsh cakes – tiny sand-dollar shaped pancakes with raisins inside.

More tips on how to make your U.K. tour a success…

  • Budget yourself and save up money beforehand. Unless you’ve secured relatively high guarantees, between gear, van rentals and the exchange rate being so steep you will probably go out of pocket for a portion of the trip.
    • Pro Tip: Pretend pounds are pirate money.
  • Visas are relatively cheap. Obtaining a work visa to go to the U.K. as an American is significantly cheaper than the other way around. Our agent referred us to a sponsor who took care of it for 250 pounds a couple weeks prior.
    • Pro Tip: Don’t be a dick at the border, they can easily send you home.
  • When it comes to flights, apps like Hopper or Google Flights are really helpful at tracking the lowest priced flights. Our experience with Virgin Atlantic was amazing. They gave us two free alcoholic beverages and like three meals, plus a free checked back and they didn’t give us any shit for having to carry our guitars on board.
  • Flying with your gear: I will throw a temper tantrum if an airline won’t let me carry my guitar on. Luckily, I haven’t had to do this. Your gear is usually considered a larger “personal item,” and if they don’t have room in a closet or overhead in the flight cabin, they will gate check it (put it under the plane and then return it to you immediately when you get off the plane). When I have a larger road case for my guitar pedals and I pack my pedals into my carry on backpack and pack my clothing into the pedal board and switch the contents of the bags when I arrive. It’s easier to replace clothes than guitar pedals if the airline loses it!  
  • Ask around when finding a rental/tour manager. We were originally quoted almost double the amount of what it cost from a friend’s recommendation. If you don’t know anyone, find bands at your level who have done similar tours and reach out to ask if they know any reliable and affordable TM/van/rental hires.
  • Food
    • Cheapest beer/wine lives at Aldi.
    • Tesco pesto pasta is a Sharkmuffin favorite. We are a fan of their meal deals.
    • Indian food and Thai food are the best! There’s even a “curry mile” in Manchester of only Indian food restaurants.