With his new album Shape & Destroy, available on August 28, Ruston Kelly embraces his self-described “dirt-emo” sound while demonstrating a mastery of the written word. Kelly has crafted a thoughtful and meaningful sophomore album that extends his reign...
Country’s musical threads have long been tattered, torn, and intertwined. The vastness of the genre ─ from bluesy front porch pickin’ to the pristine pop-country of Patsy Cline and Eddy Arnold to today’s hip-hop filtered stride ─ relies heavily...
Loretta Lynn’s alcohol-soaked pity party for herself in “Somebody, Somewhere” echoes quite a lot of our newly solo Saturday nights. Dolly Parton reminds us all that wealth is a state of being, rather than the (declining) value of our...
Tessy Lou Williams chronicles hard-to-break habits in her new song, “One More Night.” As the daughter of Kenny and Claudia Williams of the band Montana Rose, Williams was born with music in her DNA. After years of working as...
When Caitlyn Smith learned that a dying star emits its fullest, brightest light before ceasing to exist, she took that idea and ran with it, creating a dozen tracks that challenged her to be fiercely open-hearted. Calling it Supernova,...
Katie Pruitt’s Expectations is a declaration of self-acceptance. “I’ve never really been a subtle writer,” Pruitt admits in a phone interview with Audiofemme. “I’m pretty damn straightforward.” Pruitt proves this statement across her 10-track debut album that takes the...
On Friday, January 31, punk-rock-meets-country goddess Kalie Shorr made her debut at Nashville’s famed rock club, Exit/In, for the opening night of her first headlining trek, the Too Much to Say Tour. Throughout her 90-minute set and two-song encore,...
Island Hopper Songwriters Festival, a Florida-based fest that celebrates the songwriters behind country’s biggest songs, hit the scenic beaches of Fort Myers and Sanibel last week for its 6th annual 10-day stretch. Over 80 artists performed, including Kristian Bush,...
Kym Register’s voice is familiar, the kind of husky twang you traditionally hear on old country records. While the medium of folk music is timeworn, the stories Register spins have a modern slant, as they speak from the perspective...
Blue Healer pulled at our heartstrings on Wednesday, November 2 at Rockwood Music Hall as they expertly played tracks from their debut album.
When I first met Sawyer Gebauer – the weighty, valley-low voice behind Catch Prichard – he was called another name.
An album review of Camille Bloom's latest "Piece of Me" penned by her sister, AudioFemme writer Madison Bloom.
Gold Child is the shimmering, effervescent and wholly unexpected “Mermaid Country” project headed by Berklee trained vocalist and songwriter Emily Fehler, who, accompanied by a very dapper backing band including one of the best damn slide guitarists we’ve heard in...
I was sitting at my computer, experiencing one of the many downsides of being underemployed. Tickets for the sold-out Father John Misty concerts were going for well over $100 on Craigslist and Stubhub, and there weren’t many left. Then...
The delightfully bespectacled Justin Townes Earle dependably releases a record every year or so, and has done so since 2007. He can be counted on for more than just punctuality, too. Not one of Earle’s records is a dud: at worst, he’s palatable and...
“Stuck In The South,” the debut single from the little-advertised shadow figure Adia Victoria (along with her band: Mason Hickman, Tiffany Minton and Ruby Rogers), is a curious matrix, at once single-mindedly powerful and also complex, made up of conflicting impulses....
