LIVE REVIEW: Flagship @ The Chapel

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There is perhaps no more appropriate place to watch Flagship perform than in San Francisco’s ‘The Chapel.’ The band (composed of five former church-goers hailing from Charlotte, North Carolina) makes music that’s been described in turns as ‘rapturous,’ ‘ethereal’ and like ‘a religious awakening.’ To hear them live in an historic chapel with soaring 40-foot ceilings seems particularly fitting.

Over the course of their set, Flagship lives up to their reputation, with lead singer Drake Margolnick filling those high ceilings with his powerful, and powerfully expansive, voice. Happily, the rest of the band is able to both match and showcase Margolnick’s capacity: with Grant Harding on keyboard, Matthew Padgett on lead guitar, Michael Finster on drums, and Christopher Comfort on bass, the men form a tightly honed and intuitive whole. Their songs have a tendency toward the orchestral, and there’s a distinct pleasure in the technical cohesion behind each churning crescendo. From the yearning ‘Break the Sky’ to the slow-burn of ‘Gold and Silver,’ the band’s set demonstrates the sense of epic grandeur that’s garnered them comparisons with Radiohead and U2 (and I suspect it will only be a matter of time before we hear a Flagship song on a movie soundtrack).

Yet the comparison I find a bit more interesting is one that’s been made to The National—no doubt due to Margolnicks resonant and emotionally-communicative vocals. As lead singer Matt Berninger has noted, The National experienced large-scale success when they began openly sharing their vulnerabilities: expressing anxieties, doubts and fears, free from obfuscation. As much as Flagship nails the soaring acoustics that lend their songs a redemptive quality, there’s a deeper gravitational pull to the band that I believe they are only scratching the surface of. As they continue to grow (perhaps trading some of their more overtly symbolic lyrics for rawer revelations, perhaps leveraging their already nuanced sense of cadence and control to greater effect) I have no doubt they’ll receive the critical and commercial success they’re after.

In short, go see Flagship—for what they are now, and for what they have the power to become. They’ll play the Chapel again this Thursday, sharing the stage with the rowdy Black Cobra Vipers and the endearing and engaging French Cassettes (whose lead singer’s loveable stage moves just might try to steal the show). Go see Flagship because their debut album (recorded with the help of acclaimed producer Ben Allen) is strong and satisfying, but also because they’re on their way to something great.

Listen to “Gold And Silver”, here via Soundcloud

 

INTERVIEW: Flagship

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Charlotte, NC rockers Flagship recently wrapped up the Three of Clubs tour, co-headlining with Terraplane Sun and Little Daylight in over twenty five cities, including New York, Los Angeles, San Francisco, Nashville and Chicago. Their self-titled debut album, which was produced by Ben Allen (who has worked with Animal Collective, Washed Out, and Youth Lagoon) has been getting a ton of buzz  since its recent release on Bright Antenna Records and can be best described as a folk-rock tour de force.

The band came together in 2011 when solo singer, songwriter and guitarist Drake Margolnick joined local musicians Matthew Padgett (guitar, backing vocals), Michael Finster (drums, programming) and Grant Harding (keys) to from Flagship. In 2012, Christopher Comfort joined on bass. Since then, they have become a staple of their hometown club scene and were voted Best Local Band for Charlotte Magazine’s 2013 Bob Awards.

Michael Finster took some time while touring in the UK to talk to us about their past tour, his musical idols, and the future.

AF: Where do you draw inspiration from when writing lyrics for your songs?

MF: I personally have no part in writing any lyrics, but I know that all the lyrics are pulled from different life experiences that have all happened at different times.

AF: How did the collaboration with Ben Allen as producer on the album come to be?

MF: Whenever we were preparing to record our debut album, we were sifting through different producers. Ben Allen was the name that we felt fit the most in the whole equation. We just truly loved what he had done, and had respect for him.

AF: What would you say is your creative process when writing and recording a new song?

MF: Our creative process is literally just getting in touch with ourselves and what we feel the song needs. Whenever we start writing, we typically know what a song should feel like as soon as it starts. Things just become clear to us very easily when it comes to direction.

AF: What do you like most about going on tour? And what’s the hardest part about it?

MF: The best part about going on tour is meeting brand new people everyday and connecting with people who connect to us through our music. Its truly a beautiful relationship. The hardest part about tour is the lack of independence. At home [fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][we have] vehicles and individual lives, on the road, we basically have one vehicle and one schedule. It becomes difficult to have alone time.

AF: You just wrapped up the Three of Clubs tour along with Terraplane Sun and Little Daylight. What was your favorite moment from the tour?

MF: My favorite moment from that tour was one specific night in Seattle, WA. We typically like to change around the lyrics to other bands’ songs when we are out on the road. We had all changed around some lyrics to a Little Daylight song. Whenever that song started in Seattle, we all rushed to the front of the stage and shouted our revised (and perverted) lyrics. The looks on their faces were priceless.

AF: What are some other bands and musicians you’d like to tour with in the future?

MF: I would love to tour with some of my personal idols. The National, U2, Coldplay, Noah and the Whale, Arcade Fire, St. Vincent…

AF: I know The National and U2 were big influences for Flagship. What else did you guys grow up listening to?

MF: We all grew up listening to an assortment of music. A lot of it was kind of crappy. I personally grew up in the church and spent a lot of time listening to some Christian punk bands and other things like that. I also really got into Motown as well as the Beatles, and Michael Jackson. I feel like Michael Jackson transcends all generations.

AF: Your self-titled debut album has gotten some really awesome reviews and has, in a way, set the stage for you guys. What’s next for Flagship?

MF: I am currently answering these questions from the UK which is cool because we are touring here at the moment, but we are doing some regional touring over the next month, as well as some writing. We are very ready to write.

AF: What are some of your favorite venues you’ve ever performed?

MF: My personal favorite venue was Stubbs BBQ in Austin, TX. We played on the outside stage in front of a huge crowd. It was amazing.

AF: What are your must have staples while touring?

MF: Whenever I’m on the road, I absolutely have to have my herbal green tea. It calms my body from a hectic touring life. I also need Naked juice drinks. Those make me feel healthier. I also need my headphones, just to shut myself out every now and then and center myself.

AF: Do you think living in North Carolina has had an impact on your music style?

MF: I think everything I have experienced in life has some sort of influence on my musical style. North Carolina brought me together with all the guys in the band, so that is obviously a direct influence. I don’t think that any particular NC music has had an influence on me, but I do believe I’ve been affected by every person I’ve met there.

AF: What has been the most surprising or unexpected part about your journey as musicians?

MF: I think in my personal experience, the most unexpected part about my journey has been changing my expectations for things. I remember being a young musician in high school, and dreaming of being on a label and touring the country, then actually achieving those things and not feeling like I always expected I would. It’s not that life is a disappointment, it’s just that things aren’t always as glamorous as you think. You work your ass off to achieve something, and once you think you’ve achieved it, you work more, and then work even more. Real success comes to those who can find joy in the amount of work they put into their craft.

Flagship are playing festivals and scattered dates throughout the summer. Check out their lyric video for “Break the Sky” below:

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LIVE REVIEW: Flagship, Terraplane Sun & Little Daylight

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A couple things I recall from Santos Party House include Maker’s Mark and Jack Daniels being the same price (win!), two floors of pure musical craziness, and the fact that the place is known for filling up in .5 seconds for live performances. The venue lives up to its name; by the end of the night, I had fallen into a limbo of insanity. They book amazing musicians, some of which I have had the privilege of enjoying. The lineup April 2nd included three mesmerizing acts on the ballot for the Three of Clubs Tour: Flagship, Terraplane Sun, and Little Daylight.
I have been following Flagship since their debut EP, blackbush was released almost two years ago, “Still I Wait” being one of my favorite tracks of the year. That certainly didn’t ease the star struck syndrome I felt meeting Drake Margolnick afterwards. He’s drawn comparisons to Chris Martin, but he and his four bandmates create an aura all their own. Margolnick, Matt Padgett, Christopher Comfort, Grant Harding and Michael Finster hail from Charlotte, NC. Their fantastic ensemble of dream-like sounds and melodies are the perfect backdrop for Margolnick’s smooth vocalizing tranquility. Accompanied by what was more or less a light show, their set hardly felt like an opening act. I found myself completely in awe as I gazed upon Flagship, so much that I made friends with a girl from Spain who was similarly entranced. Imagine that – two admirers from across oceans, brought together in something magical, and you get a sense of the gravity of Flagship’s performance. It’s a ripe moment for the band, following their fall released self-titled album, via of Bright Antenna Records. They’re still fresh, maybe discovering their personality on the road. But their performance last Wednesday really showed that there’s nothing but a glistening future ahead. It happened to be Finster’s birthday, but it felt more like mine to have “Are You Calling” sung to me. That’s the best thing about the band’s live performance; every song felt intimate and personal, like it was written exclusively for that one moment only.
Flagship Santos Party House
Terraplane Sun is from Venice Beach, California and made a solid segue from Flagship to headliners Little Daylight, mixing up their jouyous, dancey pop with some doses of indie-infused folk. Charismatic frontman Ben Rothbard had the crowd clapping and singing hits from last summer’s Ya Never Know EP, but the real focus was on material from their latest album Generation Blues, slated for release in July. Rothbard, Chris “Cecil” Campanaro, Lyle Riddle, Johnny Zambetti, and Gabe Feenberg are dazzling multi-intrumentalists, Johnny exchanging his guitar for mandolin and Ben picking up bluesy tambourine and harmonica every now and then. “The Stone” was particularly energetic, which makes sense considering this is the band’s first single from their upcoming record.

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Terraplane Sun Instagram from @meggers326

To send us all home especially sweaty and was Little Daylight. I love a girl that can rock out and do it in a gold dress and high-top sneakers. Indie-electronic-pop trio Nikki Taylor, Matt Lewkowicz and Eric Zeiler were the reason the guy next to me started puking. They are infectious but not in a sickening way, it’s just that everyone was jumping up and down to every song – especially (and perhaps ironically) to “Overdose.” Maybe he had Tunnel Vision – that would make sense, as it’s the title of the band’s electrifying debut EP. Whatever the cause, Mr. Barfy couldn’t kill the feel-good vibe gripping Santos. Little Daylight will end their tour at Firefly Music Festival, and the rest of the Three Of Clubs tour will continue with the dates posted below. Nikki Taylor was so intense and wild, I danced like I was single. I guess Santos just really knows how to party.

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Little Daylight Santos Party House
Little Daylight Instagrammed by @flagship_

Little Daylight tour

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