AF 2019 IN REVIEW: Our Favorite Albums & Singles of The Year

Lizzo press photo by Luke Gilford, courtesy of Atlantic Records.

Every year I keep a running list of new album releases. The idea is that I’ll have new stuff on my radar, along with a go-to playlist if I’m feeling adventurous (or bored) and want to hear something new. This year that list grew to nearly 9,000 songs, and I’m still adding stuff I missed from this year to it. When it came time to make my year-end list, I had some ideas about what would be on it, but I decided to do something more immersive than I’d done years prior (basically narrowing my list down to ten albums). This year, I decided to rank every record I listened to that came out in 2019, resulting in a list of more than 200 albums. That’s a lot, certainly. It’s my job, of course, to listen to music. But what was more mind-boggling was that, when I made a separate list of albums I hadn’t had a chance to listen to or simply didn’t stick in my mind, it was more than double that number. Y’all, a lot of music came out in 2019. And a lot of it was really, really good.

I think our list at Audiofemme is unique in that it gives each of our regular writers (and some of our contributors) complete ownership over their favorites, and that makes our list unusually eclectic. That’s especially true this year; last year’s lists featured a lot of love for Mitski and Janelle Monae, while this year’s lists were so disparate there’s very little crossover from list to list. So while it’s hard to choose one overarching narrative around who slayed hardest this year – Sharon Van Etten and Angel Olsen releasing the best albums of their careers, Big Thief releasing two amazing records, Jamila Woods and FKA Twigs going big on concept albums – I think we all know that person was Lizzo.

EDITOR LISTS

  • Marianne White (Executive Director)

    Top 5 Albums:
    1) Jamila Woods – LEGACY! LEGACY!
    2) Big Thief – Two Hands
    3) Boy Harsher – Careful
    4) FKA Twigs – Magdalene
    5) Cate le Bon – Reward

  • Lindsey Rhoades (Editor-in-Chief)

    Top 10 Albums:
    1) SASAMI – SASAMI
    2) Hand Habits – placeholder
    3) Crumb – Jinx
    4) Pottery – No. 1
    5) Orville Peck – Pony
    6) Cate le Bon – Reward
    7) Kim Gordon – No Home Record
    8) Sharon Van Etten – Remind Me Tomorrow
    9) Black Belt Eagle Scout – At the Party With My Brown Friends
    10) Big Thief – Two Hands
    Top 10 Singles:
    1) Sharon Van Etten – “Jupiter 4”
    2) SOAK – “Valentine Shmalentine”
    3) Jonny Kosmo – “Strawberry Vision”
    4) Mineral – “Your Body Is the World”
    5) Drahla – “Stimulus for Living”
    6) Mattiel – “Keep the Change”
    7) Girlpool – “Minute in Your Mind”
    8) Charlotte Adigéry – “Paténipat”
    9) Weyes Blood – “Andromeda”
    10) Palehound – “Killer”

  • Mandy Brownholtz (Marketing Director)

    Top 5 Albums (in no particular order):
    Summer Walker – Over It
    Jamila Woods – LEGACY! LEGACY!
    Angel Olsen – All Mirrors
    Mannequin Pussy – Patience
    Raveena – Lucid
    Top 3 Singles:
    Summer Walker – “Anna Mae”
    Solange – “Binz”
    Jamila Woods – “ZORA”

STAFF LISTS

  • Alexa Peters (Playing Seattle)

    Top 5 Albums:
    1) Guayaba – Fantasmagoria
    2) Ings – Lullaby Rock
    3) The Black Tones – Cobain & Cornbread
    4) Lemolo – Swansea
    5) Stephanie Anne Johnson – Take This Love
    Top 5 Singles:
    1) Lizzo – “Juice”
    2) Karma Rivera – “Do More Say Less”
    2) Heather Thomas Band – “When I Was Young”
    3) Stephanie Anne Johnson – “Never No More”
    4) Sarah Potenza – “I Work For Me”
    5) Ariana Grande – “Thank U, Next”

  • Sophia Vaccaro (Playing the Bay)

    Top 5 Albums:
    1) Charly Bliss – Young Enough
    2) PUP – Morbid Stuff
    3) Kim Petras – TURN OFF THE LIGHT
    4) Microwave – Death is a Warm Blanket
    5) Caroline Polachek – Pang
    Top 3 Singles:
    1) Jess Day – “Rabbit Hole”
    2) Ashnikko – “Hi, It’s Me”
    3) Saweetie – “My Type”

  • Cillea Houghton (Playing Nashville)

    Top 5 Albums:
    1) Yola – Walk Through Fire
    2) Louis York – American Griots
    3) The Highwomen – The Highwomen
    4) Sara Potenza – Road to Rome
    5) Rising Appalachia – Leylines
    Top 3 Singles:
    1) Kacey Musgraves – “Rainbow”
    2) Louis York – “Don’t You Forget”
    3) The Highwomen – “Crowded Table”

  • Luci Turner (Playing Atlanta)

    Top 5 Albums:
    1) The Raconteurs – Help Us Stranger
    2) Harry Styles – Fine Line
    3) Brittany Howard – Jaime
    4) MARINA – Love + Fear
    5) Death Mama – High Strangeness
    Top 3 Singles:
    1) Sam Burchfield – “Blue Ridge June”
    2) Pip the Pansy – “Siren Song”
    3) 5 Seconds of Summer – “Teeth”

  • Victoria Moorwood (Playing Cincy)

    Top 5 Albums:
    1) YBN Cordae – The Lost Boy
    2) Wale – Wow… That’s Crazy
    3) Roddy Ricch – Please Excuse Me For Being Antisocial
    4) DaBaby – KIRK
    5) NF – The Search
    Top 3 Singles:
    1) DaBaby – “Intro”
    2) Polo G – “Pop Out”
    3) Lil Baby – “Yes Indeed” (feat. Drake)

  • Amanda Silberling (Playing Philly)

    Top 5 Albums:
    1) Palehound – Black Friday
    2) Great Grandpa – Four of Arrows
    3) Charly Bliss – Young Enough
    4) T-Rextasy – Prehysteria
    5) Leggy – Let Me Know Your Moon
    Top 3 Singles:
    1) Mannequin Pussy – “Drunk II”
    2) Charly Bliss – “Chatroom”
    3) (Sandy) Alex G – “Southern Sky”

  • Tarra Thiessen (Check the Spreadsheet)

    Top 5 Albums:
    1) Karen O & Danger Mouse – Lux Prima
    2) FEELS – Post Earth
    3) Francie Moon – All the Same
    4) Lizzo – Cuz I Love You
    5) Crumb – Jinx
    Top 3 Singles:
    1) Dehd – “Lucky”
    2) Bodega – “Shiny New Model”
    3) Y La Bamba – “Entre Los Dos”

  • Natalie Kirch (Pet Politics)

    Top 5 Albums (in Chronological Order):
    1) JANITOR — She Hates The Hits
    2) Haybaby — They Get There
    3) Holy Tunics — Hit Parade Lemonade Supersonic Spree
    4) Bethlehem Steel — Bethlehem Steel
    5) Francie Moon – All The Same
    6) SUO – Dancing Spots and Dungeons
    Top 5 Singles (in Chronological Order):
    1) Big Bliss – “Contact”
    2) Gesserit – “Silence”
    3) Vanessa Silberman – “I Got A Reason”
    4) New Myths – “Living Doll”
    5) Miss Eaves – “Swipe Left Up”

CONTRIBUTOR LISTS

  • Liz Ohanesian

    Top 5 Albums:
    1) Hot Chip – A Bath Full of Ecstasy
    2) (tie) Chelsea Wolfe – Birth of Violence // K Á R Y Y N – The Quanta Series
    3) !!! – Wallop
    4) Yacht – Chain Tripping
    5) Chromatics – Closer to Grey
    Top 3 Singles:
    1) Billie Eilish – “Bad Guy”
    2) Roisin Murphy – “Narcissus”
    3) Boy Harsher – “Come Closer”

  • Lydia Sviatoslavsky

    Top 5 Albums:
    1)  Xiu Xiu – Girl With a Basket of Fruit
    2) slowthai – Nothing Great About Britain
    3) Boy Harsher – Careful
    4) Thee Oh Sees – Face Stabber
    5) Sylvia Black – Twilight Animals
    Top 3 Singles:
    1) Squarepusher – “Vortrack – Fracture Remix”
    2) Coyu & Moby – “I May Be Dead, But One Day The World Will Be Beautiful Again”
    3) Cocorosie – “Smash My Head”

  • Tamara Mesko

    Top 5 Albums:
    1) Bad Books — III
    2) Pedro The Lion — Phoenix
    3) Laura Stevenson — The Big Freeze
    4) An Horse — Modern Air
    5) Black Belt Eagle Scout — At the Party With My Brown Friends
    Top 3 Singles:
    1) Kevin Devine – “Only Yourself”
    2) Rain Phoenix feat. Michael Stipe – “Time is the Killer”
    3) Sigrid – “Strangers”

  • Erin Rose O’Brien

    Top 5 Albums:
    1) Stef Chura — Midnight
    2) Angel Olsen — All Mirrors
    3) Lisa Prank — Perfect Love Song
    4) Carly Rae Jepsen — Dedicated
    5) Cheekface — Therapy Island
    Top 3 Singles:
    1) Caroline Polachek — “So Hot You’re Hurting My Feelings”
    2) Priests — “Jesus’ Son”
    3) Lana Del Ray — “The Greatest”

  • Katie Wojciechowski

    Top 5 Albums:
    1) The Highwomen — The Highwomen
    2) Better Oblivion Community Center — Better Oblivion Community Center
    3) Various Artists — Tiny Changes: A Celebration of Frightened Rabbit’s ‘The Midnight Organ Fight’
    4) Vampire Weekend — Father of the Bride
    5) J.S. Ondara — Tales of America
    Top 3 Singles:
    1) MUNA — “Good News (Ya-Ya Song)”
    2) Lizzie No — “Narcissus”
    3) Noah Gundersen — “Lose You”

  • Micco Caporale

    Top 5 Albums:
    1) Orville Peck — Pony
    2) Boy Harsher — Careful
    3) Lingua Ignota — Caligula
    4) Heterofobia — Queremos Ver El Mundo Arder
    5) Knife Wife — Family Party
    Top 3 Singles:
    1) Dorian Electra – “Flamboyant”
    2) Orville Peck – “Dead of Night”
    3) Solange — “Binz”

  • Jason Scott

    Top 5 Albums:
    1) Allison Moorer — Blood
    2) Gabriella Rose — Lost in Translation EP
    3) Emily Scott Robinson — Traveling Mercies
    4) Girl Wilde — Probably Crying EP
    5) BHuman — BMovie
    Top 3 Singles:
    1) Dua Lipa – “Don’t Start Now”
    2) The Highwomen – “Redesigning Women”
    3) Katy Perry — “Never Really Over”

  • Ysabella Monton

    Top 5 Albums:
    1) King Princess – Cheap Queen
    2) Carly Rae Jepsen – Dedicated
    3) Tyler, the Creator – IGOR
    4) Kim Petras – Clarity
    5) Charli XCX – Charli
    Top 3 Singles:
    1) King Princess – “Hit the Back”
    2) FKA Twigs – “holy terrain”
    3) Charli XCX – “Gone” feat. Christine and the Queens

  • Holly Henschen

    Top 5 Albums:
    1) Marielle Allschwang & the Visitations – Precession of a Day: The World of Mary Nohl
    2) Angel Olsen – All Mirrors
    3) Sudan Archives – Athena
    4) Karen O & Danger Mouse – Lux Prima
    5) Sigur Rós – Sigur Rós Presents Liminal Sleep
    Top 3 Singles:
    1) King Princess – “Hit the Back”
    2) Sleater-Kinney – “Hurry on Home”
    3) Lizzo – “Tempo”

  • Erin Lyndal Martin

    Top 5 Albums:
    1) Jenny Hval – The Practice of Love
    2) Mariee Sioux – Grief in Exile
    3) Carolina Eyck – Elegies for Theremin & Voice
    4) Julia Kent – Temporal
    5) Rhiannon Giddens – There is No Other (with Francesco Turrisi)

  • Rebecca Kunin

    Top 5 Albums (in no particular order):
    Mal Blum – Pity Boy
    Jamila Woods – LEGACY! LEGACY!
    Durand Jones and the Indications – American Love Call
    Tony Molina – Songs from San Mateo County
    Carly Rae Jepsen – Dedicated
    Top 3 Singles:
    Brittany Howard – “Stay High”
    Angel Olsen – “New Love Cassette”
    Jacky Boy – “Get Along”

5 Feminist Country Songs of 2019

Photo by Alysse Gafkjen

Let’s face it: country music isn’t known for being the most welcoming genre to women. Since its inception circa 1920, women have long been embroiled in a battle of equal airplay and representation, a battle that still rages on today. But the female artists who are the fabric of the genre’s history have been vocal about equality and social awareness, particularly through song.

From Loretta Lynn to Margo Price and many others along the way, women have delivered a variety of feminist anthems that show country music exactly where they stand. This theme is still relevant today, with new artists and burgeoning superstars alike stepping into the forefront with songs that speak directly to women – here are some who did just that with power and eloquence in 2019.

The Highwomen – “The Highwomen”

When Maren Morris, Brandi Carlile, Amanda Shires and Natalie Hemby united to form The Highwomen, they told the world that women’s voices are even more powerful when they come together. The namesake song that opens their revered self-titled album puts a spin on the Jimmy Webb classic made famous by Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson with new verses – penned by Carlile and Shires – that finally give a voice to feminine archetypes. Each verse sees one of the members taking on a fictional character who sacrificed her life during a distinct era of history, from a woman wrongly accused during the Salem Witch Trials to a Freedom Rider during the Civil Rights Movement, the latter of which is made even more compelling with a guest vocal from up-and-comer Yola. “The Highwomen” is one of the best jewels country music has to offer in 2019.

Best lyric: “We are the daughters of the silent generations/You sent our hearts to die alone in foreign nations/It may return to us as tiny drops of rain/But we will still remain.”

Maren Morris – “Flavor”

While her chart-topping single “Girl” gets plenty of attention for its female empowerment theme (and rightly so), “Flavor” is the hidden gem on Morris’ acclaimed 2019 album, Girl. Throughout her young career, Morris has been building a reputation for supporting women, whether by publicly speaking out about inequality on country radio or hopping on the trend of taking an all-female lineup on tour with her. She demonstrates her sharp tongue with the song’s opening lyrics “ain’t gonna water down my words or sugar up my spice/sometimes the truth don’t always come out nice.” What follows is an anthem about originality and celebrating those who challenge the norm, all delivered with confidence and conviction that comes through in her voice. It’s a shining moment on the project that earned her an Album of the Year distinction at the CMAs – and one that defines her as an unflinching creator.

Best lyric: “Yeah I’m a lady/I make my dough/Won’t play the victim/Don’t fit that mold/I speak my peace/Don’t do what I’m told/Shut up and sing?/Well hell no I wont.”

Runaway June – “Buy My Own Drinks”

The trio of Naomi Cooke, Jennifer Wayne and Hannah Mulholland released a direct female empowerment anthem to country radio this year in the form of “Buy My Own Drinks.” The song chronicles a young woman’s solo night on the town, not needing a lover or even her friends to keep her company. Between paying her own tab and spinning herself around on the dance floor, the upbeat track raises a glass to those who are perfectly content enjoying their own company. The empowering message also made Runaway June the first female group to reach the top 10 on the Billboard Country Airplay chart in 14 years since SHeDAISY.

Best lyric: “I can walk my own self to the front door/I can take my own self to bed/I can medicate my own headache/I can be my own boyfriend.”

Ingrid Andress – “Lady Like”

Ingrid Andress released several new songs this year that proved her to be a sharp songwriter with lyrics that reject all the traditional country norms. But no song does that better than “Lady Like,” her ode to the “untamable,” “unframeable” women who drink tequila straight, don’t own a dress and kiss on a first date. The lyrics are pure defiance against all the double standards and stereotypes placed on women, and in a genre that’s dominated by straight white males singing about trucks, beer and life in God’s country, a voice like Andress’ cuts through in a potent way.

Best lyric: ““Sometimes I forget/Not to talk ’bout politics/When I’m in the middle of me gettin’ hit on.”

Katie Pruitt – “Loving Her”

Pruitt may be a new voice in country, but the truths she delivers are ones the genre desperately needs to hear. Take “Loving Her,” the gentle, lullaby-like ode to her girlfriend. Raised Catholic in the suburbs of Atlanta, Pruitt is honest about her previous fears of her sexuality being revealed. But “Loving Her” is a beautiful response to that suppression. Using clips from the 2019 Nashville Pride parade to tell the story in the video, the lyrics paint a striking picture of someone stepping out of the closet and into the light, relying on clever wordplay and poetry to convey the profound love they’re no longer ashamed to express.

Best lyric: “But if loving her is wrong/And it’s not right to write this song/Then I’m still not gonna stop/And you can turn the damn thing off.”

AF 2019 IN REVIEW: A Year in Country Music

With the end of the year comes a time of reflection. Looking back on this year in country music, the firestorm of conversation about the lack of women on country radio spilled into 2019, while new artists like Lil Nas X and Blanco Brown broke down barriers, and names including Billy Ray Cyrus and Tanya Tucker saw a resurgence in their careers.

Renaissance Moment

 In 2019, country fans saw two legends experience an unexpected, but celebrated resurgence in Billy Ray Cyrus and Tanya Tucker.

Though known as ’90s country star with the breakthrough hit “Achy Breaky Heart” and as the father of Miley Cyrus, his name is now synonymous with the global hit that is “Old Town Road.” While the Nine Inch Nails-sampling Lil Nas X penned rap gained traction as a viral favorite on Tik Tok, it was a remix version featuring Billy Ray Cyrus that came to define the newish genre of “country rap.” Kicked off the Billboard Hot Country Songs chart based on the claim that it “does not embrace enough elements of today’s country music to chart in its current version,” “Old Town Road” quickly grew into a smash hit that broke the record as the longest running No. 1 Billboard Hot 100 – and Cyrus was a significant part of this. Though the song was already a jam in its original state, the unlikely pairing of the millennial rapper and baby boomer country star made for an important moment in pop culture. The song feels complete with both on the track, and Cyrus’ affinity for the song and ability to see how it connects to the history of country music is part of what gave him a second life in the genre.

Billy Ray Cyrus and Lil Nas X. Photo by Derrek Kupish/ dkupish productions

Tucker enjoyed her own renaissance moment in 2019; the 61-year-old icon, who had her first hit single at age 13 with “Delta Dawn,” released her first album in 10 years, While I’m Livin,’ produced by Brandi Carlile and Shooter Jennings. Partnering with a new generation of talent gave Tucker an edge and refreshed identity while still delivering a strong body of work, and earned her four 2020 Grammy nominations. It was gratifying to see two iconic stars rise like phoenixes for a new phase in their lives.

Diversity

 It’s disappointing to think that even in 2019, you can count the number of mainstream African American country artists on one hand. Over the past few years, we’ve seen acts like Kane Brown become rising superstars, while Jimmie Allen reached No. 1 with his debut single “Best Shot” last year. But with Lil Nas X breaking down the walls for artists creating country trap, it feels like the beginning of a tidal wave of diverse artists who we’ll see breaking through in the next few years.

Yola is one of the many artists blazing this path. The elegant British country singer had a banner year with her debut record Walk Through Fire. Her spell-binding voice and awe-inspiring songwriting solidified her as a major breakthrough act this year, so much so that Kacey Musgraves invited her to be one of the opening acts at her first arena headlining show in Nashville and Elton John declared himself a fan after hearing her cover of “Goodbye Yellow Brick Road.” She’ll embark on her own headlining Walk Through Fire Tour in 2020.

Blanco Brown also took country by storm with his original “Cotton Eyed Joe” style dance song, “The Git Up,” which was the longest running No. 1 on the Billboard Hot Country Songs chart and spent 13 weeks as the top selling country single in the U.S. Meanwhile, former X Factor contestant Willie Jones spent the year building momentum with songs that range from the sweet (“Down For It”) to playfully observing the influx of bachelorette parties in downtown Nashville with “Bachelorettes on Broadway,” while up-and-coming singer-songwriter Tiera was named to CMT’s Next Women of Country class of 2020.

Jimmie Allen also joined forces with dynamic duo Louis York for a poetic number titled “Teach Me a Song” on the twosome’s American Griots album, and when they all performed on the Grand Ole Opry, it marked the first time three African American artists have appeared on the Opry stage at one time. With Louis York set to make their own Opry debut in February, it feels like we’re at the start of a revolution of multi-racial artists finally becoming a mainstay in a genre that has been sorely lacking in diversity.

Women in country

 The conversation surrounding the lack of women on country radio was a dominant theme in 2018, with the likes of Carrie Underwood, Kacey Musgraves, Maren Morris, Miranda Lambert and countless others speaking out. At 2018’s end, there were no women in the top 20 on the Billboard Country Airplay chart for the first time in the chart’s near 30-year history, and they didn’t fare too much better in 2019, as there are no solo female artists on the year-end list of Billboard Country Airplay songs. With the conversation being so loud, it instilled a false sense of hope that radio would take action and begin to move toward more balanced playlist.

But where radio faltered, women united in the form of all-female tours in 2019. Underwood set this precedent by inviting duo Maddie & Tae and trio Runaway June as her opening acts on the Cry Pretty 360 Tour, proving that a troupe of half a dozen women can sell out arenas across the country. Lambert followed suit, as her Roadside Bars & Pink Guitars Tour featured a massive all-female bill with openers including Maren Morris and CMA New Artist of the Year Ashley McBryde, along with newcomers like Tenille Townes, Kassi Ashton and many more.

https://youtu.be/zPacGAykVQg

Morris also set a standard by joining forces with Carlile, Amanda Shires and Natalie Hemby to form The Highwomen, whose debut album serves as one of the year’s best (and their surprise performance with Dolly Parton at 2019 Newport Folk Festival is arguably one of the highlights of the year in music). Morris continued with her support for women by bringing a mix of five female friends and rising artists in country on her aptly titled Girl: The World Tour named after her CMA Album of the Year. Even legends like Trisha Yearwood stepped up, taking an all-female bill out on the road with her for the Every Girl on Tour.

In addition, several new female artists not only made an impact on fans and the industry alike, but brought a distinct element with them: empathy. It’s the foundation of Townes’ “Somebody’s Daughter,” a compelling narrative inspired by a woman she saw on the side of the road who was homeless that should have been a No. 1 hit, but just barely made the top 30 on the country charts. Meanwhile, Ingrid Andress broke hearts in the best way with her powerful debut single “More Hearts Than Mine” that made her the only female artist to have a debut single reach the top 20 in 2019.

Though the fact that Carrie Underwood lost Entertainer of the Year to seven-time winner Garth Brooks during a year where she put on an impeccable production that led to growth as an artist while supporting deserving young women felt like another major blow to the cause, it was inspiring to see so many women uniting in the face of adversity – there is something truly special about seeing a group of gifted women lifting one another up in a bold way.

But in order to see real change, there needs to be integration, and there seems to be signs of that going into the new year. Dan + Shay, the country duo behind the wildly successful, Grammy winning crossover hit “Tequila,” recently announced that Andress will be joining them as an opening act on their 2020 Arena Tour. Jordan Davis, who has two country hits to his name, is bringing a pair of compelling singer-songwriters, Ashton and Hailey Whitters, as his openers on the 2020 Trouble Town Tour. I hope this is a trend that turns into a movement in 2020.

CMT Next Women of Country Proves There’s a Sisterhood in Nashville

Each year in Nashville, the women of country music gather to celebrate one another and provide an important platform for the new artists working to break ground in the genre through CMT Next Women of Country.

Founded by CMT Senior Vice President of Music Strategy & Talent Leslie Fram in 2013, CMT Next Women of Country shines a spotlight on nearly a dozen promising new female acts in Nashville, providing them with tools and resources to be successful in a male-dominated industry, with past inductees including Kacey Musgraves, Maren Morris and Kelsea Ballerini. During the 2019 CMT Next Women of Country event co-hosted by Fram and Martina McBride at the Country Music Hall of Fame in Nashville, the 2020 CMT Next Women of Country class was unveiled, comprised of Gabby Barrett, Caylee Hammack, Hailey Whitters, Madison Kozak, Walker County, Avenue Beat, Abbey Cone, Kylie Morgan, Sykamore, Tiera and Renee Blair.

A consistent theme carried throughout the annual event is empowerment, whether the artists are championing one another or singing introspective and thought-provoking songs they’ve penned. The 2019 event reflected the variety of the music these women are creating through an acoustic songwriters round that invites each of the new inductees to perform an original song. Caylee Hammack delivered a stirring performance of “Small Town Hypocrite,” a song inspired by the ex-boyfriend she gave up a scholarship for who ended up cheating on her, while Hailey Whitters also proved to be a compelling songwriter with her depiction of a fictional character named Janice, an 80-year-old woman who offers sage life advice like “stay off the pills, but get on the pill if you ain’t ready to start a family,” the line calling to mind Loretta Lynn’s 1975 feminist anthem, “The Pill.” Madison Kozak, the first artist signed to Nashville’s new all-female label Songs & Daughters led by groundbreaking songwriter Nicolle Galyon (Camilla Cabello’s “Consquences,” Dan + Shay’s “Tequila”), held every heart in the room like it was made of glass with “Household,” touching on the universal feeling of wanting to leave home, but longing for that very place when you’re finally gone.

Photo by Rick Diamond/Getty Images for CMT)

The talent displayed in the room reflected country radio’s glaring lack of inclusion for such artists. In December of 2018, it was reported that for the first time in the 28 years since the Billboard Country Airplay chart launched, there were no women in the Top 20. However, up-and-coming artists are slowly fighting their way out of these alarming statistics, as Hammack’s debut single “Family Tree” has cracked the Top 40 on the country charts, Ingrid Andress is in the Top 20 with “More Hearts Than Mine” and Runaway June became the first all-female trio since the Dixie Chicks to have a Top 5 hit with “Buy My Own Drinks.”

But the conversation surrounding the lack of women on country radio still lingers, with Mickey Guyton remarking on “the elephant in the room” the moment she took the stage to open the show. “There is without question an injustice happening to women in country music. There are a lot of great songs that are not getting a shot,” Guyton professed before performing her new song “Sister” with her country music “sisters” Tenille Townes, Clare Dunn, Rachel Wammack and Leah Turner. “But one thing is for certain: it is going to take us women to lift each other up out of these trenches.”

A burgeoning superstar who has gone above and beyond to support her female contemporaries is Brandi Carlile, who was honored with the Next Women of Country Impact Award. Carlile, who scooped up three Grammy Awards in 2019 for her acclaimed album By the Way, I Forgive You, has made it an integral part of her mission to elevate the women around her, curating the all-female stage at the 2019 Newport Folk Festival that featured her supergroup The Highwomen and a surprise performance by Dolly Parton, in addition to creating the women-centric festival Girls Just Wanna Weekend. She’s also pivoting her support for women into a behind-the-scenes role, serving as co-producer of Tanya Tucker’s new album While I’m Livin’ with Shooter Jennings.

Photo by Rick Diamond/Getty Images for CMT)

Rather than point a finger at country radio, Carlile encouraged radio employees in attendance to be intentional about the songs they’re sharing through the format while expressing the reverence she has for the genre that raised her. “If country music is the story of rural America, then what is the story that we’re telling to our young girls?” she questioned. “What we’re hoping, and what we’re inviting country radio to do is to catch up with the way that we all understand. I would urge anybody that’s involved in country radio…ask yourself the question every morning before you go to work ‘what do I want my job to say to my daughter today?’ Because she’s an American girl, she’s in love with a boy, she needs wide open spaces, she’s a wild one,” she continued, referencing iconic songs by Trisha Yearwood, the Dixie Chicks and Faith Hill. “She’s more than a pair of blue jeans in a cab of a truck.”

Additionally, a handful of behind-the-scenes movers and shakers were present at the ceremony, including Cindy Mabe, president of Universal Music Group Nashville, who made it a point to continue to call for change in the industry regarding support for women. “We can all keep moving through and thinking that things have changed at the rate that they need to change, and they haven’t,” she stated. “This is about how we give a voice and a perspective to half the world.”

She encouraged emerging artists to explore other methods of promoting their music outside of radio, pointing to artists like Musgraves, who received little attention from radio for her Grammy winning Album of the Year Golden Hour, instead reaching listeners through other formats like social media. “Women are bringing more adventurous, interesting, state of the art, cutting edge music and it doesn’t go and fit in a box. We will spend the next years figuring out how we get it exposed, one foot in front of the other,  because great music should always rise and it’s not about fitting into a box,” she said, actively taking Carlile’s words to heart. “I have to get out of bed every day and make a movement towards making women’s voices matter again.”

The program continues with the CMT Next Women of Country Tour, headlined by Tanya Tucker, in early 2020, with supporting acts and dates to be announced in the coming weeks.