AF 2018 IN REVIEW: How Mitski Used Performance to Make One of the Year’s Best Records
photo by Bao Ngo Since hitting her stride with 2014's Bury Me at Makeout Creek and its critically acclaimed follow-up Puberty 2 (2016), Mitski's audience has tended to project onto her as a symbol of their sadness, a microphone of sad-girl feelings. But Mitski does not want to be remembered this way, a position she asserted clearly [...]
