Anie Delgado Embodies Venus in “Daydream” Video Premiere


If you’re sick of the winter weather and want to be transported to a summery beach, look no further than LA-based pop artist Anie Delgado’s “Daydream” video, which is as ethereal as the song’s title promises. In the spirit of the New Year, Delgado sings about “new love, new life/no pain, no life/new you and I” in an infectious, uplifting melody with Studio 54 vibes as she dances and poses beside the ocean.

The song is, paradoxically, about “staying grounded and rooted in your daydreams,” says Delgado. It was inspired by an experience where she wanted a relationship to work out but also knew she’d be fine if it didn’t. “Got everything I needed/whether you take it or leave it/honey, I’ll be on my way,” she sings with sassy, R&B-inspired attitude. “I’m always dreaming/my open heart is beaming/when the skies are turning gray.” Delgado aimed to show vulnerability in her voice in the song, while the production made it sparkly and twinkly.

For the video, she took on the persona of Venus, the Roman goddess of love, whom she felt fit the spirit of the song. “I feel like she’s underrated in that people think she’s just the pretty goddess, but I think there’s a lot of power to being poised, being graceful, and that beauty she possesses,” she says. “Venus energy is being really confident in what you have going on.”

The video opens with Delgado emerging from beneath churning waves and stepping out onto the sand, the same way Venus was born out of sea foam. In a reference to the famous Botticelli painting “The Birth of Venus,” she stands in a giant pink shell in several shots. In others, she looks into a mirror and combs her hair, plays with pearl jewelry, and lies besides artfully arranged grapes, another reference to Roman mythology.

Aside from the goddess imagery, the image of the sea itself is an ode to the divine feminine. “I think the ocean is powerful and mysterious and similar to women,” she says. “It has that kind of silent power; it’s there, it’s beautiful, it’s sparkling, it’s powerful, and it doesn’t immediately scream its power to you.”

Because it was shot during the pandemic, the video was intentionally simple, with no additional actors. With just Delgado, the director, the director of photography, and her manager on set, she picked out her outfits and did her own hair and makeup. “We had to go on the highest tide and make sure it would be okay to shoot,” she remembers. “It was one of the more fun shoots I’d done because I was playing in the ocean most of the day.”

“Daydream” is the first single from a four-song EP coming out in April. The next track on the EP, “Dancing When the World is on Fire” — which she describes as a commercial pop song with world vibes — comes out in February, followed by an EDM-inspired song called “Cloud Nine” in March and then “Something Beautiful,” which she wrote by herself on her guitar in her room. “Each song is so different,” she says. “We wanted to give them their own life and give them each a vibe.”

Raised in Florida, Delgado went to a performing arts conservatory in New York City, then got into acting before deciding to dedicate herself to music and moving to LA. In 2019, she released her first single, “Galaxy,” which is based on a talk her friend gave her after a breakup about how a whole galaxy of everything you need is right within you. The song’s heavy production provides an otherworldly, almost trippy sound, and her friend Bass Savage created a remix that gives it a dark edge.

“It was kind of fun to just let him be creative,” she says. “I gave him the stems and said ‘do what you want with them,’ and when he stent back the song, I loved it and thought it could give ‘Galaxy’ a life in a club.”

In 2020, she released “Kaleidoscope,” a poppy song that compares falling in love to looking into a kaleidoscope: “The more you look at it, you get details and imperfections and good qualities; you find more and more things you love about the person,” she explains.

Her voice is sweet and angelic but also confident and self-assured in the vein of pop princesses like Ariana Grande, whose production has inspired her, along with Taylor Swift’s lyrics and Tame Impala’s floaty soundscapes. Her earliest idol, though, was Gloria Estefan, who used to buy dresses from her great aunt. “Being Cuban-American and seeing another Cuban-American take mainstream pop by storm has always been really inspiring to me,” she says.

Though she can’t go on tour now, she’s currently working with a company called ColorTV to create a virtual tour, which will feature her singing against the backdrop of different locations, where residents will get discounted tickets. “It’s all from my home — basically, I’ll be turning my living room into a stage — but the company has technology they developed to create these virtual locations,” she says. “As much as it can’t be a large, fully produced show like I could do if I were to go on a physical tour, I’m going to make it as visually exciting as I can.”

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