LIVE REVIEW: Honduras @ The Knitting Factory

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Minutes before the band gets on stage, I watch the crowd come together. For some reason at Knitting Factory, it’s always a mix of people you wouldn’t imagine listening to the artists playing that night, trickling in from the bar or stumbling upon a cheap show with nothing else to do.

Brooklyn’s own Honduras took the stage, only a couple of months off the release of their first full-length, Rituals

They’re a punk band who sound something like the Sex Pistols with a dash of Blur (I keep feeling surprised Honduras aren’t from London), or perhaps their contemporaries, Parquet Courts, with that similar lo-fi feel.

The sound translates uniquely to the stage. There’s nothing too flashy about the performance, making you appreciate how clean Tyson Moore’s guitar work is juxtaposed with Josh Wehle’s gritty drums and Pat Philips’s muffled vocals.

It’s easy to pick up on the band’s subtle nuances. Paul Lizarraga likes to play his bass with the strap down low. Moore makes the most of his curly mop of hair, playing his Flying V with a ton of energy. And lead singer and rhythm guitarist Philips is the lovechild of Bradford Cox and Alex Turner. Tumbling on stage, his guitar strap falling off, there was something carnal about the way he clearly didn’t give a fuck.

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The boys will be playing Knitting Factory again on December 14th, and Mercury Lounge on January 9th. Check out the music video for their first single “Paralyzed” here:

All photos by Ysabella Monton for AudioFemme.

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