EARLY REVIEW: Museyroom “Pearly Whites”

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Museyroom is named after a reference from Finnegans Wake, James Joyce’s last book that is widely regarded as having an experimental style meant to “recreate the experience of sleep and dreams.” According to the Brooklyn trio, it describes “a sort of alternate dimension the group would create with its musical output, sonically mirroring an unexplored, variable universe.” 

Like the plot of the book, the band’s upcoming album, Pearly Whites, is elusive but captivating. Their sound seems to exist in two worlds at once, due to the seamless mix of ancient and modern elements. Mournful organ, Victorian-esque keys and harp-like guitar plucking will give way to electronic drums or synth. Long, drawn out harmonies give the feeling that the band is holding on to the past as the floorboards tilt and they’re thrown into the present, while the oohs and aaahs on “Ranger” sound like a haunting by friendly ghosts. They tag themselves with the phrase “future nostalgia,” and rightfully so.

Jack Donovan’s voice has this pleasant, conversational quality to it, making even the gloomiest lyrics sound like they’re not so bad, from his lament about a “miserable routine” on “Ballad” or an experience of being “down on your knees, trying to breathe/ On wet tiles in the bath” on “Sleeper.” Pearly Whites has some ominous undertones, but they’re buried under a haze of soft guitars and gentle melodies; the album is pretty and calm on the surface, but for those who want more, there’s plenty to find if they dive to the bottom. 

Pearly Whites will be available on March 25 via Grind Select. Check out their video for “Ballad” below.

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