RSVP HERE: Lola Pistola Plays Our Wicked Lady + MORE

Welcome to our weekly show recommendation column RSVP HERE – your source for the best NYC shows and interviews with some of our favorite local live bands.

Lola Pistola does not plan on stopping anytime soon. With a raw energetic live show that’s not to be missed, Lola Pistola debuted their grunge and noise pop soaked album Curfew last year on Burger Records, toured the US with drummer Robert Preston (who also fronts Pink Mexico), and are closing out the year with a show at Our Wicked Lady on  December 13 with Toward Space, Metalleg, and Johnny Dolphins.

Currently Brooklyn-based, Lola (aka Arvelisse Ruby) grew up in the Puerto Rican punk scene and is also a florist, photographer and contributor to AltCitizen. We chatted with Lola about her love for grunge and NYC’s ’70s punk scene, the changing landscape of New York’s current scene and what her live set would smell like.

AF: What is your favorite part about where you come from and where you are now, both geographically and musically? Where do you want to go?

LP: My favorite part about being from Puerto Rico is how important arts is for creatives and Puerto Ricans in general. No matter the occasion, there’s always music and a sense of community and bonding, whether it’s with family or friends. We have an unusual approach to what we do. I believe Puerto Ricans excel in arts, in music, in theater because we are just moved genuinely by what it means to be oneself and are passionate about our legacy. I loved loved loved being an spectator of the underground punk scene there. It’s chaotic, and loud, and there are many talented and unique bands that are still active after more than 15 years. I think that definitely made me fall in love with music, and learn about the punk scene around the world, specially in Spain and in New York. I’d daydream about playing at CBGB’s, about smoking cigarettes with Debbie Harry, reading poems with Patti Smith, maybe even finding Courtney Love and partying with her too. I feel like now, there’s a lot of that scene that’s undeniably dead. It’s no ones fault. Truly the world is just changing and affecting how we connect with new experiences – how we even promote shows for example. But still, the great thing about New York is the accessibility to local and touring bands, either underground or mainstream, and how there’s a new sound and act popping left and right. For me, I feel like I just want to continue making music, regardless of where I am, and to truthfully to be able to successfully connect with people. I want to continue moving forward where I can be heard, without worrying about scenes, without worrying about how many likes I get on social media. I want to go around the world and back until I fall down or nobody likes my songs anymore. That’s were I want to go.

AF: What shows/bands/artists have had the biggest influence and inspiration on your live set? If your live set was a color what color would it be? What smell would it be?

LP: Let’s just say I spent a lot of time watching Nirvana videos on YouTube using a shitty internet connection. Physically I take on more from movies and dance performances. If my set was a color it would be not a color, but the cathartic after-effect of strobe lights, hinted with the scent of salt water.

AF: If you could share the stage with anyone alive or dead who would it be and why?

LP: I’d love to perform with Iggy Pop, and I don’t think I need to explain why. Present Iggy Pop – full of wise and uncontrollable coolness, and more in control than ever of his voice and vision. His last two albums are definitely part of my favorites of the decade.

AF: When you’re performing do you ever look at a specific stranger and wonder how their day was?

LP: That’s interesting, but not really. I think the whole act, while performing is such an egocentric approach that I am only worried if they can really see me. If I lock eyes with anyone, I just want to make sure they see me.

AF: If you were a street performer and had to do something other than music, what would you do?

LP: A cartoonist.

AF: What are your plans for the next year/decade?

LP: I’m just waiting to be discovered and get a six figure contract, so I can record a couple of bangers and not work anymore. But also, joke aside, I just plan on doing what I do now, just 10 times bigger. I don’t have time to stop now.

RSVP HERE for Lola Pistola, Toward Space, Metalleg, Johnny Dolphins @ Our Wicked Lady  on 12/13. 21+ $10

More great shows this week:

12/13 Pile, Patio, Gabby’s World @ (le) poisson rouge .16+ $16 RSVP HERE

12/13 Nation of Language, Modern Vices, Hideout @ The Broadway. 21+ $12 RSVP HERE

12/13 Mount Eerie, Julie Doiron (ex-Eric’s Trip) @ St. Ann & The Holy Trinity. All Ages $30 RSVP HERE

12/14 Honduras, Dentist, The Zings @ Baby’s All Right. 21+ / $12.50 RSVP HERE

12/15 Delicate Steve, Dirty Fences, Ackerman @ Brooklyn Bowl $16 21+ RSVP HERE

12/16 John Waters (A John Waters Christmas) @ Sony Hall. All Ages RSVP HERE

12/18 Desert Sharks, Atlas Engine, Shadow Monster, Climates @ Our Wicked Lady. 21+ $10 RSVP HERE

12/19 Samantha Urbani @ ELA Taverna (A Dinner Party). 21+ $50 RSVP HERE

12/19 Silent Night Fest: A Sleep Well Records Holiday Celebration with pronoun + Special Guests @ Elsewhere. 16+ $10 RSVP HERE

Vanessa Silberman plays The Broadway & Premieres ‘Don’t’ Music Video

Welcome to our weekly show recommendation column RSVP HERE – your source for the best NYC shows and interviews with some of our favorite local live bands.

 

Fresh New York City transplant and DIY queen Vanessa Silberman is playing at The Broadway this Thursday 11/21 with Nihiloceros, Top Nachos, and Sharkswimmer. We are psyched to premiere her colorful stop-motion music video for “Don’t,” off her new EP Brighter Than Bloom that recently recently released on her own label. We spoke with Vanessa about her heavy touring schedule, running her own label, and what keeps her motivated, organized, balanced…

AF: You recently relocated to NYC from LA. How do you like New York so far? What are the advantages to having home bases in cities like New York and LA?

VS: I love it! I love the music scene and people here. It’s thriving, inspiring and there are so many venues! I love LA too but it’s very different. I was in LA for so many years but was really just ready for growth and a life change, especially for when I’d be coming off tours. I just wanted a different place to come home to and always wanted to try New York. Over the last few years I had been spending quite a bit of time in NYC and on the East Coast working with a lot various artist/bands recording in-between touring and really enjoyed it!

Some of the biggest advantages I see to being based in ether of these cities is the multitude of opportunities and business for people. There’s a lot of music in both cities too. I think people can only go so far in smaller cities depending on their goals. NY has an amazing advantage of being so close to so many other states and cities, making it easier for an active artist to get out and play out of town shows but not have to drive far. You also don’t have to own a car – I’ve been walking a lot and making up for all the insane hours of siting in the car on tour! NYC has this magic too – I have no idea what it is but just walking through the city you feel it. Its a very exciting city that’s fast paced, which I love and matches what I am very used to.

On the other hand, I do love things about LA, Hollywood and the magic that is there. It’s just really easy to live there and the LA weather is so beautiful. There’s a lot of opportunity in the music business there especially for someone starting out, depending on your goals, or for an artist/band who has the pieces but is ready to go to the next level. Though, I do think it’s up to an individual to cultivate and create what they want wherever they are. With the internet you can do that from a lot of places these days.

AF: You do everything yourself and wear pretty much all the hats in the industry. How do you balance songwriting, leading a band, booking, touring, producing/engineering other musicians, running your own label, etc.?

VS: I definitely use a lot of to-do lists and plan a lot in advance. Even when it is a juggle it somehow just feels right doing everything. I love music so much and I love playing as well as helping other bands and artists. I also think in this day and age it’s imperative for artists to be multi faceted (like a brand) and be able to be visionaries, creating their career before bigger people get in the picture.

Some of it is learning how to balance as you go. I was on the road for over 3 1/2 years and I didn’t have a home because I was touring so much (plus recording, doing co-writing and my label work in between being on the road). I love it but also the more people involved the more moving pieces there are. I think it’s hard to stop once you have been out that long and balancing so much. I have had a couple moments where I have needed to just say to myself “Okay, I need a spiritual break to collect myself, to rejuvenate, take a minute off touring, rest, exercise, have quiet time, expand as a human, just experience life in one place so I can re-balance.” I put out a lot of energy and it’s hard for me personally to allow myself to stop but it is needed for expansion, assessment and growth as an artist so one can produce really good material. I think also working for other bands and artists gives me a very good perspective.

I do start to feel uneven or even stagnant if I’m just focusing on one of thing for too long. Like if I’m just playing shows, booking, promoting (basically running a tour) I feel so self-reliant and extremely fulfilled but I do miss creativity in recording so I like to record other artists in between playing or even mix and co-write from the road. Then on the other hand if I’m just in the studio I absolutely miss the road and feel like I need to get out into the world. Same thing too with business/admin work – too much of it and I feel very unbalanced, but as soon as I play I feel a lot better. I think I’m the happiest doing everything and plus I have multiple streams of income. I spent a couple years just mainly working like 12-14 hours in the studio and then going to shows late at night to get out. I just have a lot of energy! I love having a label too and it is really fulfilling to help build artists’ careers. Everyone I have ever been inspired by has wore a lot of hats in the music business and were also artists and/or producers. I feel a complete knowingness around what I am supposed to do on my life path. I think the only tough thing that truly has ever been hard to balance is a personal life. Relationships are challenging.

AF: How long have you been a touring musician and what have you seen change over the years? What’s your favorite part about touring and what keeps your motivated in general?

VS: I did my first tour in 2005 (when I played under my old band moniker Diamonds Under Fire). When I first started there were only yahoo maps and we had to print them out! There are so many more resources now, it’s incredible. Everything from venue resources to food, hotel and cheap gas station apps. You name it! I also feel like now more than ever you can really find so many different avenues of reaching people and getting people to shows. There are a lot of options, especially if you’re willing to put in the work. You can actually make a living DIY touring. You don’t need a label, agent or a lot of money to tour. I love waking up every single day and playing for people, traveling and connecting to music fans about life and learning about different places.

What keeps me motivated? Wanting to change the world in a positive way through music is an absolute motivation – it’s like a fire that won’t burn out. I just want to impact and motivate people through music, whether I’m playing live, putting out someone’s record or producing them. I want to get people excited and make them feel. I just want to make things happen and amplify everything.

RSVP HERE for Vanessa Silberman with Nihiloceros, Top Nachos, and Sharkswimmer @ The Broadway Thursday 11/21! 12+ / $12

More great shows this week:

11/15 Tall Juan and Wild Yaks @ Baby’s All Right. 21+ / $12 RSVP HERE

11/15 High Waisted (Birthday Show), Close Talker, Seafoam Walls, and Wooter @ The Sultan Room. 21+ / $12 RSVP HERE

11/16 Leftover Crack, Days N Daze, Cop/Out, Alexander Agent Orange @ Market Hotel. 21+ / $20 RSVP HERE.

11/16 Goon, Big Bliss, Monograms @ The Broadway. 21+ / $12 RSVP HERE

11/17 AUDIOFEMME RELAUNCH PARTY! We’ll see you at the Rosewood Theater with sets from Zola Jesus, Mothica, Purple Pilgrims, Jess Williamson, tarot readings, a tattoo booth, and more! 21+ / $25 / 7:30pm RSVP HERE

11/17 Emmerson & Her Clammy Hands (Acoustic Residency) with Shilpa Ray, Odetta Hartman, and Joanna Schubert  @ The Footlight. 21+ / Free / 3pm RSVP HERE

11/18 Blood, Tredici Bacci, Cindy Cane, Poppies @ Baby’s All Right. 21+ / $10 RSVP HERE

11/18 Drug Couple (Record Release), Moon Kissed, Color Tongue, Atlas Engine @ The Broadway. 21+ / $12 RSVP HERE

11/20 Mikal Cronin, Shannon Lay @ Bowery Ballroom. 18+ / $18 RSVP HERE

11/21 Combo Chimbita (Doc Martins Presents) @ Barbes. 21+ / Free RSVP HERE

TRACK PREMIERE: Atlas Engine “Everest”

 

Atlas Engine Featured

Celebrate Friday with a track premiere from Atlas Engine, “Everest,” from his upcoming EP “After the End.”

Atlas Engine is the solo venture of Nick LaFalce, formerly of BRAEVES. With this new project, LaFalce undertakes the task of writing, singing, performing each instrument, and producing to conceive a skillfully crafted effort that is truly all his own.

With LaFalce belting out lyrics such as, “Something in the air I’m breathing must be forever changed/So tell me what I have to fear now,” over a stunning melody, the track emanates a sense of freedom, and an exciting anticipation for what’s to come.

The full EP is set for release on June 3.  New Yorkers, you can catch Atlas Engine’s live debut (for free!) at Rockwood Music Hall Stage 2 on May 19.

Listen to the single below: