PREMIERE: Elisia Savoca Celebrates Singlehood with “Do Re Mi”


Breakups are difficult — some more than others. But often, even after the hardest breakups, we realize we’re better off without our exes. In hindsight, we see problems we’d overlooked in the relationship, and we start to enjoy our newfound freedom. That’s how LA-based singer-songwriter Elisia Savoca came to feel after her last relationship, which she channeled into her latest single, “Do Re Mi.”

The sassy, danceable, R&B-inspired song is an ode to new singlehood, encapsulating both the ups and downs of a breakup in poetic, fleeting vignettes: “Speaking words with our tongues/Let go of what we just won/Plans of lovers commit/Damn you make feel shit/Paradise and city on bliss/Nah, don’t wanna forget this/Sunset on my lips high and lows with this.”

“It’s definitely about somebody getting out of a relationship – that freedom when you leave a relationship, just doing what you want and saying what you want. That’s what my message is,” she says. “When I write a song, I say whatever’s on my mind, and it’s like a diary to me. I was trying to get the point across that I don’t need anybody, I can do this myself, and ‘Do Re Mi’ is about that liberation of speaking your mind and saying what you want.”

Savoca and her producer and co-writer Maestro wrote the song in just 10 minutes. “I will never forget the producers working with me that day — we were all so happy to be working together, and the synergy there was just amazing,” she remembers. With Rihanna as its inspiration, the track includes classical piano, guitar, bass, and synths.

Savoca made the video herself during quarantine, using footage of herself singing in a black outfit against a black backdrop. “I just wanted to create this sexy, dark, mysterious vibe,” she says. “It was just a sensual little video I made in like an hour.”

The song will appear on an EP she plans to release next year called Act 1: Manifesto, much of which is about “coming into being a woman and learning responsibility and looking back on my past,” she says. “Every time you kind of leave something in your past, you grow into this more developed being, and it’s so interesting to see these records symbolize that.” In “Falling,” her last single off the EP and the subject of another quarantine video — she sassily tells someone off in a catchy chorus: “Sit down with your ass/You’re gonna get smashed.”

Manifesto is the first of three upcoming EPs, followed by Act 2: Fiasco and Act 3: Vendetta — names inspired by Italian operas. “I really wanted to tap into my Italian side,” she explains. “I was getting into the movie side of things, so I thought it would be interesting to have this medieval times 1700s vibe, incorporating some Latin-rooted words into a project.” Each act represents a different side of her and stage of her life: Manifesto centers on the wide-eyed version of her that first moved to LA; Fiasco portrays her “going through a hard time, smiling through the pain, just kind of hiding it all;” and Vendetta depicts “a really strong, independent woman who is not letting anybody mess with her.”

All the EPs are finished, along with a number of videos — Savoca channeled her quarantine boredom into making 12 videos in a month. “Quarantine really gave me that time to be as creative as I wanted to be and direct my own music videos,” she says. “I never would have been able to do that before, so I’m definitely so happy that I was able to create all these videos during that time and had the chance to figure that part of myself out.”

The 19-year-old was born to a Sicilian family in San Diego. Inspired by the local punk and ska scenes, she taught herself piano and guitar and began singing with local bands. She started playing at talent shows in San Diego when she was 15, working up to a spot in the large punk and alt-rock venue SOMA, then moved to LA and began appearing at more big venues. She released her first EP, One of You, in 2018, following it up her second, Glitch, in 2019.

Even with three EPs on the way, she’s as prolific as ever in making new music. “I’m the kind of person that pumps out five songs in one day — I got to get it out,” she says. “I’m an emotional human being. It gets to the point where I can’t let this go, I’ve got to get this on paper. As a writer, your job never stops. You’re continuously trying to do better than the last song you made. So for me, it’s not a job. I’m trying to do what’s in me. I could never stop making music every day.”

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