PLAYING DETROIT: Handgrenades “Tunnels”

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Alt-indie five-some, Handgrenades delivered their sophomore LP Tunnels earlier this month, a diversified, hook-laden kaleidoscope that explodes with disciplined revelry. There’s nothing particularly weighty about Tunnels, and no molds were forged nor broken but what is accomplished here are a series of consistent and caffeinated arrangements that propel the record into the new familiar. Each track wants to so badly to be so many things but is done so with equal parts focus and frenzy resulting in a record that ends up being an inspired version of itself.

“Daily Routine,” has a bloody but sunshiny mid-2000’s-vibe alt-anthem with jittery percussions and heartbroken choral bursts of desperation leading into “The Watcher,” with foggy distortion and jutting guitar licks feels trapped between genres without a destination. The albums valiant single “Suffocating,” though lyrically meek, is rescued by its Muse-esque vocals and purposefully and effectively spastic instrumental choreography giving the aural illusion of both gasping for air and receiving it making the track. “In Abesetia” dances with theatrics and “Wrapped in Plastic” parties with Brand New inspired vocals and guitar vs. percussion spacing and when preceding Tunnels eery final track “Daydream” (which is sort of reminiscent of Radiohead’s track “Daydreamers” from their latest but with ample restraint) reminds the listener that this record is a complete thought. All the territories they sought to explore were touched, and in doing so, Handgrenades concocted the perfect formula to fuse their wide and wild expressions with a polished fervor that seems more seasoned than not and more than sincere than flippant.

Find the light at the end with Handgrenades’ latest below:

PLAYING DETROIT: Earth Engine’s Debut EP

Playing Detroit

What. The. Hell. Is. This? 

Rarely do I say this about music. Perhaps I’m a bit jaded, but while all of us lovers were kissing on Valentine’s Day, Detroit-based Earth Engine dropped their self-titled debut EP, a beautifully confused collection nearly five years in the making. Earth Engine’s EP is a spastic, satiated cluster of baroque rock that has wrangled a plethora of genres and in the process created their own. Although it sounds schizophrenic the first time around, it becomes progressively more coherent. If King Crimson collaborated with MUSE on some hyper-theatrical Jeff Buckley directed stage production of how the universe was created (and how it will subsequently be destroyed), you might be able to understand where Earth Engine is coming from. For an EP that carries a tangible weightiness and at times delves into disparity, there is an ethereal airiness to its structure and intricate layering that takes the album into cathartic flight (and the listener along with it).

“Red River” is a slinky Dead Weather-ish caffeinated jazz jam that shifts gears into “A Fever of Static,” which opens with classic piano that morphs into a jutting, metallic, percussion heavy nod to anthemic rock. And just when you thought you were getting the hang of Earth Engine’s aesthetically challenging vibe comes the closing track (and my personal favorite) “Year One” where the tension from the previous tracks finally breaks through the atmospheric barrier into masterful resolve. You hear the protagonist overcome defeatism or whatever earthly shackles were holding him to the ground. “I rather die than wait,” he repeats with whispered heroism, adding “I’ve never been one to yield to reason,” which, in context, is a beautifully understated summary of the entirety of the EP.

My dozen or so listens have not answered my original question. In fact, it has been replaced with “What. The. Hell. Was. That?” Earth Engine caught me off guard and off balance. I am completely enthralled by this unexpectedly powerful EP that carries with it a determination that I feel that rock music has been missing for the past decade. Excitedly, I am left scratching my head while making room for new feelings, genre-defying reference points, and redefined sensations of unconventional beauty. Earth Engine is on to something (and I’ll be the first to tell you as soon as I figure it out).

Listen to the entire EP below.

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