Staff Picks – Jerilyn Jordan: The Playing Detroit Awards

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In wake of what most consider one of the most turbulent years in recent memory, 2016 carried a heavy weight. From the death of idols, poets and American democracy, this year challenged our collective patience and sanity leaving no stone unturned. That being said, 2016 reared its resilient head by means of music, the ultimate rebellion. And Detroit? Well, my sweet little city on the rise broke new ground with a slew of releases that eased our troubles, cooled our fevers and incited a burning fire that not even 2016 could extinguish. Below are a few notable moments in Detroit’s music year and perhaps a telescopic view of the year to come.

Best album to cry, drive and reflect to:
Anna Ash: Floodlights 

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Anna Ash’s sophomore record Floodlights is, without much deliberation, my favorite album of 2016. Having spent the better part of the year collapsing and mending Ash’s innate ability to give power and strength to her raw and exposed vulnerabilities paired with the sincere Midwestern, orchestral dashboard dust makes Floodlights a strikingly honest portrayal of (my) hearts fragile design.

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Best album to start a new life on Mars to:
Zoos of Berlin: Instant Evening

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Okay, so I lied. Zoos of Berlin’s masterfully produced and cosmic journey Instant Evening is in constant contention for my favorite release this year. What Instant Evening offers is a poignant and tireless orbit that explores the depths above and below without ignoring our enslavement to gravity. A dizzying leap into perceptions of time, Zoos of Berlin delivered this years soundtrack for your existential eclipse.

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Best record to drop acid and make-out with a stranger to:
Mountains and Rainbows: Particles 

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There is something pleasantly debaucherous about Mountains and Rainbows LP Particles.  A loosely woven parade of psych-pop jams and zombie-beach-party rock that is intended for the night you’ll forget to remember. Unwashed, untamed and yet, politely tethered to a structure all their own, Mountains and Rainbows delivered a much needed dose of revelry.

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Song most likely to be playing when you’re arrested for getting busy in a public restroom: 
Stef Chura: “Slow Motion”
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Undoubtedly one of the most anticipated releases of 2017, Stef Chura’s specialized brand of tortured kitsch kept 2016 afloat. Chura’s first single “Slow Motion” from her upcoming record Messes, is a hazily languid, hickey-necked crisis that begs to get caught (and to be kept awake by thoughts of the “what the fuck am I doing? variety.)

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Artist most likely to score a foreign sci-fi film: 
Humons 

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Eclectic and texturized dream house artist Humons busted through a few atmospheres with his debut EP Spectra. A multi-dimensional, electro-pop collision course of cosmos and other worldly feels, Humons arrangements channel the extraterrestrial and the extraordinary complete with danceable, sensuous beats that any human or alien could get down to.

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Song most suited for a girl-gang rebellion/club takeover:
Bevlove: “Do What I say” 

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A word of warning and a call to arms, “Do What I Say” from badass hip-pop game changer Bevlove, was the girl gang anthem we all needed in 2016. Laced with tenderness but swollen with commanding and demanding pussy power, “DWIS” was the most radio-ready song out of Detroit this year, channeling the likes of RiRi and Queen Bey, our Lady Love delivered one hell of a punch (and maybe even a groin stomp or two.)

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Video most likely to feature yours truly:
Gosh Pith: “Scoop” 

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Our beloved Josh x Josh trip-hop duo Gosh Pith were busy boys this year. They toured, recored, released and churned out several videos for their EP Gold Chain all of which embody their sexy poetry and big heart lifestyle. And yeah. Okay. This is a shameless plug of sorts but being a love interest in a music video has been a life long goal of mine (well, I think it started with Mariah Carey’s “Heartbreaker” but whatever.) So when GP (I get to call them that now that I’m on the inside) asked me to star in the video for “Scoop”, a catchy, love lorn groove about the girl that got away (and then slept with someone else at her heartbroken ex’s house party. SAVAGE!) I immediately said yes and actually brushed my hair for the occasion. Full of cameo’s by Detroit’s many intermingled squads, this video is a fun look back on the year that was as brutal as, well, a breakup but as hopeful as a new spark.

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PLAYING DETROIT: Bevlove “Talk That Shit”

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The incomparable maven of Detroit pop, Bevlove released her EP Talk That Shit last week which pop, locks and drops feral beats with a disciplined hip-hop assertiveness that undoubtedly rewires the game.

The 5-track EP is unexpectedly varied but remarkably consistent. It’s as if each song is a chapter describing the same night out documenting the fun, the madness and the humanizing need to not go home alone all filtered through Bevlove’s prismatic scepter of diva-dom. Yes, Lady Love reigns supreme on Talk That Shit but unlike other commanding, radio-ready pop endeavors, there is nothing isolating or exclusive about this particular journey into Detroit’s after-hours and Bev’s sexified psyche. It’s a call to bad bitches and vulnerable vixens to not just get lit, but to shine through the club fog and to rise above the unreturned text messages from that dude.

Opening with “Do What I Say,” a BDSM, girl-gang anthem that self-satisfies without apology leads into “Freaks” which modernizes Whodini’s 1984 classic and acts as a word of warning to future gentrifiers and suburban visitors. Then comes Bev’s brand of satiated delicacy with “Save Me” which doesn’t stray sonically but explores her range of tenderness and soaring vocals that are reminiscent of vintage Rihanna. Bev’s emotional duality is a vibrant essence especially when she goes from achingly wanting someone to stay and save her and flips the script on “Leave With Me” which details a one night stand and mixed signals, where (once again) she takes control; the EP’s constant and Bevlove’s secret weapon. Collectively, Talk That Shit is an immovable powerhouse that is relevant yet stays two steps ahead. However, the closing track “Champagne Bubbles” is unbelievably self-realized and there’s no doubt that Beyonce herself would envy the song start to finish. From the placement of vocal flight and the cathartic, heart-opening sonic build, “Bubbles” is a complete thought and is evidence of Bevlove’s inevitable ascent to the next-next level.

Turn up and bow down to Bevlove’s latest below:

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PLAYING DETROIT: Bevlove “Do What I Say”

Playing Detroit

In today’s world, all you need is Bevlove.

Beverly Johnson is Bevlove, Detroit‘s premier pop goddess. She writes. She sings. She’s changing the game. Produced by SYBLYNG and Assemble Sound and directed by Detroit visual wonder-kids The Right Brothers, “Do What I Say” dropped last night at midnight. Relevant both conceptually and sonically, the track proves that Bevlove is more than a breakthrough, she’s a wrecking ball.

“DWIS” acts as a seductive instructional and a warning for future lovers, victims and anyone who dare take on Bevlove on the streets or in the sheets. “DWIS” could easily be the sequel to Rihanna’s “Bitch Better Have my Money”  and the video could be the more sinister, less PG sister to rival girl-gang in Taylor Swift’s “Bad Blood.” The video features some of Detroit’s favorite bad girls following behind leading lady Love with torches and man eating scowls, ready to attack. Flashing to smokey dance scenes and the ultimate pink confetti girl party. Where “DWIS” bares its visual duality is when we see Bevlove in bed with white feathers floating around her lingerie clad angel self, making us believe she is to be trusted. But we know better. Bevlove uses her vocals as a Trojan horse, delivering the lyrics “Such a fucking lady/tonight I’m going to take control.” Her voice breaks into another stratosphere, departing from her hardened hip-hop cadence to reveal ethereal tones and a richness that Beyoncé herself would envy.  The song is perfectly crafted with everything that makes a song raunchy yet radio ready and impossible to shake from your head. The catchy hook, the bass beat and choppy hip-hop delivery is current enough to blend in and original enough to set its own precedent for badass-ery. The video celebrates women and flips the script on sex, desire and not taking shit. Bevlove is a great reminder of why you should get you a girl that can do both.

Watch “Do What I Say” here. Listen to the track below.

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