NEWS ROUNDUP: Black Panther, The Recording Academy & More

  • Black Panther Controversy

    Black Panther doesn’t hit American screens until today, but Kendrick Lamar’s soundtrack for the film is already dominating music news for its star-studded collaborations and a copyright controversy. The album, which will soon be released on vinyl and cassette, features SZA, Vince Staples, the Weeknd, Schoolboy Q, James Blake, and many more. Yesterday, Jay Rock released the video for “King’s Dead,” his Black Panther track with Lamar, Future, and Blake. This latest single follows the debut of lead single “All the Stars” (featuring SZA), which has been the main source of the controversy; the creators behind its video have recently been accused of plagiarizing the work of British-Liberian visual artist Lina Iris Viktor for the clip’s imagery. She and her lawyer say that her painting series, “Constellation,” which features gold patterns and black female figures, was copied for a section of the video. The comparisons do seem too similar to be a coincidence, and in fact, Viktor alleges she was contacted by the “All the Stars” team about using her work but she declined to give permission – not once, but twice. The issue opens up a multi-layered debate about artistic license and usage (remember “Hotline Bling” and James Turrell?). Viktor told the New York Times, “It’s an ethical issue, because what the whole film purports is that it’s about black empowerment, African excellence — that’s the whole concept of the story. And at the same time they’re stealing from African artists.”

    Check out Lina Iris Viktor’s work below and then hit the three-minute mark in the video to compare.

  • Congratulations On Your Efforts… Not!

    In an attempt to make themselves look slightly better, the Recording Academy have given another lackluster response to the lack of female representation at The Grammys. In a letter to members, they present a challenge to USC Annenberg’s findings on gender disparity in the music industry. The study noted that among major categories in the Grammy’s between 2012-2017, only 9.3 percent of nominees were female. The Academy points out that these numbers only included Album of the Year, Record of the Year, Song of the Year, Best New Artist, and Non-Classical Producer of the Year. If you take all of the Grammy categories into account then the percentage of women is a whopping seventeen percent!

  • Other Highlights

    Borns plays Terminal 5 tonight. Beach House released a new song this week; “Lemon Glow” will appear on their next album, which is slated for a springtime release. Frank Ocean also has a new track release, but it’s an oldie. Listen to his cover of “Moon River” below. “Black Kennedy” is the latest from mega-group August Greene (featuring Common, Robert Glasper, and Karriem Riggens). Nick Cave and the Bad Seeds will release a documentary film of a Copenhagen concert. Distant Sky will have a one-time screening around the world on April 12th. The next day, Brazilian Girls will release Let’s Make Love, their first album in a decade! They recently unveiled the video for “Pirates.” The band will embark on a short US tour, starting with Williamsburg Hall of Music on May 5th. Sleigh Bells are staying busy! On Tuesday, they played at Brooklyn Steel. They’ll return to New York in July for opening slots on an upcoming tour with Weezer and the Pixies. The Smashing Pumpkins are celebrating their 30th anniversary with a North American summer tour. Kook Keith’s alter-ego, Dr. Octoagon, is back after more than two decades! He reunites with DJ Qbert and Dan the Automator for the song, “Octagon Octagon.” Zola Jesus and Yves Tumor play an immersive performance at House of Vans next week on February 23rd. On Valentine’s Day, Kanye West reactivated his Instagram account by posting many, many pictures of celebrity couples. He’s since deleted that account and bid farewell to social media again.

NEWS ROUNDUP: #GrammySoMale, The Superbowl, Sh*tholes & More

  • #GrammySoMale

    Despite a bombastic performance from Kendrick Lamar, a rallying #MeToo speech from Janelle Monae, and an incredibly emotional Kesha moment, last Sunday’s Grammys disappointed in a giant way. Hip-hop got shut out from the major categories again (this time by Bruno Mars) and women were all but ignored, claiming only eleven of the 84 trophies. Best new artist winner Alessia Cara was the only solo female to win a Grammy. She beat out SZA, who despite being the most nominated lady of the night, went home empty-handed. In a night filled with multiple appearances from U2, Sting, and Shaggy, many wondered why Lorde (the only female nominee for Album of the Year) did not perform. Following the show it was revealed that the Melodrama artist was never offered a solo slot, only an appearance in a Tom Petty tribute, which she understandably turned down. Asked for comment on the matter, Grammy executive producer Ken Ehrlich told Variety, “We have a box and it gets full. She had a great album. There’s no way we can really deal with everybody.” His idiocy was quickly eclipsed by Recording Academy president, Neil Portnow. When asked about the lack of female representation in the awards, Portnow made the following tone deaf statement:

    “It has to begin with… women who have the creativity in their hearts and souls, who want to be musicians, who want to be engineers, producers, and want to be part of the industry on the executive level… [fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][They need] to step up because I think they would be welcome…”

    Many were not happy with his comments, especially his suggestion for women to “step up.” Pink and Charli XCX were among those that took to Twitter to lambast Portnow; others followed suit by using #GrammySoMale to voice their disapproval. On Thursday, in response, Portnow announced the establishment of a new task force that will investigate gender bias at The Grammys and the Recording Academy. On the same day, music-business lawyer Rosemary Carroll spearheaded a group of female music executives’ call for Portnow step down. In an open letter, the executives state, “Today we are stepping up and stepping in to demand your resignation.”

  • Janet Jackson’s Super Bowl RevengeOn Sunday night, Justin Timberlake returns to the Super Bowl for the halftime performance. The move has prompted many to ask “What about Janet?” It was fourteen years ago that JT and the “Rhythm Nation” singer shocked television audiences when Timberlake revealed Jackson’s breast at the end of their 2004 halftime performance of “Rock Your Body.” While Timberlake’s career has continued to flourish, Jackson was virtually blacklisted from the industry after the event.Though Jackson won’t be present at the Super Bowl, she is finally making her deserved comeback. Coachella organizers Goldenvoice have announced Jackson as one of the the top billers of the 2018 Panorama music festival. From July 27 – 29, she’ll headline along with The Killers, The Weekend, SZA, Father John Misty, St. Vincent, The War on Drugs, Due Lipa, Gucci Mane, Cardi B, The XX, Fleet Foxes, Migos, Odessa, and David Byrne.
  • Speaking of David Byrne…

    Byrne made news for several events this week. The Talking Heads founder is releasing a new album, American Utopia, in March, and yesterday he released a playlist in response to a certain political figure. “The Beautiful Shitholes” is a collection of tracks from the likes of Amadou & Mariam, Orchestra Baobab, and Calle 13. Byrne released the following partial statement along with the playlist:“I assume I don’t have to explain where the shithole reference came from.Here’s a playlist that gives just the smallest sample of the depth and range of creativity that continues to pour out of the countries in Africa and the Caribbean. It is undeniable. Can music help us empathize with its makers?”Read Byrne’s full statement and listen to “The Beautiful Shitholes” here.

  • Other Highlights

    After a couple of years of heavy touring with a live band and the exit of Rhye co-founder Robin Hannibal, Mike Milosh is back with Blood, the follow up to Rhye’s 2013 debut, Woman. “Count To Five” is the first official video off of the sophomore release. Albert Hammond Jr.’s upcoming album, Francis Trouble, is out March 9th via Red Bull Records. On Thursday night he performed new track, “Muted Beatings,” on Conan. Chvrches released a clip this week for fresh single, “Get Out.” The Scottish trio will play Governor’s Ball in NYC on June 3rd. The tracklist for the soundtrack of upcoming Marvel movie Black Panther has been released; Grammy-winning rapper Kendrick Lamar co-produced the soundtrack which features SZA, Khalid, Jorja Smith, Jay Rock, and more. The first single off the album, “Pray For Me,” is out now and features Lamar and The Weekend. The soundtrack drops February 9th. King Krule is asking listeners to submit photos inspired by the cover of his latest album, The Ooz. The collection of pics are being published on a new Instagram account and prizes may be involved. Flatbush Zombies have three new projects in the works. The rappers’ sophomore album, Vacation in Hell is out April 6th, their touring life is chronicled in Building a Ladder, a new documentary out April 2nd, and group member Erick “The Architect” Elliot is releasing Arcstrumentals2 on February 16th. Nas performed his seminal album, Illmatic, with the National Symphony Orchestra. The concert airs on PBS tonite at 9pm. Noughties nostalgia is fulfilled on “Get It,” a new track from Missy Elliot, Kelly Rowland, and Busta Rhymes. The copyright floodgates have been opened! Kanye West and Solange are both being sued by Prince Phillip Mitchell for unsolicited use of his song “If We Can’t Be Lovers.” West sampled the track for 2007 song, “Everything I Am,” Knowles used it in her leaked 2008 release, “Fuck The Industry.”

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NEWS ROUNDUP: The Grammys, New Study on Gender Disparity in Music & More

  • The Grammy Awards

    On Sunday night, the music industry’s most momentous ceremony returns to New York City after ten years in Los Angeles. The 60th Grammy Awards will be held at Madison Square Garden and this year the pressure is on for the Recording Academy to prove that they are still relevant within the cultural zeitgeist. In 2016, Taylor Swift’s 1989 was awarded album of the year over Kendrick Lamar’s To Pimp a Butterfly. The win prompted many, including Frank Ocean, to accuse The Academy of shutting out minorities. In a move that Ocean called his “Colin Kaepernick moment” he declined to submit his seminal sophomore album, Blonde, for 2017 consideration. This action was echoed by Drake who did not enter his immensely popular Views into the competition. A year later, at the 2017 ceremony, a collective “WTF!?” was felt across the music industry yet again when Album of the Year was awarded to Adele’s 25 (herself in disbelief) over Beyoncé’s Lemonade.

    This year, everyone is wondering if the Recording Academy will finally give artists of color the credit they are due. Will trophy wins match the Billboard charts, which have have proven that we are living in the age of hip-hop and R&B? If the nominations are any indication, all signs point to yes. Childish Gambino, Jay-Z, Kendrick Lamar, and Bruno Mars are all up for album of the year (no rapper has ever won the honor). The last time that four non-white artists were included in this category was in 2005. However, we still have to ask, “Where the women at?” Lorde is the single female nominee in the group. In contrast, the 2018 Best New Artist selection bodes well for racial diversity and gender equality. SZA, Khalid, Lil Uzi Vert, Alessia Cara, and Julia Michaels round out that category.

  • Gender Disparity In The Music Industry

    A new study by USC Annenberg’s School for Communication and Journalism has confirmed something we already knew: women are vastly underrepresented in the music industry. To make its conclusion, the study analyzed the gender make-up of songwriters, performers, and producers of top-charting songs on the Billboard Hot 100 charts for a five-year period. From 2012-2017, female songwriters counted for only 12.3 percent of those hits; 22.4 percent of the performers were women. The study found that different veins of gender inequality within the music industry are all linked. It’s a chain reaction – female artists tend to work with female songwriters more than male artists do. Less ladies on stage mean less ladies behind the lyrics. However, the biggest industry disparity is present in the recording studio. Only two-percent of producers credited for the Billboard hits were women. In other words, male producers outnumbered the ladies, forty-nine to one.

    The Annenberg school is hoping that by highlighting these numbers, the music industry will be called to action and put hiring practices in place that are more beneficial to women.

  • RIP Mark E. Smith (March 5, 1957 – January 24, 2018)

    On Wednesday, post-punk legend Mark E. Smith passed away at the age of sixty. As lead singer and founder of The Fall, the Manchester musician was a complicated figure whose immense talent and vitriolic disposition simultaneously captivated and repelled his greatest collaborators & fans. Smith formed the Fall in 1976 after seeing the Sex Pistols in concert. Before his death, he churned out thirty-two records with a rotating cast of band members. Despite a lack of commercial success, the Fall proved to be a defining influence for future generations of punks and indie-rockers. The Fall’s last release New Facts Emerge came out last year.

  • Other Highlights

    According to Prince’s estate adviser, Troy Carter, the world will one day hear new music from the late musician. However, there’s no telling when the unreleased material will be available to the public as it is tied up in legal battles between record labels, Prince’s legal heirs, and his estate. Sir Elton John has announced that he will retire from touring but you still have several years to catch him on the road. The seventy-year-old Rocket Man will bid his farewell by playing three-hundred shows over the next three years. Two pop heavy-hitters gave us videos this week: Lady Gaga released the clip for a piano-centric version of “Joanne” while Justin Timberlake prompted Bon Iver comparisons (and insults) with “Say Something.” JT’s vid is produced and directed by La Blogothèque, the French collective best known for their YouTube performance series, the Take Away shows. The #MeToo movement is quickly making waves in music industry. This week, hip-hop mogul Russell Simmons and rapper Nelly were accused of sexual assault. Simmons has vehemently denied the accusations; Nelly has yet to make a statement.

    The Misfits may be returning to NYC with their original lineup. On January 26, Live Nation tweeted “#ALLHELLSGONNABREAKLOOSE” accompanied by the iconic skull logo in the shape of New Jersey, the band’s home state. Amanda Palmer and Jherek Bischoff paid tribute to the late Dolores O’Riordan by releasing covers of The Cranberries’ hits “No Need To Argue” and “Zombie.” Due to overwhelming demand, indie darlings Haim have added a second Radio City date to their Sister Sister Sister tour. They also released a new video directed by Paul Thomas Anderson. This month has been great for new albums – Hollie Cook, No Age, and Ty Segall all released new material today. No Age will be playing in Brooklyn on May 2.