We’ve been following Mima Good, the alter-ego of NYC-based anti-pop songwriter Raechel Rosen, from the start, covering her debut Good Girl EP and last year’s one-off track “Holly Golightly.” She returns to the ever-evolving project with single “Sad Club...
Priestess is the haunting doom incarnation of Brooklyn-based songwriter Jackie Green. Green straddles worlds as divergent as day and night with a grace that understates her inimitable work ethic, playing music in what little spare time she has entering...
Pharmakon is Margaret Chardiet, a native New Yorker who sprang onto the local underground experimental scene at the tender age of seventeen. That, however, is the only tender thing about this noise project. A founding member of the Red...
Philly four-piece Sheer Mag has returned with their highly anticipated sophomore record, A Distant Call. On it they double down on their infectious take on ’70s arena rock and power pop that they brought to us on previous releases,...
Brooklyn-based singer-songwriter Emily Fehler released her debut record as Gold Child last week, a moniker she adopted upon moving to New York City in 2012. A “self-proclaimed student of country music’s golden age,” she names legends Patsy Cline and...
Like many, I sat down to listen to emerging UK pop artist Mabel’s debut full-length High Expectations with just that, high expectations. The songstress comes from remarkable music industry stock, the daughter of Swedish singer-songwriter and rapper Neneh Cherry...
Bay Area indie artist Tony Molina has always had either foot in two worlds, which is perhaps the only obvious observation one might make about him. He maintains deep ties to the punk and hardcore scenes in which he...
Mima Good is NYC-born and based songwriter Raechel Rosen, whose sound and aesthetic espouses a contemporary pop sensibility with a darker atmosphere of synths, organs and guitars. The result is a moody, soulful sound that somehow calls to mind...
While the concept of personal growth has become more and more ubiquitous – NPR reported last year that millennials spent twice as much as boomers on self-care essentials like workout plans, diet regimens, and therapy – the reasons for...
Among humanity’s more limiting foibles is our perpetual need to categorize, to label, to place things into boxes. I assume this is some leftover remnant of our evolutionary selves, the need to discern who or what is a threat...
If Alvvays’ eponymous first record articulated a quintessentially modern fear of commitment, then newly released follow-up Antisocialites captures the next logical step, which is an ambivalence about it. The Toronto band gained momentum in 2014 with their self-titled debut,...
“It’s not easy, just being human, and the lights and the smoke and screens,” sings Sam Herring on Future Islands’ latest record, The Far Field. It isn’t. Our lives are a sloppy amalgamation of highs and lows, love and...
Hartford emo band Sorority Noise released their third full length record, You’re Not As _____ As You Think, this week. It’s so self-aware it’s like the Scream of emo records. It’s formulaic as far as pop punk records go,...
Below The House is the latest offering of musician Thom Wasluck, who has been recording and performing as Planning For Burial since 2005. Romantic and devastating all at once, the record is about nostalgia and the pain of loss...
DC indie punk band Witch Coast unexpectedly dropped a new EP, Devil Vision, on Friday. Their latest incarnation since 2015’s full length Burnt Out By 3PM, they put this out on vocalist Jon Weiss’s own Babe City Records. Witch...
“Art is inherently political. Art informs politics and politics inform art,” said Priests frontwoman Katie Alice Greer in December when her band played a surprise show at Alphaville in Bushwick. This was post-election, and Greer was comforting a distressed...
