Seattle Listening Party Premiere Interactive 3D Music Video “Find Ur Grind”

Jena Pyle has designed a music video like no other for “Find Ur Grind,” her recent collaboration with Jack Uppling’s solo project, Seattle Listening Party. Beyond writing the lyrical content and singing on the track, Pyle, who is also a professional illustrator and designer, created a fantastical and interactive lofi-meets-vaporwave 3D space in which she, Uppling, and other musicians on the track sing and dance in elaborate outfits designed by artist Janelle Abbott. By clicking and dragging in the frame of the video, listeners can move 360 degrees around a vibrant, cloud-covered room; on the walls, Pyle installed rainbow-arched doorways, realistic metallic flower planters, gold pillars, and several framed screens with performance clips.

The incredibly unique and interactive video is one of several music videos Pyle’s made for her own band, Sundae Crush, and other local bands like Tacocat. But, Pyle concedes, this is perhaps the most complex one she’s ever designed. “I went to school for design, but I taught myself 3D,” Pyle says. “I watched a lot of tutorials on creating a 360 room and a lot of the trainings. There’s a lot that went into it.”

What’s more, while there are a few other 3D videos out there (like the work of Blake Kathryn, one of Pyle’s favorite 3D artists), “Find Ur Grind” is one of the only music videos that uses this technology.

“Jena worked very hard on the video with Izaac Mellow and I love how it turned out,” says Uppling. “I’d never really seen a 360 room video before and I think it’s perfect for the song.”

Sure enough, the upbeat track paired with the original video offers listeners a really fresh and exciting way to experience the music and the concepts “Find Ur Grind” explores.

Pyle’s lyrics describe the hamster wheel of the of “rise and grind” culture, or the capitalistic idea that your value is first and foremost defined by what you can bring others, and bucks against it—mirroring a very real shift Pyle’s been going through in her personal life.

“I just realized I was giving my time to things I didn’t love or things I didn’t think were going to help me grow as a person,” she says. “So I started to really think more about the time that I had and how precious it was and started setting more boundaries with the things that I was going to allow in my life.”

For Uppling, it’s also a symbol of their perseverance with the project during the pandemic. “I haven’t often been very satisfied with the way my songs have turned out in the past, but this one is different,” he admits. “I really appreciate Jena working on this one with me for so long, throughout the pandemic. Receiving new files from Jena in 2020 were extremely helpful in getting me through the year.”

Uppling moved to Seattle from Ann Arbor, Michigan in 2016 with his band The Landmarks. For the next three years, The Landmarks played shows throughout the city, getting to know other artists and bands. But in 2020, when The Landmarks decided to go their separate ways, Uppling continued to make music on his own and set out to work with more talent from the rich community he’d become a part of. Inspired by the mixtape-style collaborations of groups like Gorillaz and Daft Punk, Uppling formed Seattle Listening Party with the intention to stretch himself creatively and collaborate with more local musicians.

“It’s nice to be able to release electronic and modern classical stuff on my own, but I’m mostly excited about working with different vocalists and musicians. This project allowed me to just do whatever and have fun with people,” explains Uppling.

In 2019, Uppling had already written the music for what would become “Find Ur Grind,” but The Landmarks never got around to playing it. In fact, he had five previously-written songs in the vault that he hoped to shop around and record with collaborators.

One of the first collaborators Uppling approached was Pyle, who was immediately drawn to the demo version of “Find Ur Grind” that Uppling had laid down with engineer/producer Dylan Wall (Great Grandpa) and Razor Clam drummer Jess Bierhaus in 2019. Pyle brought her own colorful sensibility to the track, which Uppling says was initially “inspired by coffee, skateboarding and Lisa Simpson.”

With the success of “Find Ur Grind,” Uppling plans to release other tracks as Seattle Listening Party, including one track with artist Tylee Toyoda from The Landmarks/All Star Opera on drums, Abbey Blackwell from Alvvays on bass, and Laja Olaiya and Alyssa Clarke on vocals, as well as another track featuring Lena Farr-Morrissey from Coral Grief. Eventually, Uppling plans to create an EP or LP of these collaborative tracks.

For her part, Pyle is just happy she got to be involved and make the video, a passion project that reflects her intention to protect her time and enjoy herself more.

“I just wanted to create a really fun music video,” she says. “I didn’t want to overthink it. I wanted engage with my friends, [wear] cool outfits, play around and dance around—to just have fun.”

Follow Seattle Listening Party on Instagram for ongoing updates.

Seattle’s Sundae Crush Serve Up Psych-infused Solidarity with “Don’t Give Up” Video

After the year we all just had, it’s completely understandable if you feel like giving up. But with “Don’t Give Up,” Seattle’s Sundae Crush have arrived to offer you another option: How about a therapeutic float through a neon floral wonderland?

In the psychedelic, prairie-inspired video, designed by visual duo The Valdez, band founder Jena Pyle and bassist/vocalist Izaac Mellow are dressed in twee floral and ruffled outfits from a clothing line fittingly titled “Ugly House on the Prairie,” by Seattle-based no-waste clothing designer Janelle Rabbott, (a.k.a. JRAT). Lyrically, Pyle and Mellow offer strength, support and solidarity as they sing, “Don’t give up so soon/You know that I’ve been there.”

“Don’t Give Up” was first penned in 2018 as part of Sundae Crush’s live scoring of Sailor Moon R at Northwest Film Forum’s Puget Soundtrack series. Originally called “Don’t Give Up, Sailor Moon,” this song was written for a scene where the manga princess is feeling extra discouraged. With an effect similar to that of a flick of that legendary moon-shaped wand, the song lends the listener a little self-empowerment magic for the hard times—and that’s exactly what Sundae Crush intended.

“‘Don’t Give Up’ feels like the healing process – the acknowledgment,” says Mellow. “I think about how excited I was when I recorded the bell kit part on that song. I could just feel it in my head; this is going to sound so good and positive and poppy.”

But Sundae Crush’s effusive joy didn’t exactly come naturally. The song—in fact, the whole record—is dedicated to Pyle’s therapist, who has helped her get through difficult times. Released in November 2020 by fresh Seattle label Donut Sounds Record Co., A Real Sensation centers the importance of caring for your mental health, so much so that the band is donating 50% of the sales from first 100 vinyl copies of the LP, as well as 25% of merch sales, to the WA Therapy Fund to support Black healing.

“A lot of the time I was writing songs, it was usually after some sort of conversation that I had with my therapist, so that was a lot of my process for the record, for sure,” says Pyle. “I really wanted to give back in some way [with this album]… so I took the opportunity to donate part of the record to something that would be really helpful. I would really love for therapy to be free in the future, hopefully.”

In 2015, Pyle moved to Seattle from her college town of Denton, Texas, with the dream of Sundae Crush already in her heart. At the time, she had a project called Layer Cake, which nodded to her love of food and the “aesthetics of cute,” two themes she continues to riff on in Sundae Crush.


After a few temporary lineups in 2017-2019, Sundae Crush’s current iteration was born a few years after Pyle’s start in Seattle when she crossed paths with bassist/vocalist Izaac Mellow, guitarist/vocalist Emily Harris, and drummer Dan Shapiro, while out and about at shows in Seattle. Notably, Shapiro got involved with the band shortly after hearing the group perform at a gritty house show, where he endured an awkward Tinder date.

“The Tinder date was not good. I think they left and I was watching the show. They were like, ‘peace,'” remembers Shapiro. “But I saw them for the first time and I had a similar reaction that Izaac had, like this is the best band ever.”

Many Seattleites feel the same way. In fact, Seattle Weekly noted Sundae Crush’s debut EP Crushed as one of the best local albums when it was released in April 2017.

A Real Sensation represents what makes Sundae Crush so sweet, mixing the shimmering sounds of throwback psychedelia and the country authenticity of Pyle’s Texas upbringing for a fresh take on Seattle’s low-maintenance, D.I.Y. rock aesthetic. The video for “Don’t Give Up” dials that aesthetic all the way up – while reminding us all to keep going.

Follow Sundae Crush on Facebook and Instagram for ongoing updates.