AF 2019 IN REVIEW: The Best of Playing Atlanta

Pip the Pansy may change everything you know about pop music.

There’s only one day left in the decade, y’all. Like it or not, 2020 is almost here. Whether you’re ready to send it out with a bang or trying desperately to figure out where the last twenty years went, there’s no denying: the time has flown, and we’re on the cusp of a brand new decade. 

Time to put some serious thought into those New Year/New Decade Resolutions, huh? 

While you’re working on those resolutions — or just trying to detox after a month of nonstop Christmas music — PLAYING ATLANTA is here to offer a break from the jingling and jangling and remind you that not all music insists that it is, in fact, the most wonderful time of the year. 

Full of sultry melodies, blazing rock ’n roll, and enough swampy Southern soul to call forth the dearly departed of Capricorn, FAME, and Stax, PLAYING ATLANTA has been a joy and an ongoing surprise to write. Over the last year, we’ve explored loss, self-love, and life’s long roads, traveled to Colorado with Sam Burchfield, and brought it all the way back home to witness the soul-stirring rock power of The Pinx. 

All of that in a year, too. Who knows what the new decade will sound like. 

And now, without further ado, PLAYING ATLANTA’s Top 10 of 2019:

10. Lesibu Grand // The Legend of Miranda

Atlanta indie-rock group Lesibu Grand, founded by lead singer Tyler-Simone Molton and bassist John Renaud, blends sharp vocals with a Debbie Harry nonchalance, zesty synth, and new-wave-meets-hip-hop prowess to craft a debut EP that sounds like anything but. Weaving introspective lyrics between tracks like “Miranda,” which tells the story of a loveless suburban marriage launched into out-of-this-world adventures following an alien invasion, The Legend of Miranda is a zingy debut by a band who has already made a name for themselves.

9. The Pinx // “Mercy!”

The Pinx rock… and roll, and boogie-woogie all night long, especially in their latest music video, “Mercy!” Shot in the ballroom of a haunted hotel, The Pinx disturb a few guests and draw listeners out of the mundane with each single, music video, and concert.

Featuring the lead vocals and guitar work of Adam McIntyre, lead guitarist and vocalist Chance McColl, bassist Charles Wiles, and drummer Cayce Buttrey, The Pinx takes rock back to its roots and reminds us all of the true meaning of rock ‘n roll: to break down barriers and get everyone dancing.

8. Victoria Blade // Lo-Fi Love Songs

Actress, filmmaker, indie label co-founder, and singer-songwriter Victoria Blade wear a lot of hats, but she wears them with an incomparably jaunty ease. The Brooklynite-via-Chicago-turned-Atlantian has an uncanny ability to craft an EP that listens more like a diary, chronicling the life and love of a creative nomad. Equal parts studied and effortless, good-natured and introspective, Blade blends lo-fi folk with the sweet sensibility of indie pop, resulting in the breath of fresh air that is Lo-Fi Love Songs.

7. Sarah Zúñiga // “Heart of Mine”

Athens-based, New-York-born, Ecuadorian-and-Nicaraguan singer-songwriter Sarah Zúñiga brings an intimate sensibility to her unique brand of alternative folk, blending sharp observation with the textured poeticism of traditional Spanish folk music. When we last checked in with her, she had released her latest single, “Heart of Mine,” gearing up for a few highly anticipated winter releases.

The stop-you-in-your-tracks single was followed by a two-song EP featuring Fish, What Is Love To You, and the single “I Like Knowing You’re Around,” but there’s something about the deeply personal “Heart of Mine” that I love. Tackling the weighty, often indescribable effect anxiety has on the heart, “Heart of Mine” features Zúñiga’s unique vocal styling and showcases her ability as a songwriter and musician.

6. Sam Burchfield // “Colorado”

Sam Burchfield’s wanderlust-inducing, Appalachian-folk inspired single “Colorado” was the perfect track to usher in autumn (and I’m still listening to it now!). Based in Atlanta but born and raised in the foothills of the Blue Ridge Mountains, Burchfield returned to his roots and crafted a stunning ode to the natural world – and the breathtaking beauty of Colorado – with this track.

5. Seersha // “Lecture Me”

Atlanta’s chillest electro-pop artist and producer Seersha – aka Kara Revnes – spent two years crafting her latest release, but it was definitely worth the wait. Her seemingly effortless ability to create ambient soundscapes that are equally driving and oh-so-chill is unrivaled, but it was her onstage presence that drew me in from the start. Calm, subdued, and self-assured on stage, she takes that easy confidence with her into the studio, imbuing each song she writes and produces with her own indelible style.

4. Death Mama // High Strangeness

Blues-rock quartet Death Mama is one of the newest – and loudest – players in the rock scene. Committed to a shroud of mystery that envelops the slinky, smoldering sound, the foursome has already made a name for themselves in the Atlanta area. Following the release of two singles, the group dropped their debut album, High Strangeness, featuring seven tracks as jolting as the band’s name.

3. Sarah and the Safe Word // Red Hot & Holy

Atlanta sextet Sarah and the Safe Word had me hooked before I ever heard their music. Their one-line bio – “Jay Gatsby died, we played the funeral.” – wraps the group in their own brand of the operatic, twisted rock ‘n’ roll ethos. Crafting stories that range from a demon-powered car race in “Formula 666” to the swashbuckling battle on the open sea in “Dead Girls Tell No Tales,” the group manages to create a world that’s as outrageous as it is inclusive, a place for anyone and everyone to join in and enjoy the dark, swinging sounds of the 1920s.

2. Cicada Rhythm // Cecilia

Melodic and unassuming, Cicada Rhythm has a way of subtly blending the sweet simplicity of ’60s and ’70s folk music with the hustle and bustle of 21st century life between the slide of fingers on acoustic guitar strings, the swell of a stand-up bass, and crisp harmonic vocals. Featuring bassist Andrea DeMarcus and guitarist Dave Kirslis, Cicada Rhythm has the most down-home sound of any group I’ve heard this year, perfectly showcased in their take of Simon & Garfunkle’s “Cecilia,” the latest installment in their Stuck in My Head cover series.

1. Pip the Pansy // “Siren Song”

Combining haunting piano melodies with fuzzy synth and driving rhythms – and the occasional flute solo – Pip the Pansy dispels every notion I ever had about pop music and replaces it with a lilting, quirky melodicism. Uniquely creative, she has a way of entrancing listeners with the effortlessness of a Greek siren, weaving a hazy dreamworld of myth, magic, and melody.

With a powerful live show and a brand new EP, Love Legends, Pt. 1Pip the Pansy is proof of the magic of reinvention, a perfect send off into a brand new decade.

 

Keep on rocking, Atlanta – wishing you the happiest of days and a wonderful new year.

PLAYING ATLANTA: Sam Burchfield Reminisces on His Folk Roots with “Colorado”

Photo Credit: Jordana Dale Photography

Autumn is officially underway here in Atlanta, bringing in cooler weather, colorful leaves, and the perfect Appalachian folk-inspired songs to hum while drinking coffee on a crisp morning, thanks to singer-songwriter Sam Burchfield and his latest single, “Colorado.” The wanderlust-inspiring track, set to a delicate backdrop of plucked acoustic and subtle percussion, is dreamy enough to stick in your head for the rest of the day and send you looking for the next flight out west (consider yourself warned).

Sam Burchfield has been a longtime favorite of mine after I was introduced to his music through his wife, Pip the Pansy. Raised in the foothills of the Blue Ridge Mountains in South Carolina, Burchfield was surrounded by the sounds of traditional Appalachian folk and bluegrass from a young age. Years later, he returns to the sounds of his childhood as he reconnects with himself, the natural world, and the people he loves most.

AF: How did you find your way to music? Did you grow up in a musical household, or was there a moment where you heard a song and fell in love with it? Did you ever think you’d be making music as a career, or was it more of a hobby for you?

SB: I started playing guitar and upright bass in fifth grade and just got addicted. My sisters both played music in orchestra so I guess I saw that and thought it was cool. By the time I got to high school, I had put out a few “records” with my garage rock band and had started a pseudo solo career burning CDs for my friends (who were kind enough to buy them). I went to UGA to study Music Business and pretty much had decided it’s what I was doing with my life. That didn’t become a reality until my junior year of college when I started recording my first real release.

AF: How did growing up in the Blue Ridge Mountains and the Appalachian musical tradition influence you as a songwriter? 

SB: If you listen to my catalog for like a second, you will hear a million references to mountains. That’s just sort of who I am. I’m divinely inspired by the natural world and have always felt at home in Southern Appalachia. I grew up going to my Granny’s house near Sylva, NC, where I’d play in the creek and hike and pick blueberries and pretend to be Davy Crockett. I guess a lot of my music is trying to touch those memories in some way. Also, just being around bluegrass and Southern music sort of makes that the norm, which meant that as a kid I was rebelling against Southern traditional music. It’s finally come full circle where I feel more connected to those roots and the raw honesty that the tradition calls on.

AF: What drives you to keep creating music? 

SB: At this point, probably inertia. Writing songs is what I love most, and I want to always be digging for a more powerful, honest, and better song to connect with people.

AF: Who do you consider your greatest inspiration? 

SB: Randy Travis.

AF: Your music toes the line between folky singer-songwriter and more soulful tracks like “Dinner,” released last year. Do you feel more drawn to one or the other? 

SB: I think at the moment I’m more drawn to folk songs. It’s what I’ve been writing and it’s more of who I am at my core. I do like to have some fun and play soulful and funky jams with the band live though.

AF: Do you try to maintain a certain sound or style while writing, or do you follow the voice of each song? 

SB: In the past, I almost tried too hard for my songs to be different, but lately, working on a record has really made me write for the record, which I think is important. Learning to make something a cohesive body of work is an art in and of itself. It’s a way to weave all of the unique voices of songs into a choir. But I generally let the song be discovered rather than having a preconceived sound I’m going for.

AF: What’s your writing and recording process like? Do you write, produce, and record your own music, or do you prefer to collaborate with others?

SB: Lately I’ve been doing it all myself. In the past, I have collaborated in a million different ways, whether with friends, writers, producers, or band members. I prefer to be pretty in control with the occasional feedback from people I trust a lot and who can be honest with me. Writing for me is normally about getting my mind to shut off and shut up and let ideas flow freely. At some point I just have a gut feeling on an idea that needs to be fleshed out. Sometimes that happens instantaneously, or sometimes it’s five years later. Recording is always a bit different. I want to serve the song, so sometimes I track things live on my own or with a band or overdub and layer the pieces together. I try to be present to what feels the best and trust that as much as possible.

AF: You crisscross the country quite a bit! How do your travels influence your writing? Do you tend to write while you’re on the road, or do you save it for the off-season? 

SB: If I am solo driving, I write all the time. I think while I’m driving it’s easier for ideas to flow because I’m just distracted enough to not overthink things. I would say I’m pretty constantly writing or working on some idea in the studio. All the traveling has definitely inspired a lot of my new music, especially seeing some areas of the country I had never seen, like Colorado and Utah.

AF: You’ve released three singles this year: “Blue Ridge June,” “Waking Up,” and “Colorado.” Can you tell us a bit about the songs? What inspired them?

SB:Waking Up” and “Colorado” were inspired by traveling out West, but all of them are about reconnecting with the natural world and each other. I did some soul searching over the past few years and decided that was sort of my musical mission. “Blue Ridge” is about where I grew up and was a co-write with my wife [Pip the Pansy]. Really my favorite co-write ever, I think. She’s a brilliant lyricist and really brought the feeling to life of missing the Blue Ridge and personifying the mountains as a fairy nymph or something.

“Waking Up” was a very old idea that I started probably five years ago, and then after going out west for the first time, I found the inspiration to complete it. It maps out a sort of spiritual/natural awakening. “Colorado” was obviously inspired by Colorado. Pip and I fell in love with that place and have made some incredible friends there. It was another sort of co-write with her, and originally we just had the verses with nothing else. [I] loved the verse melody so much that I couldn’t put a chorus to it, until one night at like 4 am I was working on it and came up with my first one-word chorus: “Colorado.”

AF: You and your wife, Pip the Pansy, are both incredibly talented musicians and songwriters! How do you influence each other? Do you collaborate often? 

SB: We definitely collaborate. We don’t often do it intentionally; it’s more of just a passing thing since we are around each other all the time. I did help write and record her latest project with our buddy Caleb Hawley in NYC, which was a cool week of collaboration. I like to think that we keep each other grounded and hopefully keep each other true to ourselves. That’s such a hard thing to maintain, so it’s awesome to have a very talented partner who can give me honest feedback on my songs but also on my heart.

AF: What’s been your favorite experience as a husband and wife creative duo?

SB: Specifically in the creative realm? We really do love to travel together so it’s awesome when music takes us to beautiful new places. Star-gazing in the Utah desert was certainly a highlight.

AF: You are such a huge player in the Atlanta music scene; what’s it been like to be a part of as it has grown and changed? Do you ever miss the way it used to be? 

SB: I’m not sure I can really speak to how it is changing – I think it’s an awesome community of people and it’s still trying to figure out what it is as a “scene.” Smaller towns I think have it easier in a way; it’s more of a natural local scene in a place like Athens. Atlanta is a bunch of scenes all swirling around each other and intermingling, which has pros and cons I’m sure.

AF: What’s been your favorite performance in the city? Do you have a dream venue you’d like to play? 

SB: Favorite performance in Atlanta was probably my first time selling out Eddie’s Attic. I’d be incredibly pumped to play any legendary music venue; Red Rocks would be towards the top of that list, but I really am enjoying the cozy intimate rooms that I get to perform in now too. Something about a small space really changes how you can connect with folks, and I’m trying to fully appreciate that while I get to do it!

AF: Last one! Is there a new Sam Burchfield album coming soon? 

SB: Yes! There is. Still finishing it up as we speak. But my new record Graveyard Flower should be out soon.

Follow Sam Burchfield on Facebook and stream “Colorado” on Spotify now.