Tag: Bad Credit No Credit

RSVP HERE: Shadow Monster live streams via The Footlight + MORE

Welcome to our weekly show recommendation column RSVP HERE. Due to live show cancellations we will be covering virtual live music events and festivals.

Photo Credit: Michelle LoBianco / @brooklynelitist

Shadow Monster is the solo project of Gillian Visco, a staple of the Brooklyn music scene since 2007, having  played in bands including Photon Dynamo and the Shiny Pieces and The Glitch. Since 2012 Gillian has played solo under the Shadow Monster moniker, writing introspective tunes until she paired up with drummer John Swanson (also of Sic Tic and The Glitch) in 2017, evolving their sound to heavier, moody (yet minimal) grunge. Shadow Monster is an exercise in exploring your shadow side and exorcising inner demons through songwriting. Their debut record Punching Bag was released in October 2019 via Dadstache Records, they played a ton of shows in 2019, and had plans to tour to SXSW this year (which were unfortunately canceled due to Covid-19). You can still see Gillian of Shadow Monster from the comfort of your quarantine on Saturday, playing a solo set live streamed from The Footlight Instagram alongside sets by Nathan Xander, and Kiril of Bears. We chatted with Gillian about her quarantine routine, the effects of isolation on her creative process, and what to expect from her live stream performance.

AF: You’ve been in NYC since 2007, and I’m sure have seen it change a lot. Have the changes in NYC affected how you’ve written music and performed over the years?

SM: It’s true – New York is always morphing and venues that I thought would be here forever are already gone. I tend to be a nostalgia-hoarder, so the art of letting go has been the most valuable lesson I’ve learned while living and playing music here. When you strangle the past like it’s the best thing that’s ever going to happen to you, you leave no room for the unexpected. The years I played solo I wrote quiet fingerpicking songs, and now I thrash around onstage and scream. But the root of it remains the same. I think an artist’s entire career is like chasing after something you remember vaguely from a dream. Maybe we never get it perfect – but perhaps the value lies in the passion for going after it at all. New York has taught me that patient joy in reveling in the rollercoaster and allowing myself to evolve into the most authentic version of the artist I am at this moment in time.

AF: What was the process for writing and recording your debut album Punching Bag?

SM: The songs on Punching Bag were written over a two year period while I was dealing with a bad breakup. I lost myself in a cave of turmoil and felt completely disconnected to the world around me. John Swanson started playing drums with me in the summer of 2017. Playing shows and arranging these songs with John was the main thing that pulled me out of the dark place I was writing them from. In March of 2018 I lost my job and we decided to spend every day working on getting our best seven songs recorded. We recorded everything on our own in John’s room and once finished, we brought the tracks to Brian Speaker at Speakersonic where they were mixed and mastered.

AF: Do you have a quarantine routine? What albums, movies, and shows have you been getting into?

SM: The first thing I do every morning since I’ve been in quarantine is try to get out of bed. This usually takes around an hour… It’s a habit I’m going to break… next week. So after I climb that mountain, I start my day by having a coffee, watching some news, drinking lemon water and meditating. I meditate before bed too. I find it’s a really great way to bookend the day, especially during times of high stress and anxiety. I’m a Virgo so naturally I have an ongoing list of things I’d like to accomplish during this time at home. Something that has stuck is a quarantine art series I’ve been posting on Instagram featuring a character I call NoName. I normally never have much time to devote to visual art so I’m just diving in head first now. Drawing is great for anxiety.

Shows I’m watching: Tiger King, Sex Education, High Fidelity, Preacher, 30 Rock

Shows on my list: The Sopranos, Sons of Anarchy, Dexter

AF: Has being in quarantine helped or hindered your creative process?

SM: Being in quarantine has been interesting to navigate creatively. There’s a whole aspect of my personality that loves being locked in my room, working for hours on a song, writing poetry, playing records, lighting candles, enjoying my space. But then there’s this other half of me that loves people and music and loud bars and dancing and staying out too late and escaping the confines of my mind. I’m figuring out how to adapt. We have essentially lost our social life so everything feels a bit off-balance to me. But feeling off is a great place to make art from. It’s the cabin in the woods trip I always talk about taking. And I don’t even need to pack.

AF: What’s your livestream set going to be like?

SM: I’m super excited to do a livestream show on Saturday through The Footlight’s Instagram page. I’ve done a couple of livestream sets over the past two weeks, (000ze.digital, Left Bank Magazine, Bands Do BK) but this one is going to be a longer set. I plan to give a couple brand new songs a shot that I’ve written during quarantine. I’ll play some songs from our album, and I’m working on a cover. I’m implementing a drinking game in the set too. Get your quarantine drink of choice ready and bring your pets.

AF: What is the first thing you’d like to do if and when everything goes back to normal?

SM: I WANNA GO TO A SHOW. So bad. So so bad.

RSVP HERE for Gillian of Shadow Monster, Nathan Xander, and Kiril of Bears livestream on The Footlight’s Instagram 8PM EST. Every Thursday, Friday, and Saturday tune into to their page for an hour long show. Donations accepted through the link in their bio to help support the artists and the staff of The Footlight. 

More great live streams this week…

4/3 Big Freedia via Facebook. 9pm est, RSVP HERE

4/3  Rick from Pile via Instagram. 8pm est, RSVP HERE

4/3 Francie Moon, Moon Bandits, Tejon Street Corner Thieves live stream via Coping with Dystopia Instagram. 6pm EST RSVP HERE

4/4 Cam Tony (Mac Demarco) via BABYtv. 8-10pm EST $5-50 RSVP HERE

 

4/4 25 Hour Comedy Fest via Socially Distant Improv Instagram. 11am EST RSVP HERE

4/5 Carrie Anne Murphy of Clapperclaw, Huh, Bad Credit No Credit, and The Sundae Fantastique show will be live streaming every night at midnight EST. RSVP HERE

4/5 Sunday Silent Film: Salome w/ live accordion music via YouTube. 2:30pm EST RSVP HERE

4/8 Sondre Lerche via Facebook. noon est RSVP HERE

4/9 Dolly Parton bedtime story live stream via YouTube. 7pm est, RSVP HERE

Daily: Lauren Ruth Ward coffee chat via Instagram. noon-3pm pst, RSVP HERE

LIVE REVIEW: Not Blood Paint/Bad Credit No Credit

Not Blood Paint live

not blood paint

 

A friend of mine has been nagging me to see Not Blood Paint almost every week for the past two months.  She lured me in with stories of their famously dramatic shows and musical dexterity.  Apparently its members have a background in theater and performance, which was nothing less than obvious the night of their show at Shea Stadium last week.  The foursome mounted the stage in greenish-gold face paint, leggings, and spray-painted tunics. Their look fell somewhere between Spinal Tap and cheap costumes for people dressing as “Satan Worshippers.”  I was skeptical of this display immediately.

Oh, here we go, some theater kids.  Just like the ones in high school who greeted every morning with a star jump and vocal exercises.  Great…  I watched with a raised eyebrow for the first few songs, confused about my feelings over what was transpiring on stage, and then I realized something: they’re fucking incredible musicians.

Truly, every single one of them is a master of their instrument.  I would be fawning over the guitar licks until I noticed the precision of the drum parts, and eventually I’d stumble all over the bass riffs.  On top of that, they can do perfect barbershop quartet style harmonies, and stretch their vocal range to that of Steve Perry.

I had heard a handful of their tracks prior but could never pinpoint their style.  Every song I listened to sounded different from the last, yet all sounded familiar at the same time.  I say this because Not Blood Paint is not a genre-defining band.  Their musical roots clearly lie in early metal, glam rock, prog rock and jazz.  Yet what they lack in innovation they make up for in pure craft, passion, and sense of humor.  Some of their live performance stunts can get a little gimmicky, but they’re the kind of guys who just like having fun and don’t give a shit what pesky writers like me say, so more power to ‘em.  They certainly know what they’re doing and I’d love to see them again.

The headlining band, Bad Credit No Credit fell under a similar category as Not Blood Paint. While the music itself was different from their predecessors’–they played their own brand of ‘90s revival ska, punk, and jazz–their set was no less theatrical, and gimmicky.  And again, despite the Christmas costumes and backup dancers, Bad Credit No Credit are a pack of damn fine musicians.  I could listen to the horn section alone and be happy.  Throw in Carrie-Ann Murphy’s Sax ‘blowin and phenomenal vocals (she must be operatically trained) and you have a pretty impressive bunch.

It was a fun show regardless of any nitpicking I’ve committed.  The crowd was dancing hard, and everyone was happy.

Just as a last nod to the overwhelming talent of Not Blood Paint, here’s a round of applause for their diversity as musicians.  Check out the difference between this:

And this:

Pretty damn impressive if you ask me.

[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”]
[retweet]

[/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]