ONLY NOISE: A Femme’s Guide To Northside

The first step is acceptance: you can’t see it all. It’s just not possible. The second step is showing up. But there are many more steps to doing Northside Festival right – and I don’t mean right as opposed to wrong – I simply mean having fun, staying hydrated, and not passing out from a sudden drop in your blood sugar. Take it from someone who makes a living overbooking herself at events like these (I once thought I could manage seeing six shows in one night at CMJ… after working from 9-6).

With over 350 bands playing in four days, it’s so easy to get overwhelmed, stressed, and eventually hammered with buddies to calm your nerves; the next thing you know, you missed that New Zealand artist you’ve been waiting to see for two years, who probably won’t return for yet another two years.

Sure, going to a festival like Northside is fun – but it also takes physical and emotional stamina, focus, comfy shoes, a robust bladder (or a willingness to pee in public,) and so much more. Because I can’t physically deliver care packages with tiny water bottles and snack-size packages of Goldfish to every single one of you (though I wish I could), I give you my tips for staying alert, alive, and having fun during this four-day music extravaganza.

1) Make a Plan.

First thing’s first: make a list of ALL the bands you want to see at Northside. Now chop that list in half. Now chop that list in half. If you don’t work during the days, my guess is you can swing between four and six shows a day. If, like me, you have a 9-5, it might be wise to stick to a 3-show maximum per night to stave off utter exhaustion. Got your list? Good. Now go to Google Maps. Make a route for each day of the festival; your chronological trajectory following the set times and venue locations. Obviously you can do this on your phone, but if you’re a luddite such as myself, you can print your map out, and draw on it like a treasure-hunting pirate, or disturbed toddler. (I KNOW I can just use the Google Maps app on my handheld talky computer, ok? I just like carrying paper!)

Whether you are in touch with touchscreen technology, or like pretending you’re Indiana Jones on a quest for the Holy Grail, getting your coordinates down and planning a path will definitely help you maximize the gigs you see.

2) Bring snacks.

Unless you like spending unnecessary cash on overpriced food truck items, or enjoy nearly fainting/murdering someone due to low blood sugar, I highly advise you stow away some treats in your tiny backpack. If you’re traveling sans purse, get creatively invasive with your undergarments – you’d be amazed at the places you can hide a Kind Bar. But seriously – you’re going to be out and about for HOURS. You will have more fun and be more fun if your caloric intake is on point.

3) Hydrate.

Not exclusively with beer. This one’s trickier as venues typically don’t let you bring water bottles inside. Fortunately most clubs/bars will give you tap water (and sometimes sparkle water) for free. Of course you could spend $4 on bottled water, but I’d rather cup my hands under the bathroom sink faucet and lap up H20 like a dog – an activity that will never be below me.

4) Dehydrate.

People say “Brooklyn has changed” and that you can tell “Brooklyn has changed” due to all the high-rises rising, strollers rolling, and music venues morphing into Dunkin’ Donuts and fancy gyms. But I say that the big indication for “Brooklyn changing” is that you used to be able to pee anywhere in public. I don’t mean to be crass, though I do enjoy public urination more than most people. (What? I grew up camping!) But regardless of my territorial complex, peeing in the street is a simple matter of necessity most of the time – especially during an event like Northside, when so many gigs are outdoors and have meager toilet offerings. So, if you’re doing a good job hydrating, but have a squirrel-sized bladder like me, squat in those dark, tucked away hedges; that spot behind that dumpster, between a couple SUVs, next to a traffic cone, etc. You can even invest in one of these bad boys, which helps you aim your stream like a dude.

5) Go solo.

For most people, festivals (or concerts in general) are social occasions – a time for you and a pack of pals to gallivant in shorts, meet hotties, and dance. That’s all well and good, but if you’ve never seen a show stag, I assure you you’re missing out. Fellow music journalists are used to seeing concerts alone. I have seen far more gigs solo than with friends, and while a lot of people seem to find that sad (“you’re SO brave!” they say), I must admit: it’s fucking awesome. And it’s fucking awesome for a bunch of reasons. For example:

  • You don’t have to stress about whether or not your plus one is enjoying the music or themselves – because you are your own plus one.
  • You (or at least I) tend to drink less alone, which means you spend less money!
  • You actually meet new people.
  • You pay way more attention to the music, because no one is chatting in your ear, or complaining, or asking you to hold their shit while they go to the bathroom.
  • You get to leave whenever the fuck you want.
  • You get to do whatever the fuck you want.

6) If you are feeling social, take up smoking.

I consider smokers to be one of the last unified social groups in our heterogeneous culture. Their blood runs thick – probably because smoking increases plaque build-up in blood vessels – but that’s not the point! Ok, ok, I’m not actually recommending that anybody start smoking, but if you already do it, leverage it as a way to meet people at shows! Maybe you are an ace in social situations, and don’t need the quintessential human prop (the cigarette) to help you strike up a convo. But if you are painfully shy like me and terrified of approaching people you don’t know, the best thing you can do is ask for a light. For example: “Hey, do have a light by chance? Thank you. DO YOU WANT TO BE FRIENDS?!”

7) Put your phone down.

No one wants to watch the show through your iPhone screen as you carefully direct the cinematography of your Instagram story. Just put it down and enjoy the music analog style. #Lo-fi.

8) If you can, buy a record from the merch table.

Smaller touring bands make most of their dough on the road playing gigs and selling merch. When you by an album, or a t-shirt, or a beer coozie, that $20 is going straight to starving artists, as opposed to the $0.00001 they get from a Spotify click.

9) Wear comfy ass shoes.

If Larry David can make it look cool, so can you. You’re literally going to be on your feet ALL day and night. Don’t make your feet and lower back hate you.

10) Bring a book.

While I do a lot of going to shows, I also do a lot of waiting for shows to start. I don’t know what the hell I would do if I didn’t have reading material on me at all times. I’d probably have to…talk to people!

PREVIEW: 10+ Must-See Bands @ Northside Festival

Summer doesn’t officially start until June 21st, but in Brooklyn, the informal kick-off feels more like the first week of June thanks to the annual Northside Festival. Growing exponentially since its inception in 2009, Northside provides sensory overload in the best way possible, with hundreds of bands playing intimate showcases in various venues stretching from Williamsburg up to Greenpoint and out toward Bushwick’s borders. But in order to make your hunt for great live music a little easier, here are a few of our concert picks for the upcoming long weekend! See you on the dance floor (or in the mosh pit).

Thursday, June 8th

Kamasi Washington, 7:30 pm @McCarren Park

The renowned jazz saxophonist, producer, composer, and bandleader will take the stage at McCarren Park on Thursday night. Sandwiched on a killer bill between openers Jay Som and headliners Dirty Projectors, Washington might melt your face off with his searing tenor sax. If that scorching woodwind sounds familiar, it’s because he’s played with the likes of Kendrick Lamar (To Pimp A Butterfly, DAMN), Thundercat, and Ryan Adams. — Madison Bloom

Aldous Harding, 9:30 pm @Park Church Co-op

If this goth-folk New Zealander doesn’t bewitch you with her stunning voice, we don’t know what will. Aldous Harding recently released her sophomore LP Party, and its mournful hymns will surely become all the more staggering within the high ceilings of the Park Church Co-op (she also plays Baby’s All Right on Saturday). Saps beware: you may want to bring Kleenex. — Madison Bloom

No Joy, 10 pm @Knitting Factory Brooklyn

We’ve long admired shoegazey shredders No Joy, who released their four-track CREEP EP this February. They don’t just bank on head-banging distortion (though the dual guitarists’ hypnotizing ripples of blonde hair prove there’s plenty of that), deftly deploying well-crafted hooks with every ferocious track. They headline a bill featuring chilled-out Dutch power pop from Amber Arcades (fans of Camera Obscura or Still Corners take note) and Eartheater, the solo project of multi-instrunentalist Alexandra Drewchin that has to be seen to be believed (vacuum cleaners are often part of the show). — Lindsey Rhoades

Shilpa Ray, 11 pm @Sunnyvale

A harmonium-wielding heir to Patti Smith, Shilpa Ray is no one to be trifled with. Her snarl alone makes for a compelling live performance – but when it’s paired with heartbreaking melodies and the occasional pedal steel, you really feel like you’re in the presence of the rarest and rawest of performers. — Madison Bloom

Friday, June 9th

William Basinski, 9 pm @National Sawdust

If you’re looking to hear something atmospheric, experimental, or just downright gorgeous, pop by National Sawdust for a set by composer and multi-instrumentalist William Basinski. Basinski is perhaps best known for his collections of dissolving tape loops entitled The Disintegration Tapes, and his contemporary work is very in keeping with that hypnotic, cyclical aesthetic. If you’d like to be lulled into a tranquil dream state, don’t miss this set! — Madison Bloom

Yvette, 11:45 pm @Terra Firma

Conversely, if you are absolutely not trying to chill out at Northside, and prefer to move your bod a bit more brashly, get thee to Terra Firma, where local noise duo Yvette will rev you up. This band is a must-see for anyone into distortion, shouting, and infectious, driving drum rhythms. — Madison Bloom

Big Thief, 11 pm @Rough Trade

It’s hard to follow up a breakout debut, especially when it’s named Masterpiece. But Brooklyn band Big Thief aim to do just that with Capacity, which happens to drop the same day they take the stage at Rough Trade for a Northside appearance (they’re also playing Saturday at Park Church Co-op). Lead vocalist Adrianne Lenker is easily one of the best lyricists we’ve come across in recent years, her sweet voice often breaking into a raw moan as her bandmates’ backup fury blooms. — Lindsey Rhoades

Flock of Dimes, 1am @Baby’s All Right

We’re sort of obsessed with Jenn Wasner, whose soaring vocals first made our hearts pound as one half of Baltimore-based duo Wye Oak. Now relocated to North Carolina (after a tip from her pals in Sylvan Esso), Wasner’s still one of the hardest working women in indie rock. Last September, she released If You See Me, Say Yes, the debut LP from her solo electropop project Flock of Dimes. If you can stay awake long enough for the late show at Baby’s, definitely say yes to seeing Wasner live. — Lindsey Rhoades 

Saturday, June 10th

Timber Timbre, 10pm @Music Hall of Williamsburg

Riding in on the brilliance of their new record Sincerely, Future Pollution, Timber Timbre are likely to knock your socks off on Saturday night. Expect spooky, swampy, synth-washed blues atmospheric and elegant enough to soundtrack the new Twin Peaks— Madison Bloom

Nightspace, 10 pm @Vital Joint

There’s a nebulous quality that the name Nightspace implies – one of liminality, of dissolution, of suspended time and identity. It’s appropriate then, that queer artist of color Bailey Skye would adopt such a moniker to create their glimmering electronic darkwave debut Birth/Decay. Beautiful and surreal, these six tracks offer throbbing post-gender post-punk that’s unlike anything else you’ll hear at Northside. — Lindsey Rhoades

Audiofemme Showcase, 12:15 pm @Knitting Factory Brooklyn

Come hang out with us and listen to some of our favorite new artists! We’re co-hosting an awesome, five-hour daytime showcase with Glamglare featuring Blonde Maze, Gold Child, Letters to Nepal, Kinder Than Wolves, GIRL SKIN, and Josh Jacobson – you can read more about these artists here. Sets start at 12:15, so come say hi and hear some mind-blowing music!

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EVENT PREVIEW: AudioFemme Holiday Show

Audiofemme Holiday Flyer

Join us this Wednesday, 12/21 for the annual AudioFemme holiday party! As well as live music and drinks, there’ll be stickers, Xmas cookies, your favorite Femmes and a killer afterparty.

We’ll see you at Union Pool at 8pm.  Doors are at 8pm, the show starts at 9pm and tickets are $10; Purchase them in advance and RSVP here so we’ll know you’re coming! The party will feature live performances by:

  • Gold Child: Created by Brooklyn musician Emily Fehler, Gold Child injects a burst of energy and melodic sweetness into country music, updating the genre by mixing it with psych-folk elements. Listen to their debut single, “Tides,” below.

  • Von SellDavid Von Sell is an electro-pop artist originally from Berlin. He crafts mellow yet interesting tracks draped in layers of reverb heavy vocals that range from shimmery and upbeat to bittersweet and atmospheric. Check out his track “Miss Me” below:

After the live performances, the after party begins at 11pm with DJ sets by:

  • BEARCAT:   BEARCAT is a multidisciplinary artist whose music reaches into her Jamaican roots and time spent making dance floors shake in all corners of the world. Check out “Radar 111,” an invigorating blend of heavy rhythms.

  • SHYBOIThis DJ’s sets are bursting with barely-contained energy, making Yulan Grant a critical addition to the all-women NYC DJ collective known as Discwoman. Her songs will keep you on your toes, both literally and figuratively.

FESTIVAL PREVIEW: Basilica SoundScape 2016

bas

Basilica Hudson is a “non-profit multidisciplinary arts center” in Hudson, NY that supports “the creation, production and presentation of arts and culture while fostering sustainable community.” They’re also throwing a killer music festival September 16-18, called Basilica SoundScape.

Wow, that sounds great! You’re probably thinking. But I have so many questions! Of course. Like, will there be after parties? Yes, at the nearby Half Moon barHow do I get to this Hudson Place? It’s two hours from NYC, by rail or car. Where will I stay? There’s camping nearby! And hotels. What else do they have besides music? Friday and Saturday pop-up shops, including one by Sacred Bones Records. How much does this cost? $75 covers a ticket for the weekend music festivities, $125 for the weekend + camping. Single day passes are also available. But let’s get to the most important question: Who’s playing at this thing?

Angel Olsen – Friday 

Angel Olsen’s new material from her upcoming My Woman is a bright and bold reinvention of this folk singer’s persona. “Shut Up Kiss Me” and “Intern” have shown a wilder and playfully sardonic side of Olsen, making her an act you won’t want to miss.

Bell Witch – Saturday

The Seattle duo is a gloomy, atmospheric doom band that brings a unique approach to metal. Using just drums, bass and, vocals, their sound is eerie and minimalistic. You might not get much head thrashing done during their set; if that’s your scene, just check out Cobalt on Friday.

Mary Lattimore- Friday

At The Dam, the harpist’s May 2016 album, creates its own little world with gentle, twinkling melodies that is delightfully easy to get lost in. If you camp at Basilica SoundScape, hopefully it will be much harder to lose your campsite.

Explosions In The Sky – Saturday

Bringing your dose of moody rock is Explosions In The Sky, scheduled to play on Saturday. Obviously, the nature friendly festival is the best place for them to play their latest album, The Wilderness. SoundScape’s organizers have described its lineup as “heavy,” and Explosions In The Sky is an ideal band to balance things out.

Deradoorian – Saturday

Angel Deradoorian is a former member of Dirty Projectors who has started a psychedelic solo project under her last name. A year ago, her Expanding Flower took us on quite a strange trip; read the review here.

ARTIST INTERVIEW + SHOW PREVIEW: Bill Callahan

Bill Callahan

There are certain voices that stab straight through you and assert their place in your life immediately. Bill Callahan wields such a voice. From the first second it struck me I knew it would be with me forever-like a well-won scar. Admittedly, this scar isn’t very old-I only heard of Callahan on my 26th birthday, which was not all that long ago. So wasn’t it just my luck when after months of pouring over his massive catalogue as both Bill Callahan and as Smog, I should find that the tall-drink-of-sorrow himself is playing six gigs over a three day residency at Baby’s All Right?

Hallelujah.

I had the pleasure of catching up with Bill over email to talk about joy, rap, and epitaphs.

AudioFemme: You’ve been doing this for quite some time now-at this point in your career, what aspect of your work brings you the most joy?

Bill Callahan: Probably starting a new song. It’s like morning full of promise. It’s like a guarantee of rich full days ahead of self-satisfaction, group interaction, performance, etc.

I understand you’re a big hip hop fan-any contemporary rappers lighting your fire these days?

I like some of the fucked up stuff like Young Thug, Future. Whoever does that song, “Baking Soda, I got Baking Soda.”

It seems that in the past, motion was very important to you; the idea of constantly moving forward and being on tour has surfaced lyrically as well as in interviews. How do you reconcile the contrast of perpetual motion and settling down now that you’ve found a home in Austin?

It’s more a state of mind and a perspective than necessarily physically moving great distances. There is a time of gathering experience, that was my youth — after that you can be a little more still and just live what you learned. It’s like Willie says, “Still is still moving to me.”

On the subject of home, what is something that makes you feel instantly at home, at peace?

My wife. My nylon string guitar if that’s all I got to hold on to. Bob Odenkirk as Jimmy McGill.

We currently live in a culture where music is ubiquitous-people utilize it as background noise, to make people shop more, to pump themselves up at the gym, etc. In what setting, or at least, state of mind, do you hope people listen to your work?

Whenever they feel they need it, I guess. And I hope they feel they made the right choice. I recently re-recorded some songs from Apocalypse to be a 12” that goes along with the early copies of the Apocalypse Tour Film DVD that’s coming out on Factory 25. Listening to those mixes in my car, especially One Fine Morning just felt so, dare I say, perfect.

The two things seemed to need each other — the music and the scenery needed each other.

What have you been listening to lately, and in what setting do you like to listen?

I have a stereo set up and pointing at a particular chair at the kitchen table. I sit in that particular chair and listen to records. It’s kind of like a musical meal. Been listening to Carly Simon and the Bee Gee’s a lot lately.

Are you someone who feels at odds with your own era? Or in sync with it?

I believe I’m in sync with it. Because I am nothing special. I’m not an iconoclast or a freak. I’m a product of my era.

What moves you to write songs?

Knowing that humans need more good songs. I might as well try give some out.

I always like hearing established artists’ opinions on longevity. You’ve clearly withstood the test of time as a songwriter and performer, but do you feel that longevity is a viable goal for up-and-coming musicians? Is a steady career possible with such high turnover rates, saturated markets and the ease of piracy?

I can envision an awful future of corporate owned music production and distribution. Then maybe 70, 80 years down the line we’re going to break up into tribes again. And make great music again. And some of the tribes won’t make music at all. I’ve been oblivious to the music industry from day one. I always just do what makes sense to me. Mostly. Sometimes I’ll do something that doesn’t feel right if there’s someone I love and trust urging me to do it. I’ll do it for them as a concession. But I’m usually right in the end! I got into music to make a living, it’s the profession I chose or it chose me. These days I would say if you feel it’s not viable then you’re a fool to start up with it. If it doesn’t feel viable to you then do something else that feels viable. I’m not saying you should only do it if you’re immediately making money at it. Struggle is good. As long as there’s a light at the end. The longevity really comes from within. It’s not “the times” or “the state of things.” If you have the longevity in you then you’ll have longevity.

Words seem to hold high importance for you. At the risk of sounding too morbid, and assuming you would even bother with one, what words would grace your headstone?  If that’s too heavy for a weekday-how ‘bout a vanity plate instead?

Loving Husband, Father and Three Pump Chump.

Be sure to catch one of Bill’s sets with Sunwatchers in the next couple of days. I’ll be there somewhere, slow dancing alone.

6/26 @ Baby’s All Right, 6pm

6/26 @ Baby’s All Right, 9pm

6/27 @ Baby’s All Right, 6pm

6/27 @ Baby’s All Right, 9pm

6/28 @ Baby’s All Right, 6pm

6/28 @ Baby’s All Right, 9pm

 

INTERVIEW: A Chat with Grrrl Fest Organizers

Here at AudioFemme, we’re all about making spaces for women in the music industry, whether that’s as music makers or behind the scenes – booking and promoting shows, running sound, shooting bands, and, of course, bringing you top-notch journalism reviews. So we got super excited when we found out about Grrrl Fest, a day-long celebration of women in the creative arts. Organized by an inspiring group of young feminists, it features performances from a dozen or so up-and-coming bands that feature female musicians, short films, spoken word performances, zine-writing workshops, button making, a book sale and a silent auction, and that’s to say nothing of getting your tarot cards read and covering yourself in “glitter tattoos.” Not only are we pumped for Grrrl Fest to take over Silent Barn on June 14th, we were also so impressed with the scope of the event that we just had to learn more from two of its organizers, Ebun Nazon-Power and Bridget Malloy.

grrrlfestposter

AudioFemme: In your words, what is the mission of Grrrl Fest?

Ebun Nazon-Power: Grrrl Fest is about supporting and empowering females (girls and women and anyone who identifies as such) in whatever it is that they do. However, Grrrl Fest is mainly focused on the creative fields such as music, bands, dance, spoken word and art. I think our mission is to reveal to all those young women out there that it is totally okay to be creative and self-expressive in an environment where people (not just females) are being supportive and helpful. We wanted to show girls that there is no one way of being a feminist–there are tons of different kinds and ways. So being in a place where people are coming from all over the city and elsewhere and are all about equality and feminism, it can be a life changing experience and hopefully have a positive effect.

AF: Who makes up the core group of organizers? How do you work together to organize the event?

Ebun: The “core” group I guess would be myself and my other classmates: Christopher Gambino, Savannah Galvin, and Clare Burden, Esme Ahsley-White, Abbie Hornburg and of course my art teacher Bridget Malloy. However, we have plenty of volunteers from different schools who are working with us. The core group organizes at The Beacon School and all the other volunteers are organized through social media like Facebook.

AF: How long have you been doing this?

Ebun: This is the very first year that we are doing this. We honestly began this enormous project like two months ago!!

AF: What inspired you to put Grrrl Fest together?

Bridget Malloy: Some students and I were hanging out in the art room during a free period and Ebun put on her band T-Rextasy. It was such a cool sound. It reminded me of some of the 90’s girl bands. At the same time, I was looking at Savannah’s artwork on the wall. It was this really cool text piece. It reminded me of writing on a bathroom wall. So then somewhere along the way I said, “We should do a ‘Girl Fest!’” Next thing you know we are planning, making calls, getting sponsors and the rest is history. People got right on board too. It was really great how it all just formed so naturally. It really felt like it was the right time for something like this and that many people wanted to see it happen.

AF: You’ve got tons of performers scheduled. What did you look for in terms of artists who you wanted to book?

Ebun: In terms of artists, we automatically knew who was going to play – She Monster, Petal War, and T-Rextasy (in fact, they were kind of the main reason grrrl fest started) which are all teenage girl bands. And then a lot of the people volunteering had some other artists they knew of that could possibly play. We also held auditions at The Beacon School for anyone who wanted to perform whether it be spoken word, dance, or music. We of course wanted mostly female artists, but since Grrrl Fest is not about excluding anybody, we also had several males in mind that were really excited to get involved such as Granted, Yabadum, The Backup Sticks, and Shemp. The only requirement is that every band performing has to do a cover of a female musician/band. We are really excited about this!

Bridget: Petal War, an all-girl band with some of the members being Beacon students and Willie Mae members, had played a show at SXSW and it just seemed like the right time to support all of these amazing young women!

AF: Besides great music, what else will be happening at Grrrl Fest?

Ebun: We will have activities (weather permitting) out in the garden of Silent Barn earlier in the day, from noon to 6pm. There will be tables with hands-on activities: button making, zine making, glitter tattoos, tarot card readings and more. The activities will teach and allow people to really participate in the event. Our sponsors will be in attendance to connect with the crowd too and get them involved in their organizations. There’s a silent auction which will help us to raise money for art in schools. And there will be art for sale benefiting young entrepreneurs with a portion of their sales going to various organizations at Grrrl.

AF: How did you go about getting sponsors for the event? Can you tell us a little bit about them?

Bridget: The sponsors for the event really happened so easily. First I have to say The Beacon School has truly supported this from the start. In addition, the people over at Silent Barn were behind this idea from the beginning. Nat Roe has been a dream to work with. He has been with us every step of the way and has supported pretty much anything we sent his way. He was the one that suggested we take the event into the night and have Pottymouth and the rest of the bands play later on in the evening. Originally it was going to be a six-hour event but now it’s about a twelve-hour event! As for the rest, we literally got on the phone and made calls or emailed people we thought could add to the event. BUST Magazine and Tom Tom Magazine were some of the first to back us up. Then Bennington [fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][College] came in with a generous donation. They really supported us from the minute this whole idea began. Libby Hux was a huge player at Bennington she literally got right on it and made calls and wrote to people to make that happen. As for Planned Parenthood, Lower East Side Girls Club, Bluestockings, Center for Arts Education, CHiPS, Willie Mae, Makers… we just reached out and asked if they would want to participate. They all said yes! We were thrilled! We even had some people contacting us once people got word of the event.

Ebun: Getting sponsors was not even on my mind when we first started this event actually. It was not until one of the magazines (Tom Tom) e-mailed me asking if they were sponsoring the event and I was like “Oh, duh!” I had some connections with some of the organizations such as WIllie Mae Rock Camp for Girls which is an organization that supports girls in doing music and Tom Tom which is a magazine dedicated to female percussionists.

AF: What aspect of Grrrl Fest excites you the most?

Ebun: I am excited about almost everything! I am excited to see how everything is going to be pulled together. A lot will be going on between these 11 hours and hopefully every bit will be exciting. All of the bands and performers are INCREDIBLE, the crafts should be really fun, and the t-shirts and tote bags (made by classmate and friend Clare Burden) are absolutely phenomenal. Hopefully it will continue to happen every year, and even on a larger scale![/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]