PLAYING DETROIT: Prude Boys Get Frisky in “Talking to Myself” Video

What do you get when you cross a water balloon fight and karaoke with one of Detroit’s most beloved dive bars? Well, you might get the latest video from garage rockers Prude Boys. The visual for their latest single “Talking to Myself” finds DIY babes Caroline Myrick, Quennton Thornbury and Connor Dodson delivering what they do best: curiously catchy, retro zombie rock whilst smoking in one of the most Instagram’d bathrooms in the 313, Hamtramck’s own Kelly’s Bar, of course.

Shot by the incomparable Noah Elliott Morrison, “Talking to Myself” encapsulates the typical midweek bar malaise of a tipsy Motor City. From an American Beauty Mena Suvari rose petal moment featuring a bearded, intoxicated patron to fence climbing, backyard wrestling and local karaoke superstars, Morrison’s visuals make a perfect marriage with  Prude Boys’ sound. It might be the shiny guitar licks or Myrick’s shimmering warble, but “Talking to Myself” delves into a fun kind of lonely. The track would feel just at home on the soundtrack for the film Clueless as it would on an episode of Netflix’s Millennial dating diary Love. Prude Boys channel montage pop with “Talking to Myself” – crafted masterfully to fit all shapes and sizes of crises.

Sing along, alone (of course) to the latest track from Prude Boys below:

PLAYING DETROIT: Prude Boys “The Outlaw”

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When the sandy shores of a zombie beach party meet the salty lawlessness of a vintage wild west shoot-out, you would likely find yourself galloping within the Tarantino-lite dreamworld crafted by the latest tracks from garage pop threesome Prude Boys.

The Outlaw, though only two tracks long, make for a grungy Lee Hazelwood x Nancy Sinatra reboot while garnering imagery of seduction and escape with their uniquely refined and playful nostalgia. The opening riff from the titled track is reminiscent of The Dandy Warhols lick from “You Were the Last High” but in Prude Boys uptempo context feels urgent and authentic surrounded by vocalist Caroline Myrick’s haunted warble. Wildly expressive without much deviation, “The Outlaw” is genre-less and toggles between what feels like fantasy cinema and curious reality like a chase through the Hollywood backlots and sound stages, dipping in and out of backdrops of ghost towns and real life coffee shops.

“You Plague My Dreams” follows “The Outlaw” with a jutting rock tale of a lingering lover. Tormented by wanting to stay but the unfair crimes of still hanging around even while deep into the R.E.M cycle, our antagonists find ways to make resentment soft and make guitars sound as though they are slamming doors. Though a little less obvious in its cinematic tonality than the EP’s opener, “You Plague My Dreams” finds itself in the closing credits territory which is apropos for a band with a knack for seeing the bigger picture.

Saddle up and get rowdy with the latest from Prude Boys below:

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PLAYING DETROIT: Moonwalks “Steam Train”

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No, you’re not crazy. It was just a few short months ago that I was praising Lunar Phases, the debut LP from the  space-psych rock four piece Moonwalks. Where Lunar Phases left off, their latest track “Steam Train” picks up with a feverish sense of self, pushing further into cosmic cohesion that feels both seasoned and sensational. After headlining the Hamtramck Music Festival this past weekend (hailed Detroit’s best music mashup year after year) and an upcoming gig this month supporting Diane Coffee (members of Foxygen) the band celebrates their two year “band-iversary” by announcing yet another LP on the way, In Light (The Scales In The Frame). 

“Steam Train” taps into the very things I love about Moonwalk’s reinterpretation of 60’s sedated rock, entangled with early Black Rebel Motorcycle club meets a zombie-fied The Dream Syndicate vibes. Even in its untamed composition, the lyrics compliment and combat with aching purification. The track opens with a slow build to the lyrics: “Mind is a window/mind is a window/mind is a window/every night” as the symbol crashing, bass pulse breaks through that very window. Although lyrically minimal and sonically repetitive, Moonwalks finds a sweet spot in the arrangement that is dark, subversive, and feels like fun you shouldn’t be having. It isn’t that “Steam Train” responds with a maturity that Lunar Phases lacked, rather that they root deeper into their next generation.

Catch Moonwalks playing w/Diane Coffee March 26th at Marble Bar in Detroit.

Check out “Steam Train” below:

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